threatening about the scene, although he couldn't quite put his finger on what it was. He hurried on and didn't look back.
Finally he was out of the mist. The corridor was even wider at this pointenough for ten men to lie across-but the most curious thing was that the floor was a mass of intricate patterns carved into the hard bedrock. There were the familiar spirals and cup holes he had seen at prehistoric sites during his days as a working archaeologist, but also the detailed interweaving designs of the Celts. The patterns of hundreds, if not thousands, of years were portrayed there.
The swirls and fine detail were almost hallucinogenic, but there was no time to waste examining the inconography. He put one foot on the edge of the pattern.
A spike burst from the ground, through the sole of his boot and into the leather uppers. A bolt of red agony filled his leg and he howled, wrenching his foot off the iron nail with a sickening sucking sound. The spike disappeared back into the design the moment he was free of it. Feeling sick from the shock and the pain, he crumpled down hard on the cold stone, tearing off his boot. The spike had torn the flesh off the insides of his big toe and his second toe, but luckily, had done no further damage.
As he laced the boot back up, he surveyed the floor pattern: a trap. The spikes were obviously buried along the length of the design: step on the correct place, you were fine; make the wrong move and you were impaled. The pattern stretched out in delirious confusion. How was he supposed to divine the path through it?
He retreated a few paces to see if the change in perspective offered any clues, then moved in close; it was a miasma. From a distance, it was a mess, meaningless; near to, the design hinted at great meaning, but none of it made any sense in any context he understood. Sighing, he sat back, trying to ignore the pain stabbing in his foot. He took comfort from the knowledge that all the previous puzzles they had encountered had been soluble if seen from the cultural or philosophical perspective of the Celts and the earlier people who had originated them. His university studies helped him a little in understanding their worldview, but he had never studied in depth the group that seventeenth-century romantics had designated a unique people. He knew the Celts were a fragmented collection of tribes, originally rising from a broad area centred on India, but common threads tied them together, of which their view of life and spirituality were probably the strongest.
He thought back over the previous puzzles and their odd mix of threat and spiritual instruction: the one at Tintagel, where sacrifice was the key, or the clues at Glastonbury that demanded Shavi, Ruth and Laura search for the 'signal hidden in the noise,' the truth buried in the confusion, a metaphor for life. There it was. Quickly, he crawled forward to the edge of the pattern. The Celtic design showed serpents-or, he thought excitedly, dragons- flowing in a spiral pattern that progressed from side to side along the floor. And the Spiral Path had been the Celtic metaphor for both the journey through life and a ritual procession that allowed access to the Otherworld, like the spiral path carved into the slopes of Glastonbury Tor.
Was that it? He had no way of knowing for sure until his foot was on the design, so in the end it came down to an act of faith; in himself and his own abilities.
He cracked his knuckles, then took a deep breath. It was time to embark on the Spiral Dance and move from this life to the next.
With the air leaden in his lungs, he stepped on to the stylised Celtic serpents. Every muscle hardened. When he realised nothing had happened, he relaxed a little, but the path was barely wider than a curb, a tightrope winding its way through a sea of danger. What happened if he slipped? A spike ripping through his sole, sprawling across the design, spikes punching into his body wherever he landed. With the blood thundering in his ears, he took his second step.
The path took him from wall to wall, forwards then backwards, in slow progress along the length of the corridor. Sweat soaked through his shirt, ran in rivulets into the nape of his back. His head hurt from staring at the tiny pattern in the half-light. Follow the serpent in the earth to enlightenment. As the ancient Celtic inventors had undoubtedly intended, his stark concentration brought a deep meditation on what he was undertaking; the metaphor of walking a thin path through constant danger did not escape him.
At one point, he paused briefly to rest his eyes. It was a mistake, for he instantly started wavering and almost pitched forward until he threw out both arms to steady himself. It only just did the trick, but it was enough of a scare to focus him even more sharply. He did one final spiral, more complex than any of the others, and then, abruptly, the design had gone and he was back on safe stone flags. He collapsed on to his back, sucking in soothing breaths.
He rested for only a moment before following the corridor once more. The Spiral Path had been some kind of transition, for within a few yards the corridor had been replaced by a wall of trees, their tops lost high up in the shadows. Church had long since forgone trying to apply logic to his experiences in such areas, but the sight was still oddly disturbing. The underground wood appeared healthy enough, with full-leafed oaks and ash and hawthorn, with bracken and brambles growing beneath them. An odd green luminescence filtered amongst the trunks, but Church could not identify its source; it was enough to illuminate the way ahead, and gave the impression of first light or twilight.
The density of the forest added to the deep foreboding that had crept up on him. Anything could be hiding amongst the foliage. As if to echo his suspicions, rustling broke out in the undergrowth. A second later, two rows of sheep emerged from the forest and passed him on either side. The ones on the left were white, the others black, both lines walking in perfect step. The bizarre sight became even more unnerving when one of the white sheep bleated, for then one of the black sheep wandered over to the white queue and immediately became white. The reverse happened when a black sheep bleated. Church looked round to see where they were going, but there were none behind him. When he peered back, the last few sheep emerged from the forest and were gone.
He was sure it meant something, but he had no idea what, and the image continued to haunt him as he began his journey in the quiet, green world.
The atmosphere amongst the trees was so ethereal it was difficult to shake the notion that he was dreaming. Odd sensations began to make their way through his body-a tingling in his legs, a feeling that his hands were no longer handsand a moment later the weightlessness that had crept up on him became palpable. It was not a hallucination, for he really was drifting a little way above the ground. He called out in surprise, only to be shocked that his voice sounded like the cry of a bird. His eyes were astonishingly sharp and his arms were wings, covered with thick, brown feathers. He was a hawk, flying up into the branches, and up and up.
There was no time to question his transformation, for he was immediately confronted by another hawk with blazing yellow eyes. 'You are one with the birds of the trees,' it said in an unsettlingly human voice.
It swooped down at him, talons raised in attack. Church panicked, losing all control of his form. The hawk raked claws across his back and a shower of brown feathers flew all around. He attempted to steer himself, crashed against a branch and went into a downward spiral.
The hawk didn't give up its attack, shrieking loudly as it bore down on him. Once more the talons tore through his back, and this time the pain almost made him lose consciousness. But he recovered slightly, and his mind was focused. He didn't fight against the messages that were coming from instinct, and after a slow start, where he only narrowly evaded another scarring, he found he could move swiftly amongst the trees.
He wasn't about to stand and fight-he didn't see the point of it-so he flew as swiftly as he could, before a weight pressed down hard on his shoulders and forced him to the ground. His wings gone, he hit the turf hard, tumbling athletically.
Barely able to catch his breath, he rolled to his feet, which were now grey paws. 'You are one with the beasts of the field,' a rough voice said. He looked round to see a large grey wolf away amongst the trees. It was watching him with the same hateful yellow eyes of the hawk.
It moved, but Church was quicker, loping through the trunks, leaping the clusters of vegetation, avoiding the pits and hollows with ease. As he ran, he moved further off the ground and his paws became hooves, while a sharp pain in his forehead signalled the sprouting of antlers like those Cernunnos sported.
The hoofbeats of his pursuer continued to thunder across the soft ground. And then Church was back on his own legs, and in his peripheral vision he could see his own hands; his lungs burned from the exertion. Church didn't know if he had truly transformed or if it had been a hallucination. He tried to look over his shoulder and awkwardly caught his foot in a root, stumbled, and slid down a slight incline.
What he saw made his blood run cold. There was no man behind him, as there had been a deer, a wolf and a hawk. At first it was a stark white glow, before he realised that what he was seeing was a pack of dogs, savage and alien, filled with their own brilliance.
