'I shall never tell him,' said Miss Chester, sadly. 'And I shall never marry him nor any one else. I have not the right.'
But they saw a long shadow come bobbing up the sunlit road. And then came a shorter one bobbing by its side; and presently two strange figures approached the church. The long shadow was made by Miss Phoebe Summers, the organist, come to practise. Tommy Teague, aged twelve, was responsible for the shorter shadow. It was Tommy's day to pump the organ for Miss Phoebe, and his bare toes proudly spurned the dust of the road.
Miss Phoebe, in her lilac-spray chintz dress, with her accurate little curls hanging over each ear, courtesied low to Father Abram, and shook her curls ceremoniously at Miss Chester. Then she and her assistant climbed the steep stairway to the organ loft.
In the gathering shadows below, Father Abram and Miss Chester lingered. They were silent; and it is likely that they were busy with their memories. Miss Chester sat, leaning her head on her hand, with her eyes fixed far away. Father Abram stood in the next pew, looking thoughtfully out of the door at the road and the ruined cottage.
Suddenly the scene was transformed for him back almost a score of years into the past. For, as Tommy pumped away, Miss Phoebe struck a low bass note on the organ and held it to test the volume of air that it contained. The church ceased to exist, so far as Father Abram was concerned. The deep, booming vibration that shook the little frame building was no note from an organ, but the humming of the mill machinery. He felt sure that the old overshot wheel was turning; that he was back again, a dusty, merry miller in the old mountain mill. And now evening was come, and soon would come Aglaia with flying colours, toddling across the road to take him home to supper. Father Abram's eyes were fixed upon the broken door of the cottage.
And then came another wonder. In the gallery overhead the sacks of flour were stacked in long rows. Perhaps a mouse had been at one of them; anyway the jar of the deep organ note shook down between the cracks of the gallery floor a stream of flour, covering Father Abram from head to foot with the white dust. And then the old miller stepped into the aisle, and waved his arms and began to sing the miller's song:
'The wheel goes round, The grist is ground, The dusty miller's merry.'
-- and then the rest of the miracle happened. Miss Chester was leaning forward from her pew, as pale as the flour itself, her wide-open eyes staring at Father Abram like one in a waking dream. When he began the song she stretched out her arms to him; her lips moved; she called to him in dreamy tones: 'Da-da, come take Dums home!'
Miss Phoebe released the low key of the organ. But her work had been well done. The note that she struck had beaten down the doors of a closed memory; and Father Abram held his lost Aglaia close in his arms.
When you visit Lakelands they will tell you more of this story. They will tell you how the lines of it were afterward traced, and the history of the miller's daughter revealed after the gipsy wanderers had stolen her on that September day, attracted by her childish beauty. But you should wait until you sit comfortably on the shaded porch of the Eagle House, and then you can have the story at your ease. It seems best that our part of it should close while Miss Phoebe's deep bass note was yet reverberating softly.
And yet, to my mind, the finest thing of it all happened while Father Abram and his daughter were walking back to the Eagle House in the long twilight, almost too glad to speak.
'Father,' she said, somewhat timidly and doubtfully, 'have you a great deal of money?'
'A great deal?' said the miller. 'Well, that depends. There is plenty unless you want to buy the moon or something equally expensive.'
'Would it cost very, very much,' asked Aglaia, who had always counted her dimes so carefully, 'to send a telegram to Atlanta?'
'Ah,' said Father Abram, with a little sigh, 'I see. You want to ask Ralph to come.'
Aglaia looked up at him with a tender smile.
'I want to ask him to wait,' she said. 'I have just found my father, and I want it to be just we two for a while. I want to tell him he will have to wait.'
Away out in the Creek Nation we learned things about New York.
We were on a hunting trip, and were camped one night on the bank of a little stream. Bud Kingsbury was our skilled hunter and guide, and it was from his lips that we had explanations of Manhattan and the queer folks that inhabit it. Bud had once spent a month in the metropolis, and a week or two at other times, and he was pleased to discourse to us of what he had seen.
Fifty yards away from our camp was pitched the teepee of a wandering family of Indians that had come up and settled there for the night. An old, old Indian woman was trying to build a fire under an iron pot hung upon three sticks.
Bud went over to her assistance, and soon had her fire going. When he came back we complimented him playfully upon his gallantry.
'Oh,' said Bud, 'don't mention it. It's a way I have. Whenever I see a lady trying to cook things in a pot and having trouble I always go to the rescue. I done the same thing once in a high-toned house in. New York City. Heap big society teepee on Fifth Avenue. That Injun lady kind of recalled it to my mind. Yes, I endeavours to be polite and help the ladies out.'
The camp demanded the particulars.
'I was manager of the Triangle B Ranch in the Panhandle,' said Bud. 'It was owned at that time by old man Sterling, of New York. He wanted to sell out, and he wrote for me to come on to New York and explain the ranch to the syndicate that wanted to buy. So I sends to Fort Worth and has a forty dollar suit of clothes made, and hits the trail for the big village.
'Well, when I got there, old man Sterling and his outfit certainly laid themselves out to be agreeable. We had business and pleasure so mixed up that you couldn't tell whether it was a treat or a trade half the time. We had trolley rides, and cigars, and theatre round-ups, and rubber parties.'
'Rubber parties?' said a listener, inquiringly.
'Sure,' said Bud. 'Didn't you never attend 'em? You walk around and try to look at the tops of the skyscrapers. Well, we sold the ranch, and old man Sterling asks me 'round to his house to take grub on the night
