The Jewel That Was Ours

Royalist artillery was quartered on its acres during the Civil War.

Two of these latter-day lovers, Michael Woods (aged seventeen) and Karen Jones (two years older), and both from the village of Old Marston to the east of the Parks, had sauntered over the high-arched Rainbow Bridge across the Cherwell, and come to 'Mesopotamia', a pathway between two branches of the river, when young Michael, encouraged by the fact that he was now resting the palm of his right hand upon the right buttock of the slightly forbidding Karen — and without any perceptible opposition on her part — steered the nymphet into the enclosure known as Parson's Pleasure. This famous and infamous bathing place is to be found at a point where the Cherwell adapts itself to a pleasingly circumscribed swimming area at a bend of the river, with a terrace of unsophisticated, though adequate, cubicles enabling would-be bathers to shed their clothing and to don, or not to don, their swimming costumes there. Green-painted, corrugated-iron fencing surrounds Parson's Pleasure, with the access gate fairly jealously guarded during the summer months, and firmly locked after the waters are deemed too cold for even the doughtiest of its homoerotic habitues. But whether from an unseasonable gale, or whether from recent vandalism, one section of the perimeter fencing lay forlornly on the ground that evening; and very soon the young pair found themselves seated side by side in one of the cubicles. In spite of her seniority in years, Karen was considerably the more cautious of the two in the progress of this current courtship. And justifiably so, for Michael, as vouched for by several of the village girls, was a paid-up member of the Wandering Hands Brigade. After several exploratory fingerings along the left femur, a sudden switch of tactics to the front of her blouse had heralded a whole new manual offensive — when at that point she decided to withdraw to previously prepared positions.

'Mike! Let's get out of here, please! I'm getting a bit chilly—'

'I'll soon see to that, love!'

'And it's a bit spooky. I don't like it here, Mike.'

He'd known, really, ever since they'd slipped through the hedge at half-past eight; known when he'd kissed her briefly on the Rainbow Bridge above the swollen and fast-flowing waters, testing the temperature and finding it not warm enough for any further penetration into the underclothing of a girl who seemed dressed that balmy evening as if for some Antarctic expedition. He stood up now, and (as she thought) with a surprisingly gallant, almost endearing gesture, refastened the only button on her blouse he'd thus far managed to disengage.

'Yeah! Gettin' a bi' chilly, innit?' he lied.

The moon as they walked from the cubicle was bright upon the waters, and Karen was wondering whether she might slighdy have misjudged this lively, fun-loving youth when her eyes caught sight of something lying lengthways across the top of the weir in front of them.

'Yaaaaahhhhh!'

Part Two

CHAPTER TWENTY

The moon jellyfish

like a parachute in air

sways under the waves

(Basil Swift, Collected Haiku)

IT WAS HALFWAY through the slow movement of Dvorak's American Quartet — with Morse mentally debating whether that wonderful work might just edge out the 'In Paradisum' from the Faure Requiem for the number eight spot in his Desert Island cassettes — when the phone rang. For the second time that evening. Some while earlier, a weary-sounding Lewis had informed Morse that Mr. Eddie Stratton had gone off somewhere just after lunchtime — from the railway station and had still not returned to The Randolph. Naturally such a prolonged absence was a little worrying, especially in view of, well, the circumstances; and in fact an anxious Ashenden had rung Kidlington a few minutes previously, just in case the police knew anything. So Lewis thought he perhaps ought to mention it before going off duty. To that earlier call Morse had listened with a grudging, half-engaged attention; but he was listening far more carefully now.

Both Lewis and Max were already on the scene when Morse arrived, the surgeon (incongruously suited in evening-dress) immediately putting the chief inspector into the picture — in a somewhat flushed and florid manner:

'The dead man lay there, Morse'—pointing to the moonlit water by the weir—' 'something pale and long and white', as the young lady said. Rather good, eh? Somebody'd poked him along here with a punt-pole; and when I arrived his body — his naked, semi-waterlogged body — was nudging against the side of the bank — just here — just in front of the changing cubicles, face down, his head washed clean of blood — much blood, methinks, Morse! — his hair rising and falling—'

'Have you been rehearsing all this stuff, Max?'

'Just drinking, dear boy. hair rising and falling in the water like some half-knackered jelly-fish.'

'Very fine!'

'I read that bit about the jelly-fish somewhere. Too good to let it go, eh?'

'He needed a hair-cut, you mean?'

'You've no poetry in your soul.'

'What party was it tonight?

'Oxfordshire Health Authority. Guest Speaker — no less!' Max flicked his bow-tie with the index-finger of his right hand, before pointing the same finger at the figure of a man lying covered with a plastic sheet on the splashed grass beside the water's edge.

'Who is it?' asked Morse quietly.

'Ah, I was hoping you could tell me that. You're the detective, Morse. Have a guess!'

'A seventy-year-old Californian whose wife died yesterday — died, according to the best informed medical opinion, of purely natural causes.'

'And what did he die of?'