Night Train to Memphis

convenes each year, purportedly for the purpose of carrying on professional discussions, and we actually were carrying on a professional discussion when I asked plaintively, ‘What the Hades am I going to call this book?’ The answer came, as it usually does, from Sharyn McCrumb. I thought it was a great title, but I failed to recognize the source; my ignorance prompted Sharyn to lecture me on the subject of country-western music and to supply me with various research materials. As a result I am now a convert, which may explain some of the esoteric references in this volume. I would offer a prize to the reader who can spot the most songs, except I’m sure Sharyn would win it.

Sharyn is also the author of ‘You’re a Detour on the Highway to Heaven,’ in which endeavour she acknowledges some assistance from Joan Hess and Dorothy Cannell. Joan and Dorothy claim the assistance was considerable, amounting to actual collaboration. I have no further comment to make on this subject, except to say that my debt to these writers and the other non-members of the organization to which they and I belong is profound.

None of the individuals mentioned is responsible for any errors I may have made in recording the information they gave me. The views expressed are those of the characters, who are, I hardly need say, entirely fictitious. The tomb of Tetisheri is also fictitious. For reasons that should be apparent I could not use an actual, known tomb, so I invented one. (A real tomb of Tetisheri may yet be found, though such an eventuality is, in my opinion, unlikely. If this happens, bear in mind it isn’t the same tomb as mine.) The particular Fourth Dynasty cemetery at Abydos to which I have referred is also apocryphal. I think. One never knows what is going to turn up in Egypt.

There are, of course, many museums in Cairo. The proper name of the one to which my characters constantly and carelessly refer is The Egyptian Museum.

Vicky’s comments on the problems of conservation faced by overworked and underfunded antiquities organizations are unfortunately only too accurate. The problem is acute; positive, public support is badly needed, especially for organizations such as the Epigraphic Survey, which for many years has concentrated on making accurate copies of fading reliefs and inscriptions. If we cannot preserve all the monuments – and we cannot – we can at least record them before they vanish forever.

YOU’RE A DETOUR ON THE HIGHWAY TO HEAVEN

(To: Great Speckeld Bird)

When Mama lay a-dyin’ on the flatbed,

She told me not to truck with girls like you;

But I was blinded by the glare of your headlights,

And went joy-ridin’ just for the view.

CHORUS:

You’re a detour on the highway to heaven,

I am lost on the backroads of sin,

I have got to get back to the four-lane,

So that I can see Mama again.

Your curves made me lose my direction,

My hands from the steering wheel strayed,

But you were just one more roadside attraction,

It’s been ten thousand miles since I prayed.

If you ever get out of the fast lane

And get back to that highway above,

I’ll be waiting for you at the tollbooth,

In that land where all roads end in love.

Chapter One

I

THE MOUNTAIN meadow was carpeted with fresh green and starred with small, shy flowers. He came towards me, walking so lightly the grass scarcely seemed to bend under his feet. His hair shone silver-gilt in the sunlight, and he was smiling, and his blue eyes held a look I had seen in them only once before. Trembling, I waited for him to come to me. He stopped a few feet away, still smiling, and held out his hands.

They were wet and red and dripping. I looked from his bleeding hands to his face and saw blood erupt from it in spurting streams, from the corners of his mouth, from under the hair on his temples. Bright scarlet patches blossomed on the breast of his shirt. There was blood everywhere, covering him like a red rain. I stretched out my arms but I couldn’t reach him and I couldn’t move and the scream I tried to utter wouldn’t come out of my throat and he fell, face down at my feet, and the back of his head wasn’t golden fair but sticky scarlet and the blood spread out, staining the green grass and drowning the shy flowers and still I couldn’t reach him . . .

‘Oh God, oh God, oh God . . .’ Somebody was whining. It wasn’t I. I was blubbering and swearing – or was I praying?

Swearing. ‘Damn him, damn him!’ I reached out blindly in the dark. There was something monstrous and hairy on my bed. I threw my arms around it and clutched it to my bosom.

Caesar stopped whining and began licking my face with frantic slurps. Caesar is a Doberman; his tongue is as rough as a file and about a foot and a half long. He has very bad breath.

‘All right, okay,’ I gasped, fending him off and reaching for the bedside lamp.

The light helped, and so did the sight of my familiar messy bedroom, but I was still shaking. God! That had been the worst one yet.

Caesar’s furry face stared worriedly at me. He wasn’t allowed on the bed. I must have cried out in my sleep, and the gallant dog had leaped up to my rescue.

Clara was allowed on the bed. Caesar hasn’t got over the injustice of this yet, but he can’t do anything about it because he is terrified of Clara, who weighs approximately seven pounds to his seventy. I think he thinks she is a god. He slobbers with delight when she condescends to curl up next to him, and grovels when she raises a paw. She had retreated from her usual position, on my stomach, to the foot of the bed and was sitting up, eyeing me with that look of tolerant contempt only Siamese cats have fully mastered. In the dark seal-brown of her face her eyes looked very blue.

A shudder twisted through me as I remembered how blood had filled those other blue eyes.

It was the third time that week I had dreamed about John. The first one hadn’t been bad, just an ordinary anxiety/frustration dream in which I pursued a familiar form along endless streets only to find, when I caught up with it, that it wore someone else’s face. The second . . . well, never mind the details of that one. The metamorphosis of the body I clasped into a scaled, limbless creature that slid slimily through my arms and vanished into darkness had left a nasty memory, but it hadn’t awakened me.

I knew the cause of the dreams. My subconscious doesn’t fool around; it’s about as subtle as a brickbat. I had told myself there was nothing to worry about, even if I hadn’t heard from him for over a month, and I had believed it – sort of – until a week ago. Hugging my warm, hairy, smelly dog as a child would clutch a teddy bear for comfort, I remembered the conversation that had forced me (or my subconscious) to admit there was something to worry about.