away the wasps that assailed him continually. Although to Witch his meanderings looked random, Tom was actually following the tracings of Blue Fire in the land that Veitch had not yet learnt to see. The camp was a potent source of the earth energy, scything in sapphire strands across the grass, pumping through arteries as wide as a gushing stream, reaching through capillaries into the roots of trees and bushes. The Blue Fire added new shape and meaning to the barely discernible pattern Lethbridge had uncovered. The archaeologist had instinctively uncovered a figure that was spiritual in nature, rather than an exact outline on the hillside: a true representation of an ancient figure of worship, carved through ritual and prayer by the ancient people who first inhabited Wandlebury Camp, kept in focus by the Celts who followed.

But it wasn't just a figure. It was a mandala for reflection, allowing direct access to the spiritual realm, as well as one of the ancient people's landscape markers for a defence against incursions from Otherworld-and also a doorway. Near the top of the outline, at the large circle Lethbridge had identified as the head of the figure, the Blue Fire flowed back and forth between this world and the next. Tom knelt down, steeled himself, then thrust his hand into the current of flames.

'My body is the key,' he whispered.

From Witch's perspective Tom's hand disappeared up to the wrist in the soil. For long minutes nothing happened, until soft vibrations began, growing into a deep rumbling and a shaking in the ground that made his knees buckle. A large section opened upwards like a trapdoor, trailing soil and pebbles. Beyond the mass of hanging roots, Veitch could see a dark tunnel disappearing down into the depths.

He made to duck into the opening, but Tom waved him back. 'This is for me,' he said. 'You must stay here to prepare yourself for what is to come. I will attempt to be back with the information we need by sunset. But if not, flee this place until the sun rises on the morrow. Do you hear me? Do not stay during the night.'

Veitch agreed silently. Tom nodded goodbye before diving into the hole like the White Rabbit. It closed at his heels with a thunderous shaking, leaving Veitch alone with a growing sense of apprehension.

Chapter Nine

Gods And Horses

A deep shiver ran through Tom as the ground closed behind him. He was far more fearful than when he had entered the Court of the Yearning Heart; another scare on the top of so many others. He had been afraid of losing himself in the Blue Fire, witnessing the deaths of the people he had grown to call friends, seeing the End of Everything. At times he felt fear was taking over.

Yet it was also uplifting, if it was not contradictory to view fear in that way. For so many centuries he hadn't been truly afraid of anything, hadn't felt anything at all, except for a brief period of enlightenment in the sixties. To know he could still feel was almost a price worth paying.

The tunnel drove directly into the heart of the hill, although he knew it was not a tunnel at all. The air was filled with aromas that soothed his heart: hashish, reminding him of warm California nights, red wine plunging him into a memory of a shared bottle with a pretty woman in a hippie dress at the side of the road in Haight-Ashbury, soft rain on vegetation, bringing him back to that first morning at Woodstock.

In the same way that it wasn't a tunnel, none of those pleasant fragrances were truly there; it was the reality, welcoming him with cherished memories, making him feel good.

So why was he afraid? Not because of some incipient threat, certainly, but because of immensity. What lay ahead was the infinite, the source of all meaning. And who could look on the face of God and not be destroyed?

Veitch sat on the trunk of a fallen tree, tapping his foot anxiously. Doing nothing felt like needles being driven into his body. He would rather fight one of the Fomorii than sit quietly; if he admitted it to himself, he actually enjoyed that pastime. While the others were talking their usual intellectual rubbish, he often reflected on the time beneath Edinburgh Castle when he had hacked one of the creatures into bloody chunks. He recalled the super- heated haze that fell across his mind, the adrenalin driving his limbs, the smell of the gore, the uplifting weariness that followed the exertion.

The fading image left an emptiness that disturbed him. Had he always been that way? Surely there had been a time when he could appreciate peace.

His thoughts were disturbed by movement in the branches overhead. Golden flitterings shifted quickly amongst the pattern of light and shade that made up the green canopy. At first he thought they were butterflies searching for the last nectar of summer, but there were too many of them and the activity was too localised. He counted twenty? Thirty?

It was the gossamer-winged tiny people he had seen before in tranquil places. The perfectly formed little men and women moved through the treetops with grace, like sunlight reflected off a belt buckle.

Searching for a position that allowed him to view the soaring creatures more easily, Veitch slipped from the trunk so he was lying on the ground with his head resting against it. Their flight, the wild shifts of light they engendered, was hypnotic. There was a definite calmness about them, but he was dismayed to find he was only aware of it in a detached way; he couldn't feel it, and at that moment it was all he wanted in the world.

'Come to me,' he whispered.

There was no way they could have heard his words, but they altered their flight patterns, some of them hanging in midair, as if listening, or musing. Veitch caught his breath, waited, but after a few seconds they returned to their rapid dipping and diving. Sadly, he closed his eyes, thinking of Ruth to cheer him, remembering when they had made love, the smell of her hair, the look of intelligence and sensitivity in her eyes. He loved her more than he had loved anything in his life. If he could have her, his life could be just as he had dreamed as a boy, when he had pictured himself as the storybook hero. A random tear crept out under his eyelashes, surprising him. He blinked it away hastily, not really knowing from where it had come.

When he opened his eyes one of the tiny golden creatures was hovering just above his belly, observing him with a curious expression. The fragility of it was profound, something that went beyond the construction of its body to the very depths of its spirit. He felt that if he touched it, its body would break apart and its soul would disappear into the afternoon breeze. Its eyes were large and dark and it blinked slowly, like a baby observing its parents. Its cheeks were high and refined, its hair long and flowing, like some nineteen forties movie star. The skin, golden from a distance, now looked like the glittering Milky Way.

'You're made of stars,' he whispered in awe.

The faintest smile crept across the creature's face. Here was ultimate innocence, supreme peace, a being not troubled by hate or anger or lust or desire for revenge. It held out a hand, fingers so delicate it was hard to imagine how they were formed, and as it moved the air shimmered around it. Slowly, so as not to scare it away, Veitch reached out one long, calloused finger until it was almost touching the creature's hand. He didn't go the final millimetre for fear of overstepping some unknown boundary, but the little figure merely smiled again and reached out the extra distance. When they touched, it felt like honey was flowing into his limbs. Suddenly tears were streaming down his cheeks, soaking into his shirt, and he had no idea where they came from either; there were so many it seemed as if they would never stop.

When they did finally dry up, the creature touched his finger once more and then, with a movement that might well have been a parting wave, rose up to its companions, casting regular backwards glances at Witch's prostrate form.

Veitch watched them for the better part of an hour, his face beatific, but no thoughts that he recognised crossed his mind. And then, with the sun dappling his skin, he drifted into the first peaceful sleep he had had for years.

While he slept, the Woodborn stirred in their silent, leafy homes all around; knowing in his sleep they could not be discovered, they looked down on the still form, frail and insubstantial next to their mighty trunks. And, being spirits, they felt deep currents and saw more than eyes could ever see. After a while a soft shower of leaves fell from their branches all around the sleeping figure, like tears.

Tom thought of Van Morrison singing about 'Summertime in England,' about Cream in 'White Room,' the Stones doing 'Sympathy for the Devil' and The Doors cranking up 'Five to One.' Old man's music, Laura would have

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