of playing, fleetingly, a hotel receptionist, a bank clerk, a medical auxiliary, a nightclub doorman, and a police photographer. After half an hour, he couldn't stand it anymore, so he fast-forwarded the tape to the end, but, contrary to expectation, he failed to find in the credits any of the names on his list. He rewound back to the beginning, to the opening credits, which, out of force of habit, he had ignored, and there it was. The actor playing the part of the theater impresario in the film The Goddess of the Stage is called Daniel Santa-Clara.

...

DISCOVERIES MADE OVER THE WEEKEND ARE NO LESS VALID or valuable than those that first find being or expression on other, so-called working days. In both cases, the person who has made the discovery will inform his assistants, if they happen to be working overtime, or his family, if they happen to be near, and, if there's no champagne on hand, they will toast the success with the bottle of sparkling wine that has been waiting in the fridge for just such an occasion, congratulations will be given and received, details for the patent noted down, and life, imperturbable, will move on, having shown yet again that inspiration, talent, or chance are not particular about either time or place when it comes to revealing themselves. There can have been few cases when the discoverer, because he lived alone or had no assistants, did not have at least one person with whom he could share the joy of having bestowed on the world the light of a new piece of knowledge. More extraordinary and rarer still, not to say unique, is the situation in which Tertuliano Maximo Afonso finds himself at this precise moment, for not only has he no one to whom he can communicate his discovery of the name of the actor who is the very image of himself, he must also take great care to keep this discovery secret. Indeed, it is impossible to imagine Tertuliano Maximo Afonso rushing off to phone his mother, or Maria da Paz, or his colleague the mathematics teacher, and saying, the words tumbling over themselves in his excitement, I've found him, I've found him, the guy's name is Daniel Santa- Clara. If there is one secret in life he wants to keep under wraps so that no one even suspects its existence, it is this. For fear of the consequences, Tertuliano Maximo Afonso is obliged, possibly forever, to maintain absolute silence on the results of his investigations, both the results of this first phase, which ended today, and of any further investigations he may carry out in the future. He is also condemned, at least until Monday, to total inactivity. He knows the man is called Daniel Santa-Clara, but knowing this is about as useful as being able to say that a particular star is called Aldebaran, but knowing nothing else about it. The production company will be closed today and tomorrow, so there is no point in trying to phone them, at best a security guard would answer and he would only say, Phone back on Monday, no one's here today, Oh, Tertuliano Maximo Afonso would declare in an attempt to drag the conversation out, I thought there were no Sundays or holidays for a production company, that they filmed every day the Good Lord sent, especially in spring and summer, so as not to waste all those daylight hours, That's not my business, it's not my responsibility, I'm just a security guard, A well-informed security guard should know everything, They don't pay me to know everything, That's a shame, Anything else, the man would ask impatiently, Can you at least tell me who I should contact there to find out about actors, Look, I don't know, I don't know anything, I've already told you I'm just a security guard, phone back on Monday, the man will say again in exaspera tion, if he doesn't unleash a few choice words that the caller's impertinence more than justifies. Sitting in the armchair, in front of the television, surrounded by videos, Tertuliano Maximo Afonso comes to the conclusion, There's nothing I can do about it, I'm just going to have to wait until Monday to phone the production company. He said this and immediately felt his stomach contract as if with sudden fear. It was very quick, but the subsequent tremor lasted a few seconds longer, like the troubling vibration of a double-bass string. In order not to think about what had seemed to him some kind of threat, he asked himself what he could do with the rest of the weekend, what remains of today and all of tomorrow, how to occupy all those empty hours, one possibility would be to watch the remaining films, but that wouldn't provide him with any further information, he would merely see his face in other roles, perhaps as a dance teacher, perhaps as a fireman, perhaps as a croupier, a pickpocket, an architect, a primary school teacher, an actor looking for work, his face, his body, his words, his gestures, repeated ad nauseam. He could phone Maria da Paz, ask her to come and see him, tomorrow if not today, but that would mean tying his own hands, no self-respecting man asks for help from a woman, even if the woman doesn't know he's asking for help, to just send her away again afterward. It was at this point that a thought which had occasionally raised its head behind other more fortunate thoughts, without Tertuliano Maximo Afonso paying it the slightest attention, suddenly managed to push its way to the front, If you went and looked in the phone directory, it said, you could find out where he lives, you wouldn't have to bother the production company then, you could even, always assuming you felt up to it, go and see the street where he lives, and the house, although obviously you'd have to take the elementary precaution of disguising yourself, don't ask me as what, that's your problem. Tertuliano Maximo Afonso's stomach gave another lurch, this man refuses to understand that emotions are wise things, they worry about us, tomorrow they'll say, We warned you, but by then, in all probability, it will be too late. Tertuliano Maximo Afonso has the phone directory in his hands, which tremble as they search for the letter S, they leaf backward and forward, here it is. There are three Santa-Claras, but none of them is a Daniel.

It wasn't such a big disappointment. Such an arduous search couldn't just end like that, it would be too ridiculously easy. It's true that telephone directories have always been one of the prime investigatory tools of any private detective or local policeman endowed with a little basic intelligence, a kind of paper microscope capable of bringing the suspect bacterium to the investigator's visual curve of perception, but it is also true that this method of identification has had its difficulties and failures, all those people with the same name, heartless answering machines, wary silences, that frequent, discouraging reply, Sorry, that person doesn't live here anymore. Tertuliano Maximo Afonso's first and, logically speaking, correct thought was that Daniel Santa-Clara had not wanted his name to appear in the directory. Some influential people, with a high social profile, adopt this procedure, it's called defending their sacred right to privacy, businessmen and financiers do it, for example, as do corrupt politicians of the first order, the stars, planets, comets, and meteorites of the cinema, brooding writers of genius, soccer wizards, Formula One racing drivers, models from the worlds of high and medium fashion, and from low fashion too, and, for rather more understandable reasons, criminals with various crime specialities have also preferred the reserve, discretion, and modesty of an anonymity that, up to a point, protects them from unhealthy curiosity. In these cases, even if their exploits make them famous, we can be sure that we will never find their names in the phone book. Now, since Daniel Santa-Clara, at least from what we know of him so far, is not a criminal, and since he is not, and of this we have not the slightest doubt, a film star, despite belonging to the same profession, the reason for his absence from the small group of people bearing the surname Santa-Clara is bound to cause real perplexity, from which only profound thought will free us. This was precisely what Tertuliano Maximo Afonso was engaged in while we, with reprehensible frivolity, have been discussing the sociological type of those people who, deep down, would like to be included in a private, confidential, secret telephone directory, a kind of Almanach de Gotha that would record the new forms of ennoblement that exist in modern societies. The conclusion reached by Tertuliano Maximo Afonso, even though it belongs to the category of the blindingly obvious, is no less deserving of applause, for it demonstrates that the mental confusion which has tormented the history teacher's past few days has not proved an impediment to free and impartial thought. It is true that Daniel Santa-Clara's name does not appear in the telephone directory, but this doesn't mean that there isn't some, shall we say, family connection between one of the three people who do appear and Santa-Clara the film actor. Equally admissible is the probability that they all belong to the same family or even, if we are going down that road, that Daniel Santa-Clara does, in fact, live in one of those houses and that the telephone he uses is still, for example, registered in the name of his late grandfather. If, as children used to be told, in order to illustrate the relationship between small causes and great effects, for want of a shoe the horse was lost, for want of a horse the battle was lost, the trajectory followed by the deductions and inductions that brought Tertuliano Maximo Afonso to the conclusion set out above seems to us no less dubious and problematic than that edifying episode from the history of wars whose first agent and ultimate culprit must have been, when all's said and done and with no room for objections, the professional incompetence of the vanquished army's farrier. What will Tertuliano Maximo Afonso do next, that is the burning question. Perhaps he will be satisfied with having whittled away at the problem with a view to a subsequent study of the necessary conditions for drawing up an oblique approach strategy, of the prudent kind that proceeds by small advances and constant vigilance. To look at him, sitting in the chair where there began what is now, by any

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