lot of stuff like that.
Helen felt young again. First a wave of pride and a sweet little thrill of vanity went all over her; and then she looked Ramonti in the eyes, and a tremendous throb went through her heart. She hadn't expected that throb. It took her by surprise. The musician had become a big factor in her life, and she hadn't been aware of it.
'Mr. Ramonti,' she said sorrowfully (this was not on the stage, remember; it was in the old home near Abingdon Square), 'I'm awfully sorry, but I'm a married woman.'
And then she told him the sad story of her life, as a heroine must do, sooner or later, either to a theatrical manager or to a reporter.
Ramonti took her hand, bowed low and kissed it, and went up to his room.
Helen sat down and looked mournfully at her hand. Well she might. Three suitors had kissed it, mounted their red roan steeds and ridden away.
In an hour entered the mysterious stranger with the haunting eyes. Helen was in the willow rocker, knitting a useless thing in cotton- wool. He ricocheted from the stairs and stopped for a chat. Sitting across the table from her, he also poured out his narrative of love. And then he said: 'Helen, do you not remember me? I think I have seen it in your eyes. Can you forgive the past and remember the love that has lasted for twenty years? I wronged you deeply--I was afraid to come back to you--but my love overpowered my reason. Can you, will you, forgive me?'
Helen stood up. The mysterious stranger held one of her hands in a strong and trembling clasp.
There she stood, and I pity the stage that it has not acquired a scene like that and her emotions to portray.
For she stood with a divided heart. The fresh, unforgettable, virginal love for her bridegroom was hers; the treasured, sacred, honored memory of her first choice filled half her soul. She leaned to that pure feeling. Honor and faith and sweet, abiding romance bound her to it. But the other half of her heart and soul was filled with something else--a later, fuller, nearer influence. And so the old fought against the new.
And while she hesitated, from the room above came the soft, racking, petitionary music of a violin. The hag, music, bewitches some of the noblest. The daws may peck upon one's sleeve without injury, but whoever wears his heart upon his tympanum gets it not far from the neck.
This music and the musician caller her, and at her side honor and the old love held her back.
'Forgive me,' he pleaded.
'Twenty years is a long time to remain away from the one you say you love,' she declared, with a purgatorial touch.
'How could I tell?' he begged. 'I will conceal nothing from you. That night when he left I followed him. I was mad with jealousy. On a dark street I struck him down. he did not rise. I examined him. His head had struck a stone. I did not intend to kill him. I was mad with love and jealousy. I hid near by and saw an ambulance take him away. Although you married him, Helen--'
'
'Don't you remember me, Helen--the one who has always loved you best? I am John Delaney. If you can forgive--'
But she was gone, leaping, stumbling, hurrying, flying up the stairs toward the music and him who had forgotten, but who had known her for his in each of his two existences, and as she climbed up she sobbed, cried and sang: 'Frank! Frank! Frank!'
Three mortals thus juggling with years as though they were billiard balls, and my friend, the reporter, couldn't see anything funny in it!
My wife and I parted on that morning in precisely our usual manner. She left her second cup of tea to follow me to the front door. There she plucked from my lapel the invisible strand of lint (the universal act of woman to proclaim ownership) and bade me to take care of my cold. I had no cold. Next came her kiss of parting--the lever kiss of domesticity flavored with Young Hyson. There was no fear of the extemporaneous, of variety spicing her infinite custom. With the deft touch of long malpractice, she dabbed awry my well-set scarf pin; and then, as I closed the door, I heard her morning slippers pattering back to her cooling tea.
When I set out I had no thought or premonition of what was to occur. The attack came suddenly.
For many weeks I had been toiling, almost night and day, at a famous railroad law case that I won triumphantly but a few days previously. In fact, I had been digging away at the law almost without cessation for many years. Once or twice good Doctor Volney, my friend and physician, had warned me.
'If you don't slacken up, Belford,' he said, 'you'll go suddenly to pieces. Either your nerves or your brain will give way. Tell me, does a week pass in which you do not read in the papers of a case of aphasia--of some man lost, wandering nameless, with his past and his identity blotted out--and all from that little brain clot made by overwork or worry?'
'I always thought,' said I, 'that the clot in those instances was really to be found on the brains of the newspaper reporters.'
Doctor Volney shook his head.
'The disease exists,' he said. 'You need a change or a rest. Court-room, office and home--there is the only route you travel. For recreation you--read law books. Better take warning in time.'
'On Thursday nights,' I said, defensively, 'my wife and I play cribbage. On Sundays she reads to me the weekly letter from her mother. That law books are not a recreation remains yet to be established.'
That morning as I walked I was thinking of Doctor Volney's words. I was feeling as well as I usually did-- possibly in better spirits than usual.
I woke with stiff and cramped muscles from having slept long on the incommodious seat of a day coach. I leaned my head against the seat and tried to think. After a long time I said to myself: 'I must have a name of some sort.' I searched my pockets. Not a card; not a letter; not a paper or monogram could I find. But I found in my coat pocket nearly $3,000 in bills of large denomination. 'I must be some one, of course,' I repeated to myself,
