Perplexed, Polly turned back to the exit through which Jennings had just fled. Outside, she heard the menacing rumble of something huge approaching.
4
Robots from the Sky. The Defense of Manhattan. Polly Gets Her Scoop
When Polly burst out of the movie theater into the street, she ran into a scene of complete mayhem. Cabs skidded into one another, scraping sparks and denting bumpers. Pedestrians ran headlong into the roadways, blindly seeking shelter.
Though America was not at war with any nation, every year it seemed another mad scientist with another doomsday plan tried to destroy a major city. Polly remembered the flying Iron Sphere and its mind-control antennae, and then it was Lord Dynamo and his terrible lightning-rod zeppelin. By now the population of Manhattan had learned how to react in an emergency. Air-raid sirens pealed out, and New Yorkers raced for designated civil defense shelters.
Called into position by spotters stationed atop the tallest skyscrapers, military and police battalions hurriedly set up defensive blockades. They prepared their weapons and set up cars and tanks as roadblocks. Piercing spotlights swept the darkening skies, searching for the oncoming threat.
A droning, thunderous rumble echoed through the canyons of the city, sounds reflected by the tall buildings. Policemen and soldiers tilted the barrels of their guns high. Terrified people simply pointed their fingers and stared upward.
Polly peered into the slice of sky visible between buildings and saw an aerial invasion force unlike any she had ever imagined. A swarm of strange flying machines cruised overhead, shaped not like aircraft, but metal humans with legs pressed together and arms outstretched as wings. The giant metal men cruised along under their own power, organized in a tight formation descending over New York.
Polly ducked around the corner of a building as uniformed soldiers ran past, their boots clattering on the wet sidewalk. They held rifles and machine guns ready as if they were charging enemy trenches in the Great War. Fifth Avenue was fast becoming a battle zone.
Moving with a reporter's automatic instincts, Polly had already removed her camera, installed the electronic flash, and snapped a quick photo of the mayhem. At least she had plenty of film. But she needed to see more — and she had to get her story off to the Chronicle before any other reporter got the scoop. By sheer dumb luck, because of her meeting with Dr. Jennings, Polly Perkins was right in the thick of things. Editor Paley would be proud… or angry.
Like a flock of sinister migrating geese, the giant robots droned overhead higher than the skyscrapers, heading toward an unknown target. Wave after wave of them passed.
As she considered her next move, Polly spotted a phone booth on the corner of Fifty-third Street and made a run for it. Tucking herself inside, she slid the folding glass door shut to block out most of the uproar of air-raid sirens and military preparations. She urgently produced a handful of change from her purse, deposited a coin into the phone's slot, then dialed.
Polly pressed the receiver close to her ear as Editor Paley's phone rang. She knew the older man would still be there. In fact, in such an emergency, he was probably standing at his window along with a few other reporters, watching searchlights scan the heavens and trying to make sense of the ominous fleet of flying iron giants.
On the third ring, Paley picked up the phone. 'City desk!' In the background, she could hear that the newsroom was in a chaotic frenzy.
'It's Polly, Mr. Paley! I'm your reporter on the scene. Right here, in the midst of it all.'
'Polly?' He didn't sound pleased at all. 'Listen to me — you get out of there!'
'That doesn't sound like a good decision, Mr. Paley. Don't you want to sell newspapers?'
He grumbled. 'Tell me what's going on. They're calling for Midtown to evacuate.'
With rapid-fire chatter, Polly explained while flipping through pages in her small notepad. 'Listen, Mr. Paley, I don't have much time. I met with my contact in the theater and got some information. Everything ties together with the disappearances. I'm sure of it.'
'What ties together? What are you talking about, Polly?'
Watching the military tanks pull into position, she wedged the phone between her shoulder and ear so she could scribble another note. 'I need anything you can dig up for me on a Dr. Walter Jennings and someone named Totenkopf. A project named Unit Eleven. Get me a phone number, an address, anything you can find. It's important.'
'Totenkopf? Who is he?'
'That's what I'm hoping you can tell me. A German researcher or something. I think he may be involved with the missing scientists. Meanwhile, I'll see what I can find out around here.'
'Uh, Polly — you do know they've set up a restricted perimeter? You're supposed to evacuate.'
'I'm supposed to get a scoop for the Chronicle, Mr. Paley, so don't ask me to leave now.'
On the phone, she heard him call to a copy boy and bark orders. 'You there, dig up some information on this — fast as you can.' His voice became louder as he spoke directly into the phone again. 'Polly, listen to me. I'm your boss, and I want you out of there right now. Do you hear me? Hang up the phone, close your notebook, and just get out of there.'
Polly turned to look through the window of the phone booth. 'Wait a minute… I see something.' Her eyes widened. 'It's coming into sight now above the Palisades! They're… they're huge! They're crossing Sixth Avenue. Fifth Avenue. A hundred… a hundred yards away.'
From inside the phone booth, Polly moved her eyes slowly upward, amazed at the massive size of the machines heading her way. They were taller than some of the buildings. Her voice dropped to a whisper. 'My God…'
Desperate gunfire erupted all around her.
At the Chronicle's city desk, Morris Paley could hear the chaos through the telephone receiver. Out of his office window, he saw bright spotlights and the sparkling flicker of repeated gunfire from ground level. He clutched the phone. 'Polly?' There was no answer. 'Polly!'
On the corner of Fifty-third Street, the receiver swung freely inside the empty phone booth. The editor's faint voice called after her through the dangling telephone. 'Polly! Polly!'
5
March of the Giant Machines. Calling Sky Captain! A Dangerous Photo Opportunity
While the police hunkered down in formation behind their squad cars, preparing to open fire, Polly sprinted away from the phone booth. Her camera dangled on its strap, and she knew she had to get closer — but the police barricade was right in her way. Everyone else had already evacuated or found secure shelter.
Her shadow cast a trim silhouette against the brick foundation of a tenement building as she ran down a narrow alleyway, sneaking around the squad cars.
'Stop! Hey, lady — come back!' A police officer blew a whistle at her. 'Aww, c'mon, lady! I can't go chasing after you — we got giant monsters coming this way!'
Polly didn't answer as she caught her breath in the darkened alley, then checked her camera, ready for the best shot. She would do whatever it took to get the story or snap an award-winning photograph. Besides, she didn't see any of the male reporters from the New York Chronicle putting themselves in danger for the sake of a scoop.
When the ground around her began to shake as something enormous moved past the narrow opening of the alleyway, she wondered if she might have made too brash a decision. She looked up — and up — at what was coming her way. 'I should have brought my wide-angle lens.'
