Treasure Chest often, but if he were selling drugs he would no doubt do so through the medium of one or another of his stores, and—”

“Drugs!” Haskell was outraged. “Me sell drugs? You have to be out of your mind. Drugs are a death trip.”

“Indeed. We have already excluded you, Mr. Henderson, so you’ve no need to offer comments. To continue. Miss O’Connor has not been regularly employed at Treasure Chest, so she too may be ruled out. Mr. Leemy and Mr. Danzig may also be excused; they quite clearly did not know what was going on in the establishment. I would further exclude Mr. Lippa because I find the whole nature of this operation incompatible with my impressions of the man.”

“Does that mean I’m in or out?” Buddy wanted to know, and Haig nodded and said that was exactly his point, and that Buddy was in the clear.

“Now let us reconstruct the day of the crime. Mr. Flatt’s accomplice in the drug operation—let us call him X, as a sop to tradition—has learned directly or indirectly from Miss Abramowicz that I have been hired to investigate the death of the fish. X realizes that my participation will quickly establish that an attempt has been made on Miss Abramowicz’s life and that the fish were unintentional victims. When this became known, Miss Abramowicz would realize that she possesses some information which makes her dangerous to X, and this information would at once be brought to my attention. That, to be sure, was the original motive for disposing of Miss Abramowicz. She somehow learned enough about the drug operation to make her dangerous, especially in view of the fact that she seems to have been rather scatterbrained and loose-tongued. One hesitates to speak thus of the dead, but the fact appears to be beyond dispute.

“Thus X must act, and act quickly. So X contacts Mr. Flatt—yes, sir, it happened just that way, and you needn’t attempt to deny it by shaking your head. X contacted you, Mr. Flatt, and demanded a contact poison. Whether curare was specified or not I have no idea. It hardly matters. You had already supplied strychnine to X, although I cannot state with certainty that you knew how it was to be employed. It is often used as an adulterant in drugs to boost their potency and you might well have furnished it without knowing you were to be the instrument in a homicide. But if there is any other use for curare I am unaware of it. You knew Miss Abramowicz was to be killed, sir. You brought the curare that night with that specific purpose in mind. That was why you took pains to leave the club early, why you established an alibi in Long Island. You are a knowing accessory to murder, sir.”

Flatt stared at him, and Haig stared back, and Flatt couldn’t take it. He looked down at his hands.

“You brought the curare,” Haig went on. “You delivered it to X. You left. And X waited, because the last thing X wanted was to murder Miss Abramowicz on the premises of the nightclub. Ideally X would have waited until the evening had come to a close. X and Miss Abramowicz would have left together, and X would have managed to perform the deed in private.

“This plan was spiked when Mr. Harrison made an appearance at the club. X learned his identity, realized he was my associate, and recognized that there would be no opportunity to go off with Miss Abramowicz and deal with her as planned. Mr. Harrison would instead be interrogating Miss Abramowicz immediately after she finished her performance, at which time her knowledge might well be passed on to him. And this was something X was wholly unprepared to leave to chance.

“And so X waited, waited until the last minute. Waited until Miss Abramowicz was at the very conclusion of her act, and then injected curare into her bloodstream and killed her.”

I saw it all again in slow motion. The finale of the act, Cherry shaking her breasts over the edge of the stage, straightening up, doing her spread, going coyly prim, then trying so desperately to reach her breast—

“When we think of curare,” Haig said, “we think of savages in the jungle. We think of blow darts, we think of arrows tipped with the deadly elixir. And when we consider this crime, we assume that X must have employed such a device, that some projectile served to carry curare from X’s hand to Miss Abramowicz’s breast. No projectile remained stuck in the breast in question; hence we assume that the dart or arrow or whatever struck the breast, pierced the skin, and then fell away. Mr. Harrison was the first person to leap onto the stage after Miss Abramowicz fell. He had the presence of mind, after determining there was no office he could perform for the victim, to make a quick search for the projectile. And he—”

“And he put it in his pocket.” This from my old friend Wallace Seidenwall. “I knew Harrison had it. I been saying so all along, and I been saying—”

“You have been saying far too much, sir. Mr. Harrison did not find the projectile. Neither did the police, who may be presumed to have subjected the premises to an exhaustive search. Dismissing such preposterous theories as an arrow with an elastic band tied to it—and I trust we can dismiss such rot out of hand—it is quite inconceivable that X could have retrieved the projectile. Sherlock Holmes established the principle beyond doubt, and I reiterate it here and now: When all impossibilities have been eliminated, that which remains is all that is possible. There was no projectile.”

I suppose everybody was supposed to gasp when he said this. That’s not what happened. Instead everybody just sat there staring. Maybe they had trouble following what he’d just said. Maybe they were confused about the difference between a weapon and a projectile. I’d already had a lesson in that department so I managed to stay on top of things, and at that moment I finally figured out who X was. Instead of feeling brilliant I sat there wondering how it had taken me so long.

“There was no projectile,” Haig said again. “Miss Abramowicz was stabbed with some sort of pin. A hair pin, a hat pin, it scarcely matters. The pin was pressed into her breast and withdrawn. Then—”

“Wait.” It was Gregorio. “Unless I’m off-base, she was all alone on that stage. How did someone stick a pin in her breast without anyone seeing it?”

“Because she was bending over the edge of the stage. She did this at the conclusion of every performance, leaning forward almost parallel to the floor with her breasts suspended over the stage apron. This was X’s genius— it would have been simpler by far to inflict a wound in her foot, for example, but by waiting for the one perfect moment X could guarantee that everyone would assume that a nonexistent projectile had been employed.”

I said, “How come she didn’t feel anything? She went right ahead and got up and danced around for a minute, and then there was suddenly blood on her breast and she started to crumble.”

“Curare is not instantaneous. Poisons borne by the bloodstream need time to reach the heart. And small puncture wounds rarely begin bleeding immediately. Indeed they often fail to bleed at all. As for her failure to react, she was caught up in an intense dance routine. She might have been too involved to feel a pinprick. She might have assumed it was an insect bite and ignored it. For that matter, she might not have felt it at all. She had had silicone implants. The skin of her breasts was thus stretched to accommodate their enlargement, the nerve endings consequently far apart. Some nerves may even have been severed when the silicone was implanted.”

Haig shrugged. “But it hardly matters. Once one knows how the murder was committed, the identity of X is instantly obvious. Indeed it has been obvious to me for some time that only one person was ideally situated to commit the murder. That same person was also ideally situated to receive consignments of drugs from Mr. Flatt and dispense them in the normal course of occupational routine.

“Miss Remo. I suggest you keep your hands in plain sight and avoid sudden movements. Mr. Wong Fat has you within line of sight. He could plant his cleaver in your head before you could get your purse open. Yes, keep your hands right where they are, Miss Remo. Mr. Seidenwall, I trust you thought to bring a pair of handcuffs? I suggest you put them on Miss Remo. She is rather more dangerous than she looks.”

Eighteen

SEIDENWALL PUT THE cuffs on her. He may have been a witling but he knew how to follow orders. I didn’t take my eyes off her until the bracelets snapped shut. Then I let out a breath I hadn’t remembered taking and glanced at the doorway. Wong was standing there and he still had the cleaver raised. He wasn’t taking any chances.

Gregorio lit a cigarette and blew out a lot of smoke. He said, “You don’t really have anything, do you? Just a theory. I’m not arguing with your theory. I have to hand it to you, you tied all the ends together and made it work. And if we put the jury in this room and let you put on a show for them they might bring in a conviction, but that’s not how the system works. Maybe it should be but it isn’t.”

Вы читаете The Topless Tulip Caper
Добавить отзыв
ВСЕ ОТЗЫВЫ О КНИГЕ В ИЗБРАННОЕ

0

Вы можете отметить интересные вам фрагменты текста, которые будут доступны по уникальной ссылке в адресной строке браузера.

Отметить Добавить цитату
×