showing the golden merlin on its red background. There were at least sixty men already in the hall and they now shuffled to the edges, allowing the Count of Labrouillade and the Bishop of Lavence to walk slowly towards the dais where two of
‘Must be,’ Sam said appreciatively. ‘And a nice little mare she is too!’
Brother Michael held his breath, stared, and, for an heretical moment, he regretted ever taking holy orders. Bertille, the faithless Countess of Labrouillade, was more than a nice little mare, she was a beauty. She could not have been a day over twenty and had a sweet face, unmarked by scars or disease, with full lips and dark eyes. Her hair was black and curly, her eyes wide, and despite the obvious terror on her face she was so lovely that Brother Michael, who was only twenty-two himself, trembled.
He thought he had never seen a creature so beautiful, and then he breathed again, made the sign of the cross, and uttered a silent prayer that the Virgin and Saint Michael would keep him from temptation. ‘She’s worth the price of the gunpowder, I’d say,’ Sam commented cheerfully.
Brother Michael watched as Bertille’s husband, who had taken off his helmet to reveal a head of greasy grey hair and a heavy, porcine face, waddled towards her. The count’s breath was short because of the effort of walking in his heavy armour. He stopped a few paces from the dais and stared at the breast of his wife’s dress, which was blazoned with the golden merlin, the symbol of her defeated lover. ‘It seems to me, madame,’ the count said, ‘that you show poor taste in clothing.’
The countess dropped to her knees and held her clasped hands towards her husband. She wanted to speak, but the only sound she made was a whimpering sob. Tears on her cheeks reflected the flames of the torches. Brother Michael reminded himself that she was an adulteress, a sinner, a fornicator lost to grace, and Sam glanced at the young monk and thought that one day a woman would cause trouble in his life.
‘Take that badge off her,’ the count ordered two of his men-at-arms, gesturing at the golden merlin embroidered on his wife’s dress, and the two men, their chain mail clinking and plated boots heavy on the flagstones, climbed the dais and seized the countess. She tried to resist them, shrieked once, but then surrendered as one man held her arms behind her back and the other drew a short knife from his belt.
Brother Michael instinctively moved as though to help her, but Sam checked him with his one hand. ‘She’s the count’s wife, brother,’ the archer said softly, ‘which means she’s his property. He can do with her whatever he wants, and if you interfere he’ll slit your belly open.’
‘I was not …’ Brother Michael began, then fell silent rather than tell a lie, for he had been moved to intervene, or at least protest, but now he just watched as the man-at-arms slashed at the precious fabric, ripping the golden threads away from the scarlet, tearing the bodice down to the countess’s waist and finally pulling the embroidered merlin free and throwing it at the feet of his master. The countess, released from the second man’s grip, crouched and clutched the remnants of the dress to her breasts.
‘Villon!’ the count commanded. ‘Look at me!’
The man held by
The count finished at the same time, then held out a hand to his squire, who gave him a small knife with a wickedly curved blade. ‘See this, Villon?’ The count held the knife up so its blade caught the light. ‘Know what it is?’
Villon, held by the two men-at-arms, said nothing.
‘It’s for you,’ the count said. ‘She,’ he pointed the knife at his wife, ‘will go back to Labrouillade, and so will you, but only after we’ve cut you.’
The men in green and white livery grinned, anticipating the pain and pleasure to come. The knife, its blade rusted and its handle a worn sliver of wood, was a castrator’s knife, used to geld rams or calves or the small boys destined for the choirs of great churches. ‘Strip him,’ the count ordered his men.
‘Oh, God,’ Brother Michael murmured.
‘No stomach for it, brother?’ Sam asked.
‘He fought well,’ a new voice intervened, and the monk saw that
Some of the count’s men put their hands on their sword hilts, but the bishop waved them down. ‘He has offended the laws of man and God,’ the bishop told
‘The quarrel is mine,’ the count snarled at
‘He is my prisoner,’
‘When we hired you,’ the bishop said, ‘it was agreed that all prisoners would belong to the count and myself, regardless of who captured them. Do you deny that?’
‘He is a fornicator and sinner,’ the bishop said, ‘and so I give him to the count to do with as he wishes. And I would remind you that your fee is contingent on obeying all our reasonable commands.’
‘This is not reasonable,’
‘The command for you to step aside is reasonable,’ the bishop said, ‘and I give it to you.’
The count’s men-at-arms thumped their shields on the floor to show their agreement, and
A hand touched his shoulder and he turned, raising the heavy staff, only to see it was a priest, an older man, who offered the monk a skin of wine. ‘It seems,’ the older man said, ‘that you do not approve of what the count does?’
‘You do?’
The priest shrugged. ‘Villon took the count’s wife, so what does he expect? And our church gave its blessing to the count’s revenge, and with reason. Villon is a despicable man.’
‘And the count is not?’ Brother Michael decided he hated the fat count, with his greasy hair and heavy jowls.
‘I am his chaplain and confessor,’ the older priest said, ‘so I know what he is.’ He sounded bleak. ‘And you,’ he asked the monk, ‘what brings you to this place?’
‘I bring a message for
‘What message?’
The English monk shook his head. ‘I’ve not read it.’
‘You should always read messages,’ the older man said with a smile.
‘It’s sealed.’
‘A hot knife will solve that.’
Brother Michael frowned. ‘I was told not to read it.’
‘By whom?’
‘By the Earl of Northampton. He said it was urgent and private.’
‘Urgent?’