smiling at Lickwood's nod. The tiny gesture, given to signal his understanding and agreement, indicated perfectly just how obtuse he really was. At that moment, Thorne would have been happy with just one quick right-hander. Break the fucker's nose. A small slap even…
'Where d'you want to start then?' Lickwood said, lighting up again. Thorne had, in fact, started already. McEvoy and Holland were busy re-questioning all the key witnesses, notably Michael Murrell, who worked in the cinema at Wood Green shopping centre, which Jane Lovell had visited just before she was killed. Murrell had given a description of a man he'd seen hanging around outside the cinema who looked as if he'd been waiting for someone. After tracing most the people in the cinema that night, this man could not be accounted for. An e-fit had been created, which was of course on file, but Thorne wanted to see what difference five months had made to Michael Murrell's memory. He also wanted to see what DCI Derek Lickwood had to say about one statement in particular.
'Tell me about Lyn Gibson.'
Lickwood blew smoke out of his nose in a dramatic gesture of exasperation. He clearly enjoyed using his cigarette as a prop, but he was hammy as hell. 'Mad as a cut snake if you ask me. I think she enjoyed the drama of it all, you know, maybe she had a thing for coppers. She was round here every ten minutes, hassling us, demanding to know what we were doing.'
'She was Jane Lovell's friend…'
'So she said…'
'She thought that Jane was being pestered by someone at work?'
'Pestered one minute, doing the pestering the next. Gibson couldn't make her fucking mind up, which made it obvious to me that she didn't really know much about anything. Basically, she thought that there was some bloke Jane worked with who we should be looking at, but she had no idea who he was. Jane never mentioned his name apparently, which was one more reason not to take it particularly seriously…'
'Did you not even check it out? Talk to the people she worked with?'
'It's in the file.'
Thorne knew full well what was in the file. He'd spent most of Saturday and Sunday ploughing through the reports on Jane Lovell and Katie Choi. Patterns of dried blood on wasteland. Stab wounds running into the hundreds. Another weekend of light reading. He waited Lickwood out.
'Without a name it was a waste of time. It's not a small company. We asked around, got a feel of the place, looked at a couple of people, but short of asking if anybody there was harassing a woman who'd just been found murdered, there was bugger all we could do.'
Thorne was finding it hard to maintain even a pretence of respect for the man's rank. 'What about company politics? There's always rumours. Couldn't you find the office gossip?'
Lickwood leaned back in his chair again, striking a pose, only inches from tumbling arse over tit. 'Well, that was the problem, mate. We'd already found her, hadn't we? Dead as mutton, a hundred yards off the Wood Green High Road. As far as we could tell, Jane Lovell was the office gossip…'
Dave Holland rarely went to the cinema. He and Sophie were much fonder of a night in with a rented video, and if he sometimes wondered whether or not he was missing out on something, one look at the seedy, sticky- carpeted interior of the Odeon, Wood Green told him he was better off with Blockbuster.
Michael Murrell was a tall, unnaturally skinny black man in his late thirties, who coughed to announce his presence, brushed nonexistent lint from the sleeve of his blazer, and announced curtly that he could give Holland five minutes of his time at the most. It took a lot less than that for Holland to realise that this man's job as From of House Manager was pretty much all he had going for him. What he lacked in warmth he made up for in efficiency and an unparalleled knowledge of popcorn sales. He could doubtless have told him how many buckets of salty or sweet had been sold in the last calendar month, and whether men or women were the biggest consumers of cheese-covered nachos. Though not exactly charmed, Holland was relieved. Whatever the cause of this strange devotion to work, he guessed it made Mr. Murrell a reliable witness. He still had, or at least claimed to have, a vivid memory of the man he'd seen hanging about outside the cinema five months earlier.
'Pearl Harbor with Ben Affleck and Kate Beckinsale. The programme started at eight twenty, the main feature at eight thirty-five and the audience began leaving at twenty past ten. I've got a good memory, Detective Constable, I can still see his face.' Murrell spoke matter-of-factly, staring at Holland from behind thick, oversize glasses.
'You see, what sticks in my mind is that he didn't look shifty or suspicious.., as much as scared.'
Sarah McEvoy could smoke for England, but Lyn Gibson made her look like a lightweight. She worked for a small PR firm in Putney, in a building with a strict No Smoking policy. They'd been standing in the car park, freezing their arses off for twenty minutes and already there were cigarette butts scattered around their feet. Lyn Gibson's were easy to spot. The ones with the bright red lipstick. Four of them.
The fact that her mouth was otherwise occupied, was only one reason why she wasn't saying much to begin with about her friend's death. It was obviously still difficult to talk about in any depth. McEvoy knew better than to push. Five months was a long time in Serious Crime. A lot of bodies. To the friends and relatives of the dead, five months was a moment.
'Jane wasn't a saint, you know, but there was never any malice in her.' When Lyn did speak, she spoke slowly, in a series of disconnected statements, as if seeking some reassurance in this catalogue of things that were true, this solid analysis of her dead friend's character.
'She was always laughing. With me at any rate. I know she had a good old cry on her own sometimes though…'
It was only when McEvoy mentioned Jane Lovell's job that Lyn Gibson became animated. Then, she spoke passionately about a man that her friend had said was bothering her. Jane had admitted that she'd flirted with him, maybe even led him on a little, but it was only teasing. She'd never really been interested.
'Something about him worried her though. She could never really say what it was and when I tried to find out more she shut up, like it was something spooky. I never even knew the bloke's name. But you should try and find him. I know that wanker Lickwood thought I was some kind of nutter, but I knew Jane. You know…?'
McEvoy was impressed. The woman was angry, but as far as McEvoy could tell, she had no axe to grind. There was a burst of throaty laughter as Lyn Gibson put another cigarette in her mouth, but as she lit it, McEvoy could see the flame reflected in the tears that were gathering, ready to drop.
'I told her to come and stay at mine, you know. Stupid cow was too fond of her own bed.' She laughed again, and the laugh became a cough. She took a deep drag and pressed the heel of her hand to an eye. 'I'll tell you the really stupid thing. The film we went to see that night. It was shit. It was a shit film…'
It was amazing how much a simple thing like the Christmas lights in Kentish Town could raise Thorne's spirits. They were a long way removed from the gaudy display of Oxford Street or Brent Cross, just simple strings of white bulbs stretching from one side of the main road to the other, but he found them bizarrely uplifting after two hours in the company of Derek Lickwood.
Thorne liked Christmas. He didn't get as excited as he had when he'd been a kid, but then who did? As an only child, it had always been special. Now, he could afford to be cynical when the decorations started appearing in shops sometime just after Easter, and marvel at how much money was spent, but he always hoped for a white Christmas, and a kids' choir singing The Bleak Midwinter still made him teary.
This brief, early flowering of seasonal cheer was more than a little pissed upon when Thorne arrived home and opened his post to discover that his one and, thus far, only Christmas card was from the Bengal Lancer, thanking him for another year of custom. Now seemed like as good a time as any to thank them for their card- cum-calendar, by ringing to order a home delivery.
Moving to get the phone from the table by the front door, Thorne noticed the light blinking on the answering machine. He pressed play and then, a few seconds later, hit the Stop button as soon as he heard his father's voice. Thorne knew that the message itself would almost certainly be unimportant; just the latest in a long line of thinly veiled hints about his failure to ring.
Thorne took the hint and picked up the phone. Since the death of his mother two and a half years earlier, the relationship between Tom and Jim Thorne had settled into one defined by the father's absurd, almost pathological fondness for pointless quizzes and stupid jokes, and the son's grim acceptance of blame for the fact that the distance between them was far more than the twenty-five miles from North London to St Albans.
Forced laughter and instant guilt.
