weariness. He has unacceptable outbursts. He says inconsequentially violent things. For example, when he passes the Diego Rivera frescoes in the Palace, ‘You don’t paint a mural with lukewarm water, Sangines,’ and when I sit down to work: ‘We’ll open a credit column for Our Lord Jesus Christ, because I’m going to fill out the debit column right now.’ He tries to avoid violence but can be disparaging and even vulgar when he refers to ‘the street pox.’ He prefers the government to function in peace. But it’s difficult for him to admit change. He prefers doing what he did: inventing popular festivals to entertain and distract people. Then he transformed the Zocalo into an ice skating rink. And then he opened children’s pools in areas with no water. People were hurt in the rinks. They drowned in the pools. It didn’t matter: Circuses without bread.”
“Have a good time, kids,” I added without too much sense, suspecting that by talking about the president, Sangines avoided talking about Max Monroy.
Sangines nodded. “When I tell him all this doesn’t solve problems, Carrera replies: ‘The country is very complex. Don’t try to understand it.’ In the face of that, Josue, I am left speechless. Injustice, intolerance, resignation? With these facts our leader makes his bed and night after night lies down with these paradigmatic words: ‘Making decisions is boring.’ ”
“Does it console him to know that some day he’ll be seen naked?”
“Naked? His skin is his gala outfit.”
“I mean without memory.”
Sangines ordered an espresso and looked at me attentively.
Certainly it attracted his attention that I equated “nakedness” and “memory.” I do realize that in my imagination memory is like a seal in which wax retains the image without any need to pour it. My conversation with Sangines placed before me the dilemma of memory. Immediate memory: ordering an espresso and not remembering it. Intermediate memory: When all was said and done, would I keep it?
“A man without memory has only action as a weapon,” said Sangines.
“Did the president’s patience come to an end?” I insisted.
“Your friend Jerico ended it for him.”
He wasn’t going to let me talk. And I didn’t want to talk.
“Jerico tricked the president. He offered loyalty and gave him betrayal. This is what Carrera didn’t forgive. Everything else I’ve told you this afternoon was left behind, it collapsed, and the president was left alone with only the black tongue of ingratitude, and of solitude, which is even more bitter.”
The coffee tasted less bitter than his account. I felt that interrupting him was something worse than foolishness: it was lack of respect.
“He’s clever. He realized that to crush Jerico the forces of law and order were not enough, though I can tell you he used them. Jerico gave the president the opportunity to demonstrate his social power, his ability to represent the nation. And for that he needed Max Monroy.”
“Monroy doesn’t like Carrera. I know, Maestro, I saw it myself. Monroy humiliated Carrera.”
“What serious politician hasn’t eaten shit, Josue? It’s part of the profession! You eat toads and don’t make faces. Bah! Carrera needed Monroy to demonstrate unity in the face of an attempted rebellion. Monroy needed Carrera to give the impression that without Monroy the republic can’t be saved.”
“A pact between thieves.” I tried to be ironic.
Sangines ignored me. He said I should understand Max Monroy. I said I had never underestimated him (including his sex life, which I had learned about and never would reveal out of respect for myself).
“It’s difficult not to admire a man who never allows himself to be flattered. He knows the best men lose their way in flattery…”
He looked at me with something resembling sincerity: “In Mexico we have a word that is categorical, juicy, and insuperable:
“And Monroy?” I said in order not to reveal I didn’t know what he was talking about. The UFA! The Stone Age!
“Monroy.”
“He can’t bear a flatterer. It’s his great strength in the midst of the national milieu of political, professional, and entrepreneurial asskissers.”
“But…” I interrupted and didn’t dare continue. The name and figure of Miguel Aparecido were on the tip of my tongue. Instead, I came up with a question: “And Jerico?”
“He’s in a safe place,” Sangines answered without looking at me. He said it in a categorical, almost disagreeable way.
We left.
Outside the Danubio it was raining. Lottery sellers pursued us. Sangines’s driver got out of the Mercedes, offered us an umbrella, and opened the door.
“Where can I drop you, Josue?”
I didn’t know how to answer.
Where did I live?
I got into the Mercedes like an automaton, removed from the intense activity of Mexico City. I lived in the Zona Rosa, transformed once more into the bohemian district, an oasis from the surrounding violence of the city and, in any case, from the latent menace that was more the rule than the exception. I tried to comfort myself with that idea…
What Sangines and I talked about in the car is too important and I’ll leave it for another time.
ASUNTA JORDAN RECEIVED me again in her office and didn’t raise her head. She reviewed papers. She signed letters. She initialed documents. She told me Jerico was “in a safe place.” What does that mean? That he won’t bother anyone anymore. Is he dead? I asked, getting right to the point. He’s in a safe place. Did she mean he wouldn’t cause any more trouble?
I tried to control conflicting impulses. In a safe place? What did the formula signify? I remembered it from my studies of law. Especially Roman law. The verb
Asunta Jordan.
“Why did you make Jerico believe you and I were lovers?”
“Aren’t we?” she said without raising her head from the papers.
“Only once.” I tried to hide my bad feelings.
“But intense, wasn’t it? Don’t say it was a quickie, all right?”
She meant resign yourself: only once, but enough for a lifetime. Is that what she wanted to tell me? I don’t know. She didn’t want to say what she was thinking. Asunta told Jerico she was my lover because in that way…
“I told him I was yours alone and couldn’t be his.”
“In other words, you used me.”
“If that’s what you think.”
“Whom do you love?” I asked insolently.
She looked at me at last and in her eyes I saw something like triumph in defeat, a victorious failure. Passing through Asunta’s eyes were her provincial childhood, her marriage to the odious and despicable owner of King Kong, her fortuitous meeting with Max Monroy, and the simple, available nakedness of Asunta, the innocence with which she stood in the middle of the dance floor and waited for the inevitable, yes, but also for the evitable, what could be and what could not be. Waited for Max Monroy to approach, take her by the waist, and never let her go again.
I believe that in the most profound depths of Asunta’s inner life, that instant defined everything. Max took her