devoid of even the hint of emotion, made Church and Ruth uncomfortable.

'Why are these young ones always servants?' Ruth asked.

'They are new. They must exist in servitude until they have learnt what it truly means to be a Golden One.' Cormorel virtually ignored them.

'New?' Ruth persisted.

'Barely Golden Ones at all, but still not of the race of Adam. They have not settled into their greatness or understanding of the fluidity of it all. Fixed, if you will, like you and your world.'

'So, the lowest of the low,' Church noted acidly. 'You can't escape hierarchy whichever way you turn.'

'There is a structure to everything, Brother of Dragons. You should know that by now.' Cormorel eyed him sardonically.

'Yes, that's always the argument. It must be nice to have such a full understanding of the rules and regulations of the Maker.'

They were interrupted by the servants, who laid out the food and drink before them: roasted, spiced meat, a few vegetables, bread, and other things so strange they made their stomach turn. One platter contained something like a living squid, though it had fifteen legs, all of them writhing madly in the air. The food they could enjoy, however, tasted more sensational than anything they had experienced before; every complex flavour burst like a firework on their tongue. The wine was finer than the most celebrated earthly vintage and made them instantly heady.

Despite the wonders of the meal, it was hard to keep their attention on the food when so many strange sights were on view all around. The array of creatures and their confusing, chaotic mannerisms as they devoured the food was like staring into a grotesque parody of a child's fairybook. There were things Church half knew from the vague descriptions of folk tales, others that ignited recognition from some deeply submerged race memory; a few were completely unrecognisable. He was sure the echoing of archetypes dredged up from the corners of his mind would give him nightmares for the rest of his life.

Ruth recognised his thoughts from his expression. 'The whole of our psychology was based on this,' she said. 'Our fears, our dreams. We're stripping back layers that shouldn't really be uncovered.'

A half-man, half-sea creature moved down one of the aisles. It had fins and scales and bestial features, but it moved like a human being. Church leaned over to Cormorel. 'What's that?'

Cormorel mused for a moment, then said, 'I believe your race would know it as an Afanc. They once roamed the lakes and shores of your western lands, invoking terror with the fury of their attacks. Your people could not kill them by any means at the employ of Fragile Creatures.'

The Afanc reared up, then rushed out of sight, but there were plenty more things to pique Church and Ruth's curiosity. Cormorel followed their gaze, smiling at the questions he saw in their faces. 'If we had all night I would not be able to introduce you to the many, many races passing time on Wave Sweeper. But let me indicate some of the highlights.' He appeared to enjoy the idea of playing host. With a theatrical gesture, he motioned towards a large, lumbering figure like an exaggerated circus strongman. He had his back to them, but when he half turned they saw a horn like a rhinoceros's protruding from his forehead. 'The Baiste-na-scoghaigh. He stalks the mountains looking for prey in the island where you lost your life to the Night Walker Calatin.' He smiled at Church; point scoring. On the far side of the room, large, misty shapes faded in and out of the light, occasionally appearing like mountain mist, at other times as solid as the other creatures in the room. When they became material their features were grotesque. 'In the western land of moors, they were known as Spriggans, believed to be the ghosts of giants, a description that arose from their shape-shifting abilities, like many of our guests. The people of the Far Lands are always removed from the perception of those from the Fixed Lands. They could be found around the standing stones where the soul fire comforted their violent nature. They are the Guardians of Secrets.'

'What kind of secrets?' Ruth asked curiously.

'The kind that can never be told.' Cormorel was enjoying his games.

Church saw something that resembled mediaeval woodcarvings of a griffin, another that resembled accounts of a manticore.

Ruth stood up, suddenly spying something so hideous in the shadows on the edge of the room she could barely believe her eyes. 'Is that a giant toad?' she asked disbelievingly. 'With wings? And a tail?'

Cormorel laughed. 'Ah, the Water-Leaper. The Llamhigyn Y Dwr. Feared by your fishermen, many of whom were dragged to their deaths after it seized their lines. The Water-Leaper rarely ventures up from the bilge tanks. I wonder why it is here tonight?'

Ruth shook her head in amazement. 'God, I don't believe it. This place is insane.'

'Oh, this is indeed a Ship of Fools, Dragon Sister. So many searching, looking for guidance, meaning, in their short, unhappy lives.'

'But you don't need to search, Cormorel?' Church said.

'I am happy with my place in the great, unfolding scheme.' Baccharus muttered something under his breath, eliciting a stony glare from Cormorel.

Before any further comment could be made, a group emerged from a door hidden behind curtains away to one side. There were five of them, all Tuatha De Danann, but of a branch on a par with Cormorel and Baccharus, carrying musical instruments: a pair of fiddles, a flute, something percussive that Church didn't recognise and another thing that looked completely unplayable. A muttering rippled through the diners; it appeared generally appreciative, though it was hard to be sure.

'Hey, they got a band,' Ruth said in a bored, faux-Brooklyn accent.

But once the musicians began playing, both Church and Ruth were instantly entranced. Their music soared to the rafters, taking on a life of its own so it was impossible to tell which instrument was playing which section. Every bar evoked deep emotions within them: joy, sadness, wonder, passing in the blink of an eye, to be replaced by a new feeling. They could both understand the old stories of hapless mortals entranced by the fairy music, only to discover a hundred years had passed.

There were wild reels that set half the room dancing, a sight that was as terrifying as it was amazing; the crowd moved in perfect unison as if choreographed for some Busby Berkeley movie, yet they were as silent as the grave; it was eerie yet hypnotic. And then there were sad songs that made Ruth want to weep on the spot, yearning ballads that reminded her of her father, others that forced her to probe the feelings she had for Church. She fought the urge to hug him, though it brought tears to her eyes.

And Church was lost in thoughts of Marianne, of times frittered in the belief they could be picked up in the future, in thoughts of guilt at what he had done to Laura and Niamh; and then, once they had dissipated, at Ruth beside him. But before he had a chance to turn to her, the tempo increased and another emotion washed everything else away.

The food and drink came in a never-ending stream. Once they had eaten their fill, another dish materialised to tempt them, and when they certainly could eat no more, there was still wine, and more wine.

During a lull while the band members refreshed themselves with a drink, Ruth rose from her chair and hurried over to them. They drew in close around her as she spoke in low tones, their faces at first curious, then intrigued. When she retook her seat, Church asked, 'What was that all about?' but she dismissed him with a wave.

He got his answer once the band started up again. Although the tone was oddly distorted, the song was unmistakable: 'Fly Me to the Moon.' Each note was filled with meaning, of his old life, certainly, but more importantly, and surprisingly, of the time at the pub on Dartmoor when he had performed karaoke with Ruth and Laura in a few moments of pure, unadulterated fun. He looked over to her, felt a surge of warmth at what he saw in her smile: she had remembered what he had said about never hearing Sinatra again.

'I hummed it to them,' she whispered. 'They picked it up straight away.'

What he felt in that instant, he tried to blame on the drink or the music, but he knew he would not be able to deny it, even in the light of the next morning. He put his hand on the back of hers, but it didn't begin to express what he was feeling.

'You know,' he said, mesmerised by the moment that felt like a lifetime, 'these days everything is so much more vital.' He was rambling, drunk. 'This is what life should be. Meaning in everything. Importance in everything.'

She smiled, said nothing; so much more assured. How could he not feel for her? He leaned forward, closed his eyes, savoured the anticipated moment as if he had already tasted it.

This is the time. This is everything. The words burst in his head unbidden, meaningless, yet filled with

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