'You first scour the kettles,' said Mr. Jack, leaning toward him excitedly, 'to cook the beans in the morning, and you lie down on a blanket and keep quite still. Then they come out and dance for you. You would go out and dance with them but you are chained every night to the centre pole of the hut. You believe the mountains dance, don't you, Charlie?'

'I contradict no traveller's tales,' said Grandemont, with a smile.

Mr. Jack laughed loudly. He dropped his voice to a confidential whisper.

'You are a fool to believe it,' he went on. 'They don't really advance. It's the fever in your head. It's the hard work and the bad water that does it. You are sick for weeks, and there is no medicine. The fever comes on every evening, and then you are as strong as two men. One night the compania are lying drunk with mescal. They have brought back sacks of silver dollars from a ride, and they drink to celebrate. In the night you file the chain in two and go down the mountain. You walk for miles--hundreds of them. By and by the mountains are all gone, and you come to the prairies. They do not dance at night; they are merciful, and you sleep. Then you come to the river, and it says things to you. You follow it down, down, but you can't find what you are looking for.'

Mr. Jack leaned back in his chair, and his eyes slowly closed. The food and wine had steeped him in a deep calm. The tense strain had been smoothed from his face. The languor of repletion was claiming him. Drowsily he spoke again.

'It's bad manners--I know--to go to sleep--at table--but--that was-- such a good dinner--Grande, old fellow.'

Grande! The owner of the name started and set down his glass. How should this wretched tatterdemalion whom he had invited, Caliph-like, to sit at his feet know his name?

Not at first, but soon, little by little, the suspicion, wild and unreasonable as it was, stole into his brain. He drew out his watch with hands that almost balked him by their trembling, and opened the back case. There was a picture there--a photograph fixed to the inner side.

Rising, Grandemont shook Mr. Jack by the shoulder. The weary guest opened his eyes. Grandemont held the watch.

'Look at this picture, Mr. Jack. Have you ever--'

'My sister Adele!'

The vagrant's voice rang loud and sudden through the room. He started to his feet, but Grandemont's arms were about him, and Grandemont was calling him 'Victor!--Victor Fauquier! Merci, merci, mon Dieu!'

Too far overcome by sleep and fatigue was the lost one to talk that night. Days afterward, when the tropic calentura had cooled in his veins, the disordered fragments he had spoken were completed in shape and sequence. He told the story of his angry flight, of toils and calamities on sea and shore, of his ebbing and flowing fortune in southern lands, and of his latest peril when, held a captive, he served menially in a stronghold of bandits in the Sonora Mountains of Mexico. And of the fever that seized him there and his escape and delirium, during which he strayed, perhaps led by some marvellous instinct, back to the river on whose bank he had been born. And of the proud and stubborn thing in his blood that had kept him silent through all those years, clouding the honour of one, though he knew it not, and keeping apart two loving hearts. 'What a thing is love!' you may say. And if I grant it, you shall say, with me: 'What a thing is pride!'

On a couch in the reception chamber Victor lay, with a dawning understanding in his heavy eyes and peace in his softened countenance. Absalom was preparing a lounge for the transient master of Charleroi, who, to- morrow, would be again the clerk of a cotton-broker, but also--

'To-morrow,' Grandemont was saying, as he stood by the couch of his guest, speaking the words with his face shining as must have shone the face of Elijah's charioteer when he announced the glories of that heavenly journey--'To-morrow I will take you to Her.'

ON BEHALF OF THE MANAGEMENT

This is the story of the man manager, and how he held his own until the very last paragraph.

I had it from Sully Magoon, viva voce. The words are indeed his; and if they do not constitute truthful fiction my memory should be taxed with the blame.

It is not deemed amiss to point out, in the beginning, the stress that is laid upon the masculinity of the manager. For, according to Sully, the term when applied to the feminine division of mankind has precisely an opposite meaning. The woman manager (he says) economizes, saves, oppresses her household with bargains and contrivances, and looks sourly upon any pence that are cast to the fiddler for even a single jig-step on life's arid march. Wherefore her men-folk call her blessed, and praise her; and then sneak out the backdoor to see the Gilhooly Sisters to a buck-and-wing dance.

Now, the man manager (I still quote Sully) is a Caesar without a Brutus. He is an autocrat without responsibility, a player who imperils no stake of his own. His office is to enact, to reverberate, to boom, to expand, to out-coruscate--profitably, if he can. Bill- paying and growing gray hairs over results belong to his principals. It is his to guide the risk, to be the Apotheosis of Front, the three- tailed Bashaw of Bluff, the Essential Oil of Razzle- Dazzle.

We sat at luncheon, and Sully Magoon told me. I asked for particulars.

'My old friend Denver Galloway was a born manager,' said Sully. He first saw the light of day in New York at three years of age. He was born in Pittsburg, but his parents moved East the third summer afterward.

'When Denver grew up, he went into the managing business. At the age of eight he managed a news-stand for the Dago that owned it. After that he was manager at different times of a skating-rink, a livery- stable, a policy game, a restaurant, a dancing academy, a walking match, a burlesque company, a dry-goods store, a dozen hotels and summer resorts, an insurance company, and a district leader's campaign. That campaign, when Coughlin was elected on the East Side, gave Denver a boost. It got him a job as manager of a Broadway hotel, and for a while he managed Senator O'Grady's campaign in the nineteenth.

'Denver was a New Yorker all over. I think he was out of the city just twice before the time I'm going to tell you about. Once he went rabbit-shooting in Yonkers. The other time I met him just landing from a North River ferry. 'Been out West on a big trip, Sully, old boy,' says he. 'Gad! Sully, I had no idea we had such a big country. It's immense. Never conceived of the magnificence of the West before. It's gorgeous and glorious and infinite. Makes the East seemed cramped and little. It's a grand thing to travel and get an idea of the extent and resources of our country.'

Вы читаете The Complete Works of O. Henry
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