seem to have altered much from its days as the lower chamber of a hopkiln. Its walls were of old, bare brick, hung with shadowy implements, non-culinary.

Romantic, maybe, but not an easy place to live.

‘In their defence,’ Mr Stock said, ‘the Smith brothers told a different story which, to me, has more than a ring of truth. It certainly didn’t do their reputation any favours. Basically, they admitted visiting poor old Stewart on a number of occasions at night to… administer to his needs.’

‘You mean sexual,’ Merrily said. ‘For money.’

Next to her was a dark wood rectangular table top on a crossed frame which looked as if it had once been something else. A large-format book called The Hop Grower’s Year lay face down on it. On the back of the book was a photograph of the author – small features under grey-white hair so dense it was like a turban. The photo was one of those old-fashioned studio portraits with a pastel backcloth like the sky of another world, and the face brought home to her the reality – and the unreality – of why she was here. For this was him: the kiln-house ghost.

Her first task: to determine whether it was reasonable to believe that some wisp, some essence of this person was still here. Madness. Even half the clergy thought it was madness.

‘… Agreed they’d accepted money several times,’ Gerard Stock was saying, ‘for research and for giving him… hand relief, as it was described to the court. All rather sordid, but gypsies aren’t squeamish about sex. As Stewart pointed out in his book, their society might be closed to the outside world, but it’s very open and liberal when you’re on the inside. Gypsy kids tend to get their first carnal knowledge at the hands of siblings, if not parents. Prudish, they’re not, which is healthy in a way, I suppose – you won’t find many Romanies in need of counselling.’

He inspected Merrily, as if checking how prudish she might be. No way could she align this Stock with the slick PR man described by Fred Potter, the reporter, and hinted at by Simon St John. He was just someone trying to rationalize the irrational, more scared by it than he’d ever imagined he could be. He’d told her frankly that Stewart Ash and he had never got on – Ash always blaming him for leading his niece into a world of ducking, diving and periodic penury.

People will talk to you, as a human being, the Bishop had said, meaning she came over as small and harmless – no black bag.

‘Look… if you want to sit down over there…’ Mr Stock indicated a chair pulled out from the table. ‘I’m afraid Stewart really was found lying with his head almost exactly where your feet are.’

‘I’m OK. Go on.’

‘Well, he was wearing pyjamas. There was a lot of blood. His face was almost unrecognizable. We’ve scrubbed and scrubbed at the flag, but when the sun’s in the right position you can still see the stains distinctly.’

Merrily made a point of not looking down, inspecting the upper part of the room instead. She’d been in hop- kilns before, and couldn’t help noticing how basic this restoration had been – rough boarding fitted where once thin laths would have been spaced out across the rafters, supporting a cloth to hold the hops for drying over the furnace.

‘The Smiths always fiercely denied killing him, insisting, at first, to the police that someone must have followed them in and done it after they’d left.’

‘Any evidence of that?’

‘Of sexual activity? Apparently not. When there was nothing in the forensic evidence, nothing from the post-mortem, to suggest Stewart had recently had sex, they panicked and one of them changed his story – claiming they’d come here to do the business and found him already dead.’

‘That couldn’t have helped them,’ Merrily said.

‘Finished them completely, far as the jury was concerned. Found guilty, sent down for life. They’ve appealed now – every one appeals. Couple of civil-liberties groups assisting. Probably won’t succeed, but I imagine one or two people in the area are getting a touch jittery about it. We certainly are.’ He laughed nervously. ‘If they didn’t do it, who did? It’s one thing to live in a place where a murder was committed; something else to live with the possibility that the murderer’s still out there.’

‘You think that’s a real possibility?’

‘Oh yes.’

He walked over to the wall, pulled down a wooden pole with a slender sickle on one end. Unexpectedly, the crescent blade flashed in the shaft of sunlight from the middle window. Merrily stayed very still as he hefted it from hand to hand.

‘They used these things for cutting down bines. I sharpened it. I thought, they’re not going to get me like they got Stewart. Ridiculous.’ He shuddered, replaced the tool. ‘I just don’t trust the countryside.’

So why hadn’t the Stocks sold the place and got out?

‘I don’t understand. Why would anyone want to get to you?

‘I—’ He looked at her, as if he was about to say something, then he hung his head. ‘I don’t really know. I just don’t feel safe here. Never have. Lie awake sometimes, listening for noises. Hearing them, too. The country is —’

‘What sort of noises?’

‘Oh – creaks, knocking. Birds and bats and squirrels.’ He shrugged uncomfortably. ‘I don’t know. Nothing alarming, I suppose. Except for the footsteps. I do know what a footstep sounds like.’

‘You’ve actually heard footsteps?’

‘Not loud crashing footsteps echoing all over the place, like in the movies. These are little creeping steps. Always come when you’re half asleep. It’s like they’re walking into your head. You think you’ve heard them, though you’re never sure. But in the middle of the night, thinking is… quite enough, really.’

It wasn’t quite enough for Merrily. ‘What about the furniture being moved?’

He looked up sharply. ‘Oh, we didn’t hear that happen. We had the table over the bloodstained flag – to cover it, keep it out of sight. We’d come down in the morning and find it was back where… where it is now. This happened twice. But we never heard anything.’

‘And you talked about a figure? You said in the paper you’d seen a figure coming out—’

‘Yeah.’ He walked over to the part of the wall opposite the door. ‘Coming out… just here. I said “a figure” because you’ve got to make it simple for these crass hacks – my working life’s been about avoiding big words. But actually it was simply a… a lightform. Do you know what I mean?’

‘A moving light?’

‘A luminescence. Something that isn’t actually shining but is lighter than the wall. And roughly the shape of a person. We’d finished supper… a very late supper; it was our wedding anniversary. And sudenly the room went cold – now that happened, that’s one cliche that did happen. It’s a funny sort of cold, you can’t confuse it with the normal… goes right into your spine… do you know what I mean?’

‘Yes, I do.’ This was, on the whole, convincing. When you thought of all the embellishments he might have added – the familiar smell of Stewart’s aftershave, that kind of stuff…

Merrily shivered again, glad she’d put a jacket on – to hide the Radiohead T-shirt, actually. She’d left the vicarage in a hurry – no breakfast, just a half-glass of water – throwing her vestment bag into the boot. Usually, she’d spend an hour or so in the church before a Deliverance job, but there’d been no time for that either.

‘Mind you, it’s so often like a morgue in here.’ Gerard Stock folded his arms. ‘And dark in itself creates a sense of cold, doesn’t it? The living room through there’s no better. That was formerly the part where the dried hops were bagged up, put into sacks.’

‘Hop-pockets,’ Merrily said.

‘Oh, you know about hops?’

‘A bit.’

‘Stewart had absolutely steeped himself in the mythology of hops – not that there’s much of one. He got quite obsessed over something that—I mean, it’s just an ingredient in beer, isn’t it? A not very interesting plant that you have to prop up on poles.’

‘There was a hop-yard at the back here?’

Was. The wilt got it.’

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