ignored her.

'Most of the great courts have doors that can be opened by anyone, if you know the right way,' Jack said. 'The Golden Ones aren't afraid of anything, so they never think anyone would be stupid enough to attack them.'

Matt eyed the professor slyly.

'What are you thinking?' Crowther said defensively.

'You could use the mask-'

'No! Absolutely not!'

'You could-'

'You saw what happened last time! Are you an idiot?' Crowther presented his denial forcefully, but he felt a feverish desire tingling throughout his entire body. The mask responded to his yearning with a gentle tug at his emotions.

'You're a smart bloke. You can control it… or you can learn to.'

'And in the meantime I risk destroying everything.'

'You're doing to him what you did to me!' Jack protested.

'I'm not trying to make anybody's life miserable, or to risk anything.' Matt sighed. 'But we're in a difficult situation with a lot at stake. Everyone has to do what they can to further our mission, even if there's a personal price involved.'

'I don't see you paying any price.' Crowther pushed past Matt and sat cross-legged in front of the door. His hands were sweating as he tugged the mask from the hidden pocket in his coat. 'You have a very unpleasant way of manipulating people to your ends. Do you like seeing everyone suffer?'

Matt dismissed the comment with a shake of his head, and went to watch the proceedings from the rail. Crowther held the mask for a second, but he was shaking with excitement and couldn't delay the gratification any longer. He held it up, and once it was near his face, the spider-leg protrusions burst from the sides and slammed into the holes in his head. There was a faint buzzing as it fixed itself to his skull.

*

'This time will he like honey.' The seductive voice of Maponus lapped around Crowther's mind. ' There will be no shocks… no fear. It will be like floating on your back downstream, watching the clouds pass by above you, feeling the warmth of the sun on your face, knowing you could sleep if you wanted. You will be at peace in a way that you never have been. And you will want this peace again. You will always want it, for the rest of your days. After this moment, you will desire to wear the mask… to connect with the greatness and wild wonder of my mind… for ever.'

And it was just as the mask said. Detached from everything that was happening, Crowther drifted in a state of pure joy and comfort, vaguely aware of the faint veins of blue that stretched across the door into a focal point three feet up from the ground and two feet in from the right outside edge. It glowed and shimmered before moving sinuously in a circle, round and round. It was a dragon eating its own tail.

Languorously, he rose, walked towards the door and placed his palm in the centre of the circling dragon. There was a fizz of blue sparks from his fingertips and the door swung open. 'See, mate, I told you there wouldn't be a problem.' Matt clapped Crowther across the shoulders.

The professor stared intently at the mask lying flat in the palms of his hands where it had dropped after it had removed itself from his head. He had tried to keep it clamped there, but it had refused his urgings. Maponus' faint, tinkling laughter echoed around his skull.

'Are you all right?' Matt asked. 'Of course. I'm absolutely hunky-dory.' Crowther walked away through the doorway so that Matt couldn't see the tears in his eyes.An enormous hall soared up into a vaulted roof filled with shadows. The main walls were constructed from the monolithic blocks of the Drakusa, but everything else, every pillar, balustrade, arch, column, buttress, ridge, rail and shelf, was carved in such an intricately detailed manner that it was almost hallucinogenic. It was impossible to take in the level of detail, for the longer they looked at something, the more that would emerge, and continually so. The symbolism was heavy and portentous, and while not obvious to them, it worked its magic in their deep subconscious. Strange, troubling thoughts blossomed, as if someone were whispering hidden information into their ears.

Mahalia caught Jack's arm. 'Can you see it? I thought it was an optical illusion — the light making the shadows shift…'

Yet the light source remained constant, the shadows sharp and hard.

'It's the carvings… they're moving,' Jack replied uneasily.

And they were, barely perceptibly but enough to trouble the companions. The strange beasts and alien figures continually shifted slightly as if they were alive; plants and trees moved in a faint breeze that didn't exist; birds adjusted their flight patterns. The effect was of the carvings shifting their perception as the four of them walked by, to get a better view of the strangers in their midst. 'I don't like it,' Mahalia whispered, and hated herself for sounding so pathetic. She knew she could cope with hard, physical things that would bend to her will or her blades, but this was beyond her control. 'Why is it so dark here?' Matt said with irritation. 'If there's a whole court full of Triathus' people here, you'd have thought they'd have invested in good lighting. You know, nipped down to Ikea for some of those nifty little lamps on wires you can slide around.' He cursed under his breath. 'The window let the light in, but there must have been some kind of mechanism to transmit it into the depths of this place.'

Mahalia unconsciously moved closer to Jack so that he could slide an arm around her. The four of them stood huddled together in the centre of the vast hall for a long moment, drinking in an atmosphere of claustrophobia and incipient dread.

'It feels to me,' Jack began hesitantly, 'as if something happened here. I don't know what…'

Crowther had finally gained enough control over himself to return the mask to its pocket. 'Well, we can't go back,' he said, with an edge of bitterness. 'So we'd better hope there's another way out of here.'

Matt ventured towards one of the walls, wincing as the carvings shifted to watch him. Plucking a torch from a metal bracket, he struck his flint and ignited it, so that the shadows swept away; it only added to the eerie movement across the walls.

Matt walked slowly towards the darkness at the far end of the hall. The others fell into line behind him, glancing behind at the comforting sunlight that broke through the open door. The hall gave way to a maze of corridors and chambers, everywhere decorated with the disturbing carvings. They would glance up to see a horned figure watching them from above an arch, or something sinuous slither around a door jamb and into a room.

They began to think they could hear the carvings talking. What sounded like sibilant voices came and went in phased patterns. It was only after a while that they realised it came from small globes fixed high up on the walls, with holes of varying sizes bored into them. As the four of them moved, they set off air currents that passed through the holes to create the constant sounds. Once they understood the source of the noise they decided it didn't really sound like voices at all. There was timbre and rhythm and cadence; it was music, but of a kind they had never experienced before.

Crowther theorised that many people moving through the corridors and rooms would create louder, more vibrant tones so that it would appear that the entire court was always filled with soothing music. But with only the four of them there, the effect was creepy and unsettling.

In one large hall, they made out paintings on the walls, so heavily faded that only by holding the torch close could they see the design. Parts of the paintings were obscured by the carvings, making it clear that they came from the earlier age of the court, when the Drakusa occupied more spartan surroundings. There were mountains and fire and vast plains, epic forests and gushing rivers. But one section made them all pause. Here were strange silver objects like eggs with legs.

'Clearly they are the Caraprix,' Crowther mused as he examined the silver shapes. 'They are symbiotes. All the Golden Ones carry them.'

'Caitlin mentioned Lugh had one,' Matt said.

'Yet here they are huge, dominating the scenery.' Crowther was puzzled. 'Then, the Drakusa knew of the Caraprix too. Yet the way they are drawn… it's almost as if they were deified.'

He wanted to consider the issue more, for he was convinced it was of deep importance, but the others were keen to hurry along in search of daylight. The court appeared to stretch for miles, from the cliff face deep into the bowels of the earth. Flaring up in the shifting torchlight were grand columned halls with designs of brass and glass, drapes of scarlet velvet and floors of shining marble, sweeping staircases that could have taken fifty people walking

Вы читаете The Queen of sinister
Добавить отзыв
ВСЕ ОТЗЫВЫ О КНИГЕ В ИЗБРАННОЕ

0

Вы можете отметить интересные вам фрагменты текста, которые будут доступны по уникальной ссылке в адресной строке браузера.

Отметить Добавить цитату