'There's no cooking,' Virgil said. 'You go out there, you give them the gory details of the three scenes-Gleason, Judd, and Schmidt. Everybody local already knows about them, so you're not giving anything away. Talk about them being shot in the eyes. Talk about Judd being burned right down to the anklebones. TV people will like that. Tell them that we've developed information that would suggest that the killer is local, and that we've come up with a number of leads that we can't talk about, but that…if they come back in a week or ten days, we believe that we'll have a lot more. That we're rolling.'
'Are we?' Stryker asked.
'Kind of.'
'Virgil…'
'You don't tell them what it is, dummy,' Virgil said. 'That's the confidential part. We're rolling, but we can't talk about it.'
'If I do that, and if I don't come up with something in ten days, I am truly screwed.'
'If you go out there and say we ain't got jack-shit, you're truly screwed anyway,' Virgil said. 'If you go out and say the hounds of hell are on the killer's heels, maybe he'll make a move that we can see.'
'Mother of God.'
'She ain't here, Jim. It's just you and me.'
STRYKER STRAIGHTENED himself out, and as they were about to go out, asked, 'How much detail?'
'More than you think you should. The eyes, and the fact that it seems to be a ritual. The stick that propped up Schmidt, facing toward the east. That Gleason was propped up, facing the east. That nothing was left of Judd but his ankle and wrist bones, and the wire from his heart. They'll eat that up…'
'I'm gonna need some heart work,' Stryker said. 'Honest to God, I'm gonna need some heart work.'
At the last minute, walking down the hall, Virgil whispered, 'You're the grim sheriff of a rural county. You're an honest, upright, tight-jawed, God-fearing cowboy. You don't want to talk about it, but you think you should, because we're in a democracy. You're grim. You don't smile, because the dead people are friends. This guy is killing your people.'
'Grim,' Stryker said.
HE WAS, and he pulled it off, barely moving his jaws.
Virgil said thirty-two words: 'We're working on it hard, and like the sheriff says, we're rolling. But the BCA's position is that the sheriff runs the operation, and we let him do the talking for us.'
A woman from a television station in Sioux Falls liked Stryker a lot, got tight with him, pushed him a little: 'What're you gonna do when you catch this guy?' she asked.
'Gonna hope that the sonofabitch fights back,' Stryker said, his face like a rock. 'Save the state some trial money.'
They didn't even cut the sonofabitch.
AFTERWARD, in Stryker's office, Virgil told him the truth: 'I think you did it.'
'So we got ten days or two weeks.' He took a turn around his office. 'What'd you think about the chick from Sioux Falls?'
'If Jesse doesn't work out, give her a call,' Virgil said.
'She had a nice…bodice.'
Made Virgil laugh.
THE TV PEOPLE were packed up and gone by four-thirty, leaving behind a crowd of locals who were dissipating like the fizz on a hot Coke. Virgil picked up the box lunch at Ernhardt's, and called Joan: 'You ready?'
'Not until after the news.'
Virgil went back to the motel, peed, put on a cowboy shirt and running shoes, let the shirt hang outside his pants to cover the pistol. On the way to Joan's house, he dialed Sandy, Davenport's research assistant. 'How are we doing with the tax returns?'
'I've got them stacked up to my elbows,' she said. 'I talked to Lucas, and I'm sending them down there with a messenger. He'll leave here tomorrow at eight, you should have them by noon.'
'Terrific. Get me one more set of records, if you can: Carol and Gerald Johnstone, both of Bluestem, owners or former owners of the Johnstone Funeral Home.'
'They'll be in the package,' she said.
'Also: check with the state historical society, and see if they have copies of the Bluestem Record newspaper for the months of May through September, 1969.'
'I couldn't do that today-they'll be closed,' Sandy said. 'Tomorrow I won't be here-and then there's the weekend. I could see if I could find somebody else…'
'Ah, boy…' Virgil said. 'Okay. Monday, first thing?'
'First thing.'
He described the dead woman on the table, told her she might have been an auto-accident victim. 'If I find anything, I'll fax it to the motel,' she said.
'No, no-call me on my cell. You can read it to me. I don't want to give this away.'
11
THE NEWS WAS just coming up when Virgil knocked on Joan's front door. She shouted, 'Come on in,' and he went through into her living room. 'Did you see me at the press conference?'
'No…'
'I got crushed,' Joan said. 'I was in the back and this fat guy from the Firestone store, I got welded to his butt. Here we go…'
THE PRESS CONFERENCE was the lead story and sucked up four or five minutes of the broadcast. Virgil had been right about the details: they loved it. And the cameras loved Stryker's face, and the tight jaws. 'That's my brother,' Joan said, delighted, when it was over. 'He looked like a movie star.'
'He was good,' Virgil said.
'You've been holding out on me, too,' Joan said. She'd stacked a duffel bag near the front door, and picked it up on the way out. 'You never told me that you guys were rolling, you've been all downbeat.'
'Yeah, well…' he mumbled.
'What?'
'Nothing,' Virgil said.
'What'd you say?' They'd just gotten into the truck. 'You said something.'
He leaned over, kissed her on the cheek, and said, 'It's all bullshit. We got nothing.'
She was flabbergasted. 'Virgil.'
'That's the way it is.'
'Virgil…'
'We got ten days.'
He backed out of the driveway, and she didn't say another word until they were out of town. Then, 'Did you bring the food?'
'Exactly what you ordered,' Virgil said.
'You got nothing?'
'Well. Maybe something.'
'Virgil!'
He then fumbled behind the seat, in his briefcase, and hooked out one of the color Xeroxes and passed it to her. She recoiled: 'Yuck.'
'Any idea who it is? Probably before your time, though…'
'No. Where'd you find this?' she asked.
'In Roman Schmidt's safe-deposit box. Nothing but the photograph. No other paper that might suggest what it is. I have a feeling that it's before the middle of 1970.'
'Did you look in the paper?'
