south of the city, an imposing vision of majesterial white stone in acres of greenery bounded by the River Avon. As he stood in The Close looking up at the soaring spire, he had a sudden impression of it as a symbol of all that was under threat. Seven hundred years of British history, built on solid foundations that not even an earthquake could throw down. It had overseen the coming of the Age of Enlightenment, of the establishment of a civilisation based on science, reason and logic. And more than that, it represented the glory of a God who had created that world; a religion which allowed no space for the truth that was slowly being unpeeled before their eyes. The magnitude of what could be swept away dwarfed him.
It was too much. He hurried in through the south-west entrance as if he were seeking sanctuary and walked slowly up the nave to take a seat in the pews. For long minutes, he couldn't bear to think, instead losing himself in the quiet beauty of the surroundings. Organ music played gently in the background, adding to the air of reverent tranquillity which soothed him a little, and eventually his attention fell upon the altar and its intricately worked cloth. The central image showed a crown of thorns in gold and red surrounding the Holy Grail. There was something about the image which seemed to speak to him, whispering insistently at the back of his head until he became disturbed by the suggestion of a subconscious connection which he couldn't make. In the end he had to force himself to look away.
Then there was no other choice but to let his mind turn to Marianne, as he knew it would. Carefully, as if he were handling a fragile piece of pottery, he drew out the Roisin Dubh, wondering how he knew what he guessed was the Gaelic, marvelling at how the rose had survived so immaculately. The petals were like velvet, the black so rich it seemed to have numerous depths. He lifted it to his nose, but surprisingly it had no fragrance at all. Was it, as he hoped, a sign from her of their enduring love?
The thought filled him with such a swell of desperate emotion he had to close his eyes, and in that instant he almost prayed. But since Marianne's death, nothing any religion preached made sense any more; however much he hoped her essence lived on in some kind of afterlife, the mundanity of everyday life had almost convinced him that death was an end. Now he couldn't even wallow in that existentialist purgatory. Two years of weighing up every option, trying to find some common ground between hope and reality, had left him sick and mentally worn down. He was too tired to have faith. He just wanted to know.
His sense of alienation on the sacred ground drove him to his feet, but as he turned to go he glimpsed someone watching him from across the nave. The figure seemed unreal, oddly proportioned and hazy. It darted behind a pillar when it saw him look, but it left him with a sudden chill, as if its gaze had transmitted a hoarfrost. Suddenly he had to see who it was.
Cautiously, he made his way along the pews to the pillar. His footsteps sounded uncommonly loud, although an elderly couple passed by immersed in their guidebook, oblivious to him. The space behind the pillar was empty, but in the corner of his eye he saw a shimmer away to the right; someone was moving unfeasibly quickly along the south aisle. Church had an impression of a man, yet he was almost mist, as if he were radiating a grey light. In his trail there was a claustrophobic sense of threat.
Get out of here, he told himself. But running away seemed a weak thing to do, and after Marianne's death he didn't want to be pathetic again. He moved quickly in pursuit.
He slipped through an exit near the refectory and found himself in the cloisters, a square of wide corridors with low, vaulted ceilings surrounding a brightly sunlit lawned area which only served to make the other legs of the cloisters seem impenetrably shadowed. His first impression was that it was eerily still, as if he had stepped through time into after-hours. There were no tourists, even near the entrance to the Magna Carta exhibition in the Chapter House, and the sound of the organ had mysteriously disappeared. His skin prickled as he watched for any sign of movement. Gradually he became aware of an atmosphere of disquiet lying across the area. A cloying scent of lavender hovered in the air.
Slowly Church left the protection of the door. He hadn't progressed far when the stillness was broken by a deep, guttural growling that raised the hairs on the back of his neck. He froze, then turned slowly in a circle. Still nothing. It was impossible to see through the sunlight of the square into the darkness beyond.
The growl rang off the stone once more, filled with menace, hinting at some enormous beast. He glanced down one corridor, then another, unable to tell from where it was coming. There was no sign of the shadowy figure either. Slowly he advanced along the north corridor, but with each step the sensation of unease grew more intense until he felt an unbearable urge to get out of that lonely place.
But as he rounded the corner into the east corridor, it was there, waiting for him, halfway along: a black dog, bigger than any he had ever seen before; it was only when it took a step forward on its heavy, sinewy limbs that he realised it was the size of a small pony. And then Church noticed its eyes, red as blood, with an inner light that burned with a cruel, demonic intelligence. A long strand of saliva drooled from its yellow fangs to splatter on the stone flags, where it sizzled like acid. It was so monstrous he knew it was no earthly creature.
The dog growled once more, rumbling menacingly deep in its throat. Then it lowered its head and took a slow step forward. Church knew if he turned it would be on him in a second. He noted the power in its jaws; he would have no protection if they were tearing at his throat. He took a tentative step backwards.
Deep in his head he felt a buzzing like a swarm of flies, sickening in its intensity, and he knew that in some way it was the creature's alien, terrible thoughts interfering with his own; there was nothing there he could make sense of, just a primal feeling of threat and devouring. His stomach churned at the contact. What is it doing? he thought.
Slowly it moved forwards, each heavy paw echoing as it thudded on the stone. Powerful muscles rippled beneath the sleek black fur. Its eyes ranged across his face with a terrible, malign force, scarlet pools surrounding a circle of black like the drop into the abyss; the buzz of its thoughts crackled louder in his head. And in that moment he knew this was no chance encounter; it wanted him.
Church backed away a little further, but he realised the door was too far away to run. Slowly the muscles on the dog's back began to pull together as it lowered its enormous head. The deep, rattling growl dropped a notch into its throat. It was preparing to attack.
Church felt the cold wash of fear. He had an instant to decide what to do, but there were no options. Hopelessly, he decided he should turn and run. The dog's nails clicked loudly on the stone.
This is it, he thought.
But just as he was about to launch himself, the door into the cloisters crashed open and a guide leading a column of tourists marched in, his voice echoing out with the history of the site. Church was about to yell out for them to flee when he noticed a sudden, subtle change in the atmosphere. Out of the corner of his eye he saw the beast pause on the cusp of its attack, its eyes falling sullenly in the direction of the tourists. Briefly, it seemed to consider whether to continue its assault, but then it closed its jaws with a faint snick and padded away with a heavy step. Church remained frozen, unable to tear his eyes from it. When it was twenty feet from him, it turned its head and surveyed him balefully before losing itself in the shadows.
The column of tourists trooped past him, clicking their cameras, muttering in foreign languages. Church rested back against the stone wall in relief, his heart pounding madly, the stink of the dog all around. 'Are you all right?' the guide asked in concern.
Church smiled weakly, but he couldn't bring himself to reply. He had the sudden feeling that events were closing in around them.
Ruth wandered through the city, staring into shop windows without really seeing, her head swimming with the bizarre experiences that had impacted on her life. She felt completely at odds with herself. Everything she had seen and heard filled her with a feeling of dread for what might lie ahead, yet at the same time she was overcome with a sense of freedom that was remarkably uplifting; the office was just a bad dream; from a distance the career seemed like shackles preventing her living her life. Now she was able to do what her heart told her. At the same time, these feelings ignited a tinge of guilt, as if she was betraying the memory of her father. He had always dreamed of her establishing a great career in law and he had been so happy when she was offered her job. It was all a mess of conflicting emotions and for the first time she felt she didn't know herself at all.
But she had been intrigued by Tom's manipulation of the blue fire; more than that, she decided, she wanted to be able to do it for herself. Now there was freedom. The thought of it raised her spirits enough that with the sun and the crowds she finally began to feel optimistic, for the first time since she had left her flat.
After a while she found herself crossing a gushing stretch of the Avon to The Maltings shopping centre, a modernist slab of brown brick at odds with the age of the rest of the city. As she mused whether there would be anything in it worth her attention, she suddenly caught sight of an old woman watching her intently. She had a
