The Sweetness at the Bottom of the Pie

'Mr. Twining was more kindly than adept; not a very polished performer, I must admit, but he carried off his tricks with such ebullience, such good-hearted enthusiasm, that it would have been churlish of us to withhold our noisy schoolboy applause.

'He taught us, in the evenings, to turn wine into water using no more than a handkerchief and a bit of colored blotting paper; how to make a marked shilling vanish from a covered drinking glass before being extracted from Simpkins's ear. We learned the importance of 'patter,' the conjurer's line of talk, as it were; and he drilled us in spectacular shuffles which left the ace of hearts always at the bottom of the pack.

'It goes without saying that Mr. Twining was popular; loved might be a better word, although few of us at the time had seen enough of that emotion to recognize it for what it was.

'His greatest recognition came when the headmaster, Dr. Kissing, asked him to get up a conjuring show for Parents' Day, a happy scheme into which he threw himself wholeheartedly.

'Because of my prowess with an illusion called 'The Resurrection of Tchang Fu,' Mr. Twining was keen to have me perform it as the grand finale of the show. The stunt required two operators, and for that reason he allowed me to choose any assistant I wanted; that was how I came to know Horace Bonepenny.

'Horace had come to us from St. Cuthbert's after a fuss at that school about some missing money—just a couple of pounds, I believe it was, although at the time it seemed a fortune. I felt sorry for him, I admit. I felt he had been misused, particularly when he confided to me that his father was the cruelest of men and had done unspeakable things in the name of discipline. I hope this is not too coarse for your ears, Flavia.”

'No, of course not,' I said, pulling my chair closer. 'Please go on.'

'Horace was an extraordinarily tall boy even then, with a shock of flaming red hair. His arms were so long in the school jacket that his wrists stuck out like bare twigs beyond the cuffs. 'Bony,' the boys called him, and they ragged him without mercy about his appearance.

'To make matters worse, his fingers were impossibly long and thin and white, like the tentacles of an albino octopus, and he had that pale bleached skin one sometimes sees in redheads. It was whispered that his touch was poison. He played this up a bit, of course, snatching with pretended clumsiness at the jeering boys who danced round him, always just out of reach.

'One evening after a game of hare and hounds he was resting at a stile, panting like a fox, when a small boy named Potts danced in on tiptoe and delivered him a stinging blow across the face. It was meant to be no more than a touch, like tagging the runner, but it soon turned into something else.

'When they saw that the fearful monster, Bonepenny, was stunned, and his nose bleeding, the other boys began to pile on, and Bony was soon down, being pummeled, kicked, and savagely beaten. It was just then that I happened along.

''Hold up!' I shouted, as loudly as I could, and to my amazement, the scuffle stopped at once. The boys began extricating themselves, one by one, from the tangle of arms and legs. There must have been something in my voice that made them obey instantly. Perhaps the fact that they had seen me perform mystifying tricks lent me some invisible air of authority, I don't know, but I do know that when I ordered them to get themselves back to Greyminster, they faded like a pack of wolves into the dusk.

''Are you all right?' I asked Bony, helping him to his feet.

''Faintly tender, but only in one or two widely separated spots—like Carnforth's beef,' he said, and we both laughed. Carnforth was the notorious Hinley butcher whose family had been supplying Greyminster with its boot- leather Sunday roasts of beef since the Napoleonic Wars.

'I could see that Bony was more badly beaten than he was willing to let on, but he put a brave face on it. I gave him my shoulder to lean upon, and helped him hobble back to Greyminster.

'From that day on, Bony was my shadow. He adopted my enthusiasms, and in doing so seemed almost to become a different person. There were times, in fact, when I fancied he was becoming me; that here before me was the part of myself for which I had been searching in the midnight mirror.

'What I do know is that we were never in better form than when we were together; what one of us couldn't do, the other could accomplish with ease. Bony seemed to have been born with a fully formed mathematical ability, and he was soon unveiling for me the mysteries of geometry and trigonometry. He made a game of it, and we spent many a happy hour calculating upon whose study the clock tower of Anson House would fall when we toppled it with a gigantic steam lever of our own invention. Another time, we worked out by triangulation an ingenious series of tunnels which, at a given signal, would collapse simultaneously, causing Greyminster and all its inhabitants to plunge into a Dantean abyss, where they would be attacked by the wasps, hornets, bees, and maggots with which we planned to stock the place.”

Wasps, hornets, bees, and maggots? Could this be Father speaking? I suddenly found myself listening to him with new respect.

'How this was to be achieved,' he went on, 'we never really thought through, but the upshot of it all was that while I was getting chummy with old Euclid and his books of propositions, Bony, with a bit of coaching, was turning out to be a natural conjurer.

'It was the fingers, of course. Those long white appendages seemed to have a life of their own, and it wasn't long before Bony had mastered completely the arts of prestidigitation. Various objects appeared and vanished at his fingertips with such fluid grace that even I, who knew perfectly well how each illusion was done, could scarcely believe my eyes.

'And as his conjuring skill grew, so did his sense of self-worth. With a bit of magic in hand, he became a new Bony, confident, smooth, and perhaps even brash. His voice changed too. Where yesterday he had sounded like a raucous schoolboy, he seemed now, suddenly—at least, when he was performing—to possess a voice box of polished mahogany: a hypnotic professional voice which never failed to convince its hearers.

''The Resurrection of Tchang Fu' worked like this: I decked myself out in an oversized silk kimono I had found at a church jumble sale, a beautiful bloodred thing covered with Chinese dragons and mystical markings. I plastered my face with yellow chalk and stretched a thin elastic round my head to pull my eyes up at the corners. A couple of sausage casings from Carnforth's, varnished and cut into long, curving fingernails, added a disgusting detail. All that was needed to complete my getup was a bit of burnt cork, a few wisps of frayed string for a beard, and a frightful theatrical wig.

'I would call for a volunteer from the audience—a confederate, of course, who had been rehearsed beforehand. I would bring him onstage and explain, in a comic singsong Mandarin voice, that I was about to kill him, to send him off to the Land of the Happy Ancestors. This matter-of-fact announcement never failed to fetch a gasp from the audience, and before they could recover themselves, I would pull a pistol from the folds of my robe, point it at my