scaffolding about it, which had been under suppositious repair so long that the means of repair looked a hundred years old, and had themselves fallen into decay; a quantity of washed linen, spread to dry in the sun; a number of houses at odds with one another and grotesquely out of the perpendicular, like rotten pre– Adamite cheeses cut into fantastic shapes and full of mites; and a feverish bewilderment of windows, with their lattice-blinds all hanging askew, and something draggled and dirty dangling out of most of them.
On the first-floor of the house was a Bank—a surprising experience for any gentleman of commercial pursuits bringing laws for all mankind from a British city—where two spare clerks, like dried dragoons, in green velvet caps adorned with golden tassels, stood, bearded, behind a small counter in a small room, containing no other visible objects than an empty iron-safe with the door open, a jug of water, and a papering of garland of roses; but who, on lawful requisition, by merely dipping their hands out of sight, could produce exhaustless mounds of five-franc pieces. Below the Bank was a suite of three or four rooms with barred windows, which had the appearance of a jail for criminal rats. Above the Bank was Mrs Gowan's residence.
Notwithstanding that its walls were blotched, as if missionary maps were bursting out of them to impart geographical knowledge; notwithstanding that its weird furniture was forlornly faded and musty, and that the prevailing Venetian odour of bilge water and an ebb tide on a weedy shore was very strong; the place was better within, than it promised. The door was opened by a smiling man like a reformed assassin—a temporary servant— who ushered them into the room where Mrs Gowan sat, with the announcement that two beautiful English ladies were come to see the mistress.
Mrs Gowan, who was engaged in needlework, put her work aside in a covered basket, and rose, a little hurriedly. Miss Fanny was excessively courteous to her, and said the usual nothings with the skill of a veteran.
'Papa was extremely sorry,' proceeded Fanny, 'to be engaged to-day (he is so much engaged here, our acquaintance being so wretchedly large!); and particularly requested me to bring his card for Mr Gowan. That I may be sure to acquit myself of a commission which he impressed upon me at least a dozen times, allow me to relieve my conscience by placing it on the table at once.'
Which she did with veteran ease.
'We have been,' said Fanny, 'charmed to understand that you know the Merdles. We hope it may be another means of bringing us together.'
'They are friends,' said Mrs Gowan, 'of Mr Gowan's family. I have not yet had the pleasure of a personal introduction to Mrs Merdle, but I suppose I shall be presented to her at Rome.'
'Indeed?' returned Fanny, with an appearance of amiably quenching her own superiority. 'I think you'll like her.'
'You know her very well?'
'Why, you see,' said Fanny, with a frank action of her pretty shoulders, 'in London one knows every one. We met her on our way here, and, to say the truth, papa was at first rather cross with her for taking one of the rooms that our people had ordered for us.
However, of course, that soon blew over, and we were all good friends again.'
Although the visit had as yet given Little Dorrit no opportunity of conversing with Mrs Gowan, there was a silent understanding between them, which did as well. She looked at Mrs Gowan with keen and unabated interest; the sound of her voice was thrilling to her; nothing that was near her, or about her, or at all concerned her, escaped Little Dorrit. She was quicker to perceive the slightest matter here, than in any other case—but one.
'You have been quite well,' she now said, 'since that night?'
'Quite, my dear. And you?' 'Oh! I am always well,' said Little Dorrit, timidly. 'I—yes, thank you.'
There was no reason for her faltering and breaking off, other than that Mrs Gowan had touched her hand in speaking to her, and their looks had met. Something thoughtfully apprehensive in the large, soft eyes, had checked Little Dorrit in an instant.
'You don't know that you are a favourite of my husband's, and that I am almost bound to be jealous of you?' said Mrs Gowan.
Little Dorrit, blushing, shook her head.
'He will tell you, if he tells you what he tells me, that you are quieter and quicker of resource than any one he ever saw.'
'He speaks far too well of me,' said Little Dorrit.
'I doubt that; but I don't at all doubt that I must tell him you are here. I should never be forgiven, if I were to let you—and Miss Dorrit—go, without doing so. May I? You can excuse the disorder and discomfort of a painter's studio?'
The inquiries were addressed to Miss Fanny, who graciously replied that she would be beyond anything interested and enchanted. Mrs Gowan went to a door, looked in beyond it, and came back. 'Do Henry the favour to come in,' said she, 'I knew he would be pleased!'
The first object that confronted Little Dorrit, entering first, was Blandois of Paris in a great cloak and a furtive slouched hat, standing on a throne platform in a corner, as he had stood on the Great Saint Bernard, when the warning arms seemed to be all pointing up at him. She recoiled from this figure, as it smiled at her.
'Don't be alarmed,' said Gowan, coming from his easel behind the door. 'It's only Blandois. He is doing duty as a model to-day. I am making a study of him. It saves me money to turn him to some use. We poor painters have none to spare.'
Blandois of Paris pulled off his slouched hat, and saluted the ladies without coming out of his corner.
'A thousand pardons!' said he. 'But the Professore here is so inexorable with me, that I am afraid to stir.'
'Don't stir, then,' said Gowan coolly, as the sisters approached the easel. 'Let the ladies at least see the original of the daub, that they may know what it's meant for. There he stands, you see. A bravo waiting for his prey, a distinguished noble waiting to save his country, the common enemy waiting to do somebody a bad turn, an angelic messenger waiting to do somebody a good turn—whatever you think he looks most like!' 'Say, Professore Mio, a poor gentleman waiting to do homage to elegance and beauty,' remarked Blandois.
'Or say, Cattivo Soggetto Mio,' returned Gowan, touching the painted face with his brush in the part where the real face had moved, 'a murderer after the fact. Show that white hand of yours, Blandois. Put it outside the cloak. Keep it still.'
Blandois' hand was unsteady; but he laughed, and that would naturally shake it.
'He was formerly in some scuffle with another murderer, or with a victim, you observe,' said Gowan, putting in the markings of the hand with a quick, impatient, unskilful touch, 'and these are the tokens of it. Outside the cloak, man!—Corpo di San Marco, what are you thinking of?'
Blandois of Paris shook with a laugh again, so that his hand shook more; now he raised it to twist his moustache, which had a damp appearance; and now he stood in the required position, with a little new swagger.
His face was so directed in reference to the spot where Little Dorrit stood by the easel, that throughout he looked at her. Once attracted by his peculiar eyes, she could not remove her own, and they had looked at each other all the time. She trembled now; Gowan, feeling it, and supposing her to be alarmed by the large dog beside him, whose head she caressed in her hand, and who had just uttered a low growl, glanced at her to say, 'He won't hurt you, Miss Dorrit.'
'I am not afraid of him,' she returned in the same breath; 'but will you look at him?'
In a moment Gowan had thrown down his brush, and seized the dog with both hands by the collar.
'Blandois! How can you be such a fool as to provoke him! By Heaven, and the other place too, he'll tear you to bits! Lie down!
Lion! Do you hear my voice, you rebel!
'The great dog, regardless of being half-choked by his collar, was obdurately pulling with his dead weight against his master, resolved to get across the room. He had been crouching for a spring at the moment when his master caught him.
'Lion! Lion!' He was up on his hind legs, and it was a wrestle between master and dog. 'Get back! Down, Lion! Get out of his sight, Blandois! What devil have you conjured into the dog?'
'I have done nothing to him.'
'Get out of his sight or I can't hold the wild beast! Get out of the room! By my soul, he'll kill you!'
The dog, with a ferocious bark, made one other struggle as Blandois vanished; then, in the moment of the
