Theodore and Sibley, Drowned (1893)
Sir John Stainer (1840–1901)
Walter Pater.
That was him!
It took Ashenden some twenty minutes or so, treading through overgrown grasses, and parting ivy from many semi-decipherable inscriptions, to find the strong, squat cross:
In te, Domine, speravi
WALTER PATER
Died July 30 1894
Then, almost immediately, he saw that other stone, the one he was looking for — an even simpler memorial:
JAMES ALFRED BOWDEN
1956–1981
Requiescat
For several minutes Ashenden stood there silently under the darkening shadows: it seemed a wonderfully unforbidding piece of ground in which to find a final resting-place. Yet no one wanted to die — certainly not John Ashenden, as he remained standing by the grave, wondering whether Jimmy Bowden, during the pain of his terminal illness, had ever recanted the dogmatic and confident atheism he had once propounded in the early hours of one most memorable day. But Ashenden doubted it. He recalled, too, that final postcard to which he had never replied.
There was no one else in the cemetery; no one there to observe the strange little incident when Ashenden, after looking round about him for a last reassurance, parted the thickly twined rootage of ivy at the rear of Bowden's small cross, took something from the right-hand pocket of his raincoat, and laid it carefully at the foot of the stone before replacing the ivy and patting it, almost effeminately, back into its pristine state.
He was in no hurry, and on his leisurely way back to the cemetery gate he stopped and read several of the gravestones, including 'Kenneth Grahame, who passed the river on the 6th July 1932, leaving childhood and literature through him the more blest for all time'. Ashenden loved the wording. He looked vaguely for 'Theodore and Sibley, Drowned (1893)'; but it was too dark now, and he could find no clue as to who they were and where they had perished.
He regained the main street, and on his way back to The Randolph called in the back bar of The King's Arms to order a pint of cask-conditioned Flowers. For which choice, Inspector Morse would have been quietly proud of him.
Shirley Brown had disengaged her arm as she and Eddie Stratton crossed into Beaumont Street at ten-past five.
'Whatever you say, Ed, I'd still like to know where he was going.'
'Like I say,
'He was trying to get out of sight — quick. You
'You still reckon he saw us?'
'I still reckon he saw us,' said Shirley Brown, in her Californian drawl. They were the only two in the guest- lift; and Eddie bade his temporary leave as they reached the third floor.
'See you in a little while, Shirl.'
'Yeah. And tell Laura I hope her feet are rested.'
Eddie Stratton had made no reply as he walked towards Room 310.
CHAPTER TEN
A foolish consistency is the hobgoblin of little minds
(
TOO LONG HAD Morse been in the police business for him to believe that a death and a theft, or (as he was now beginning to think) a theft and a death, were likely to be a pair of fortuitously contingent events. Not that he was even remotely hopeful about the
Come off it!
The truth was, of course, that Morse had virtually lost all interest in the case already, his only enduring memory being the admiration he'd felt for the alcoholic capacity of a lady named Mrs. Sheila Williams.
He just managed to hide the tumbler when without even a sociable knock Max put his head round the door and, seeing Morse in the Manager's chair, promptly entered and seated himself.
'They told me I'd find you here. Not that I needed much direction. Any pathologist worth his meagre remuneration tends to develop a fairly keen sense of smell.'