The October Country

so-and-so. S'long, farmer!'

Charlie drove off. The naked blue light bulbs withdrew like dying stars, the open, dark country night of Louisiana swept in around wagon and horse. There was just Charlie, the horse timing his gray hoofs, and the crickets.

And the jar behind the high seat.

It sloshed back and forth, back and forth. Sloshed wet. And the cold gray thing drowsily slumped against the glass, looking out, looking out, but seeing nothing, nothing.

Charlie leaned back to pet the lid. Smelling of strange liquor his hand returned, changed and cold and trembling, excited. Yes, sir! he thought to himself, Yes, sir!

Slosh, slosh, slosh…

In the Hollow, numerous grass-green and blood-red lanterns tossed dusty light over men huddled, murmuring, spitting, sitting on General Store property.

They knew the creak-bumble of Charlie's wagon and did not shift their raw, drab-haired skulls as he rocked to a halt. Their cigars were glowworms, their voices were frog mutterings on summer nights.

Charlie leaned down eagerly. 'Hi, Clem! Hi, Milt!'

'Lo, Charlie. Lo, Charlie,' they murmured. The political conflict continued. Charlie cut it down the seam: 'I got somethin' here. I got somethin' you might wanna see!'

Tom Carmody's eyes glinted, green in the lamplight, from the General Store porch. It seemed to Charlie that Tom Carmody was forever installed under porches in shadow, or under trees in shadow, or if in a room, then in the farthest niche shining his eyes out at you from the dark. You never knew what his face was doing, and his eyes were always funning you. And every time they looked at you they laughed a different way.

'You ain't got nothin' we wants to see, baby-doll.'

Charlie made a fist and looked at it. 'Somethin' in a jar,' he went on. 'Looks kine a like a brain, kine a like a pickled jellyfish, kine a like-well, come see yourself!'

Someone snicked a cigar into a fall of pink ash and ambled over to look. Charlie grandly elevated the jar lid, and in the uncertain lantern light the man's face changed. 'Hey, now, what in hell is this-?'

It was the first thaw of the evening. Others shifted lazily upright, leaned forward; gravity pulled them into walking. They made no effort, except to put one shoe before the other to keep from collapsing upon their unusual faces. They circled the jar and contents. And Charlie, for the first time in his life, seized on some hidden strategy and crashed the glass lid shut.

'You want to see more, drop aroun' my house! It'll be there,' he declared, generously.

Tom Carmody spat from out his porch eyrie. 'Ha!'

'Lemme see that again!' cried Gramps Medknowe. 'Is it a octopus?'

Charlie flapped the reins; the horse stumbled into action.

'Come on aroun'! You're welcome!'

'What'll your wife say?'

'She'll kick the tar off'n our heels!'

But Charlie and wagon were gone over the hill. The men stood, all of them, chewing their tongues, squinting up the road in the dark. Tom Carmody swore softly from the porch…

Charlie climbed the steps of his shack and carried the jar to its throne in the living room, thinking that from now on this lean-to would be a palace, with an 'emperor'-that was the word! 'emperor'-all cold and white and quiet drifting in his private pool, raised, elevated upon a shelf over a ramshackle table.

The jar, as he watched, burnt off the cold mist that hung over this place on the rim of the swamp.

'What you got there?'

Thedy's thin soprano turned him from his awe. She stood in the bedroom door glaring out, her thin body clothed in faded blue gingham, her hair drawn to a drab knot behind red ears. Her eyes were faded like the gingham. 'Well,' she repeated. 'What is it?'

'What's it look like to you, Thedy?'

She took a thin step forward, making a slow, indolent pendulum of hips, her eyes intent upon the jar, her lips drawn back to show feline milk teeth.

The dead pale thing hung in its serum.

Thedy snapped a dull-blue glance at Charlie, then back to the jar, once more at Charlie, once more to the jar, then she whirled quickly.

'It-it looks-looks just like you, Charlie!' she cried.

The bedroom door slammed.

The reverberation did not disturb the jar's contents. But Charlie stood there, longing after his wife, heart pounding frantically. Much later, when his heart slowed, he talked to the thing in the jar.

'I work the bottom land to the butt-bone every year, and she grabs the money and runs off down home visitin' her folks nine weeks at a stretch. I can't keep hold of her. Her and the men from the store, they make fun of me. I can't help it if I don't know a way to hold onto her! Damn, but I try!'

Philosophically, the contents of the jar gave no advice.

'Charlie?'

Someone stood in the front-yard door. Charlie turned, startled, then broke out a grin. It was some of the men from the General Store.

'Uh-Charlie-we-we thought-well-we came up to have a look at that-stuff-you got in that there jar-'

July passed warm and it was August.

For the first time in years, Charlie was happy as tall corn growing after a drought. It was gratifying of an evening to hear boots shushing through the tall grass, the sound of men spitting into the ditch prior to setting foot on the porch, the sound of heavy bodies creaking the boards, and the groan of the house as yet another shoulder leaned against its frame door and another voice said, as a hairy wrist wiped a mouth clean: 'Kin I come in?'

With elaborate casualness, Charlie'd invite the arrivals in. There'd be chairs, soapboxes for all, or at least carpets to squat on. And by the time crickets were itching their legs into a summertime humming and frogs were throat-swollen like ladies with goiters shouting in the great night, the room would be full to bursting with people from all the bottom lands.

At first nobody would say anything. The first half-hour of such an evening, while people came in and got settled, was spent in carefully rolling cigarettes. Putting tobacco neatly into the rut of brown paper, loading it, tamping it, as they loaded and tamped and rolled their thoughts and fears and amazement for the evening. It gave them time to think. You could see their brains working behind their eyes as they fingered the cigarettes into smoking order.

It was kind of a rude church gathering. They sat, squatted, leaned on plaster walls, and one by one, with reverent awe, they stared at the jar upon its shelf.

They wouldn't stare sudden-like. No, they kind of did it slow, casual, as if they were glancing around the room-letting their eyes fumble over just any old object that happened into their consciousness.

And-just by accident, of course-the focus of their wandering eyes would occur always at the same place. After a while all eyes in the room would be fastened to it, like pins stuck in some incredible pincushion. And the only sound would be someone sucking a corncob. Or the children's barefooted scurry on the porch planks outside. Maybe some woman's voice would come, 'You kids git away, now! Git!' And with a giggle like soft, quick water, the bare feet would rush off to scare the bullfrogs.

Charlie would be up front, naturally, on his rocking chair, a plaid pillow under his lean rump, rocking slow, enjoying the fame and looked-up-to-ness that came with keeping the jar.

Thedy, she'd be seen way back of the room with the womenfolk in a bunch, all gray and quiet, abiding their men.

Thedy looked like she was ripe for jealous screaming. But she said nothing, just watched men tromp into her living room and sit at the feet of Charlie, staring at this here Holy Grail-like thing, and her lips were set cold and hard and she spoke not a civil word to anybody.

After a period of proper silence, someone, maybe old Gramps Medknowe from Crick Road, would clear the phlegm from a deep cave somewhere inside himself, lean forward, blinking, wet his lips, maybe, and there'd be a