Griffith clambered over to them, steadying himself by the shrouds. 'The captain wishes you to be — shall we say? — less conspicuous. Mr Amati says that there's every description of seaman in Venice — Dalmatian, Albanian, Mussulmen, Austrians - and doubts we'll be noticed, but begs we can wear some token of this part of the world.'
He looked doubtfully at Kydd's pea-coat and Larsson's short blue naval jacket. The crew members wore the bonnet-rouge, the distinctive floppy red headgear, and a swaggering sash. The Englishmen paid well over the odds for such common articles, which brought the first expressions of amusement from the crew.
The first diffuse tints of rose and orange tinged the mists when a gun thudded next to a small tower. As one, bows swung round and there was a general convergence on a gap in the coastline at the tower, a cloud of small ships slipping through the narrow opening, the trabaccolo captain at his tiller a study in concentration as he jockeyed his craft through.
It was only a slender spit of land, but inside was the Venetian lagoon, and Venice. The spreading morning vision took Kydd's breath away: an island set alone in a glassy calm some five miles off, fairy-tale in the roseate pale of morning, alluring in its medieval mystery. He stared at the sight, captivated by the tremulous beauty of distant bell-towers, minarets and old stone buildings.
The lagoon was studded with poles marking deeper channels and Kydd tore away his attention to admire the deft seamanship that had the deep-laden trader nimbly threading its way through. The trabaccolo was rigged with a loose lugsail at the fore and a standing lug at the mainmast, an odd arrangement that had the lower end of the loose lug swung round the after side of one mast when tacking about, but left the other on the same side.
As they approached, the island city took on form and substance. A large number of craft were sleepily approaching or leaving, the majority issuing forth from a waterway in the centre of the island. They tacked about and bore down on it and it soon became apparent that a minor island was detached from the main; they headed towards the channel between, towards a splendour of buildings that were as handsome as they were distinctive.
Kydd stared in wonder: here was a civilisation that was confident and disdainful to dare so much magnificence. He stole a look at the others. The crewmen seemed oblivious to it, faking down ropes and releasing hatch-covers; Larsson gazed stolidly, while Renzi and Griffith both stared ahead, absorbed in the approaching prospect. Amati fidgeted next to the captain, visibly ill at ease.
They shaped course to parallel the shore, passing a splendid vision of a palace, colonnades, the brick-red of an impossibly lofty square bell-tower. 'Piazza San Marco,' Renzi said, noticing Kydd's fascination. 'You will find the Doge at home in that palace. He is the chief eminence of Venice. You will mark those two pillars - it is there that executions of state are performed, and to the right, the Bridge of Sighs and the Doge's dread prison.' He spoke offhandedly, and Kydd felt rising irritation until he realised this was a defence: his cultured friend was as affected as he.
Griffith broke off his discussion with Amati and came across. 'You see there,' he said, pointing at a golden ball displayed prominently at the tip of the approaching promontory, 'the Saluday, the customs house of Venice. We shall be boarded, but Mr Amati says there'll be no difficulties. They're much more concerned to levy their taxes, and foreign seamen are not of interest to them.'
He gave a small smile. 'I will be a factor from Dalmatia, Mr Renzi will be my clerk.' Griffith wore the plain black last seen on Bacchante's surgeon. 'We may disembark and take passage to our lodgings without interference.'
True to anticipation, the revenue officials ignored them in favour of a lively interchange with the captain, leaving them to hail and board one of the flat work-boats sculling about.
They clambered into the forward well and settled. 'Dorsoduro,' Renzi said briefly, eyes on the colourful, bustling shore ahead. 'And this, my friend, is the Grand Canal.'
It was impossible not to be moved by the unique atmosphere of Venice — a true city of the water. Every building seemed to grow straight up from its watery origins with not an inch of wasted space. Instead of roads there were countless canals along which the commerce of the city progressed in watercraft of every kind in a ceaseless flow on the jade-green waters.
They passed deeper into the Grand Canal, seeing the mansions of the rich, each with a cluster of gaily coloured poles outside, an occasional market, throngs of people going about their business.
A bend straightened, and into view came a bridge, a marvellous marble edifice complete with galleried buildings all along its length. 'The Rialto,' said Renzi. 'You will, of course, now be recalling Shakespeare and his Merchant of Venice’
The work-boat
