The Lovely Bones

second heart attack.

Buckley knew he should be too old for it to matter, but I sympathized with him. The good-night kiss was something at which my father excelled. As my father stood at the end of the bed after closing the Venetian blinds and running his hands down them to make sure they were all down at the same slant – no rebel Venetian stuck to let the sunlight in on his son before he came to wake him – my brother would often get goose bumps on his arms and legs. The anticipation was so sweet.

“Ready, Buck?” my father would say, and sometimes Buckley said “Roger,” or sometimes he said “Takeoff,” but when he was most frightened and giddy and waiting for peace he just said “Yes!” And my father would take the thin cotton top sheet and bunch it up in his hands while being careful to keep the two corners between his thumb and forefinger. Then he would snap it out so the pale blue (if they were using Buckley’s) or lavender (if they were using mine) sheet would spread out like a parachute above him and gently, what felt wonderfully slowly, it would waft down and touch along his exposed skin – his knees, his forearms, his cheeks and chin. Both air and cover somehow there in the same space at the same time – it felt like the ultimate freedom and protection. It was lovely, left him vulnerable and quivering on some edge and all he could hope was that if he begged him, my father would oblige and do it again. Air and cover, air and cover – sustaining the unspoken connection between them: little boy, wounded man.

That night his head lay on the pillow while his body was curled in the fetal position. He had not thought to close the blinds himself, and the lights from the nearby houses spotted the hill. He stared across his room at the louvered doors of his closet, out of which he had once imagined evil witches would escape to join the dragons beneath his bed. He no longer feared these things.

“Please don’t let Daddy die, Susie,” he whispered. “I need him.”

When I left my brother, I walked out past the gazebo and under the lights hanging down like berries, and I saw the brick paths branching out as I advanced.

I walked until the bricks turned to flat stones and then to small, sharp rocks and then to nothing but churned earth for miles and miles around me. I stood there. I had been in heaven long enough to know that something would be revealed. And as the light began to fade and the sky turn a dark, sweet blue as it had on the night of my death, I saw someone walking into view, so far away I could not at first make out if it was man or woman, child or adult. But as moonlight reached this figure I could make out a man and, frightened now, my breathing shallow, I raced just far enough to see. Was it my father? Was it what I had wanted all this time so desperately?

“Susie,” the man said as I approached and then stopped a few feet from where he stood. He raised his arms up toward me.

“Remember?” he said.

I found myself small again, age six and in a living room in Illinois. Now, as I had done then, I placed my feet on top of his feet.

“Grandaddy,” I said.

And because we were all alone and both in heaven, I was light enough to move as I had moved when I was six and he was fifty-six and my father had taken us to visit. We danced so slowly to a song that on Earth had always made my grandfather cry.

“Do you remember?” he asked.

“Barber!”

“Adagio for Strings,” he said.

But as we danced and spun – none of the herky-jerky awkwardness of Earth – what I remembered was how I’d found him crying to this music and asked him why.

“Sometimes you cry, Susie, even when someone you love has been gone a long time.” He had held me against him then, just briefly, and then I had run outside to play again with Lindsey in what seemed like my grandfather’s huge backyard.

We didn’t speak any more that night, but we danced for hours in that timeless blue light. I knew as we danced that something was happening on Earth and in heaven. A shifting. The sort of slow-to-sudden movement that we’d read about in science class one year. Seismic, impossible, a rending and tearing of time and space. I pressed myself into my grandfather’s chest and smelled the old-man smell of him, the mothball version of my own father, the blood on Earth, the sky in heaven. The kumquat, skunk, grade-A tobacco.

When the music stopped, it could have been forever since we’d begun. My grandfather took a step back, and the light grew yellow at his back.

“I’m going,” he said.

“Where?” I asked.

“Don’t worry, sweetheart. You’re so close.”

He turned and walked away, disappearing rapidly into spots and dust. Infinity.

Nineteen

When she reached Krusoe Winery that morning, my mother found a message waiting for her, scrawled in the imperfect English of the caretaker. The word emergency was clear enough, and my mother bypassed her morning ritual of an early coffee drunk while staring out at the grapevines grafted on row upon row of sturdy white crosses. She opened up the part of the winery reserved for public tastings. Without turning on the overhead, she located the phone behind the wooden bar and dialed the number in Pennsylvania. No answer.

Then she dialed the operator in Pennsylvania and asked for the number of Dr. Akhil Singh.

“Yes,” Ruana said, “Ray and I saw an ambulance pull up a few hours ago. I imagine they’re all at the hospital.”

“Who was it?”

“Your mother, perhaps?”

But she knew from the note that her mother had been the one who called. It was one of the children or it was Jack. She thanked Ruana and hung up. She grabbed the heavy red phone and lifted it up from underneath the bar. A ream of color sheets that they passed out to customers – “Lemon Yellow = Young Chardonnay, Straw-colored = Sauvignon Blanc…” – fell down and around her feet from where they had been kept weighted by the phone. She had habitually arrived early ever since taking the job, and now she gave a quick thanks that this was so. After that, all she could think of were the names of the local hospitals, so she called the ones to which she had rushed her young children with unexplained fevers or possible broken bones from falls. At the same hospital where I had once rushed Buckley: “A Jack Salmon was seen in emergency and is still here.”

“Can you tell me what happened?”

“What is your relationship to Mr. Salmon?”

She said the words she had not said in years: “I’m his wife.”

“He had a heart attack.”

She hung up the phone and sat down on the rubber-and-cork mats that covered the floor on the employee side. She sat there until the shift manager arrived and she repeated the strange words: husband, heart attack.

When she looked up later she was in the caretaker’s truck, and he, this quiet man who barely ever left the premises, was barreling toward San Francisco International Airport.

She paid for her ticket and boarded a flight that would connect to another in Chicago and finally land her in Philadelphia. As the plane gained height and they were buried in the clouds, my mother listened distantly to the signature bells of the plane which told the crew what to do or what to prepare for, and she heard the cocktail cart jiggling past, but instead of her fellow passengers she saw the cool stone archway at the winery, behind which the empty oak barrels were stored, and instead of the men who often sat inside there to get out of the sun she imagined my father sitting there, holding the broken Wedgwood cup out toward her.

By the time she landed in Chicago with a two-hour wait, she had steadied herself enough to buy a toothbrush and a pack of cigarettes and place a call to the hospital, this time asking to speak to Grandma Lynn.

“Mother,” my mother said. “I’m in Chicago and on my way.”

“Abigail, thank God,” my grandmother said. “I called Krusoe again and they said you were headed for the airport.”

“How is he?”

“He’s asking for you.”

“Are the kids there?”

“Yes, and Samuel. I was going to call you today and tell you. Samuel has asked Lindsey to marry him.”

“That’s wonderful,” my mother said.

“Abigail?”

“Yes.” She could hear her mother’s hesitation, which was always rare.

“Jack’s asking for Susie, too.”

She lit a cigarette as soon as she walked outside the terminal at O’Hare, a school tour flooding past her with small overnight bags and band instruments, each of which had a bright yellow nametag on the side of the case. HOME OF THE PATRIOTS, they read.

It was muggy and humid in Chicago, and the smoky exhaust of double-parked cars made the heavy air noxious.

She burned through the cigarette in record time and lit another, keeping one arm tucked hard across her chest and the other one extended on each exhale. She was wearing her winery outfit: a pair of faded but clean jeans and a pale orange T-shirt with KRUSOE WINERY embroidered over the pocket. Her skin was darker now, which made her pale blue eyes seem even bluer in contrast, and she had taken to wearing her hair in a loose ponytail at the base of her neck. I could see small wisps of salt and pepper hair near her ears and at her temples.

She held on to two sides of an hourglass and wondered how this could be possible. The time she’d had alone had been gravitationally circumscribed by when her attachments would pull her back. And they had pulled now – double-fisted. A marriage. A heart attack.

Standing outside the terminal, she reached into the back pocket of her jeans, where she kept the man’s wallet she had started carrying when she got the job at Krusoe because it was easier not to worry about stowing a purse beneath the bar. She flicked her cigarette into the cab lane and turned to find a seat on the edge of a concrete planter, inside of which grew weeds and one sad sapling choked by fumes.

In her wallet were pictures, pictures she looked at every day. But there was one that she kept turned upside down in a fold of leather meant for a credit card. It was the same one that rested in the evidence box at the police station, the same one Ray had put in his mother’s book of Indian poetry. My class photo that had made the papers and been put on police fliers and in mailboxes.

After eight years it was, even for my mother, like the ubiquitous photo of a celebrity. She had encountered it so many times that I had been neady buried inside of it. My cheeks never redder, my eyes never bluer than they were in the photograph.

She took the photo out and held it face-up and