presence. So I was being neither coy nor rude when I told him, 'Seriously, if I show you my ID I'll have to kill you.' He said, 'Seriously… if you don't, I might kill you.' Agent Margold stepped in and informed the guy, 'He's authorized. I'll keep an eye on him.' 'He has to sign in, Jennie.'
'Trust me, he doesn't. If you get backlash, refer it to me.' She stared him down with those icy blue eyes, and reluctantly he allowed us to pass. Whatever happened inside this house this fine spring morning had these people so tightassed it would take a month of Metamucil to clear their pipes. But we progressed together, she and I, up the driveway and then along a walkway to the grand front entrance. She paused at the doorway, slipped white paper booties over her shoes, slapped latex gloves on her hands, and, speaking out the side of her mouth, said to me, 'It's apparent that you have authority issues. If I get the slightest problem from you, Drummond, I'll slap your ass in handcuffs and have you carted out.' She handed shoe covers and gloves to me and added, 'Stay beside me, keep your smartassed mouth shut, and don't touch a thing. You're here to observe, period.'
Goodness. I tucked my tail between my legs and replied, 'You're right. I'm glad you brought this to my attention, and I'm truly sorry. You have my word, I'll be more responsive, helpful, and obedient.'
Actually, I didn't say that. I slipped on my booties and gloves and asked, 'You going in first?'
And without further ado, we entered a cavernous foyer with white marble floors and, to the left, a sweeping curved stairway, and on the ceiling above, a massive crystal chandelier. As I was here to observe, period, I also took note of the oriental chest against the far wall, the handwoven Chinese rug centered neatly in the foyer, and the corpse about five feet from the door.
The corpse-a female, late twenties, and in admirable physical shape, ignoring her present condition. She was dressed in a nice navy blue suit with a plain jacket and short skirt and was lying on her back, hands clutched at her throat with her knees bent and her legs spread wide apart, so you could see her pink undies; though modesty was no longer a concern for her. Both the position of her hands and the halo of blood around her head suggested she'd been shot in the throat. The blood looked dark, indicating an artery had been nicked, and the fact that it was only partially dry that she'd gotten it around the time I should've been having my morning joe.
She looked like a broken rag doll that had gotten caught in a big wind and tossed on her butt. But that's not what happened- she'd taken a frontal shot from a slug with enough throw weight to fling her five feet through the air.
I don't think Ms. Margold missed the corpse, though she ignored it and walked on. Also, she had either been in this house before or had been briefed on the layout, because she led me straight through a large living room and directly to the dining room, and more corpses.
More precisely, an elderly man and woman were seated at each end of the dining table, slumped forward, facedown in the soup-or to be completely precise, their faces were in soup bowls, filled with Cheerios for him and Frosted Flakes for her.
The man was about mid-sixties, white-haired, attired in a gray pinstriped light wool business suit, white shirt, and shiny black tasseled loafers. An expensive black leather briefcase was parked beside his left foot, like he was about to leave for work, though obviously that didn't pan out. The woman was about his age, red-haired, and she wore pink pajamas under a blue silk dressing gown, as if she expected to be eating in front of strangers, though from the scene at the table, probably not the strangers who dropped by.
Agent Margold moved directly to the male victim's body, felt his neck very briefly, and backed off. I noticed, to our right, nearly in the corner, two agents leaning against the wall who did not seem to be doing much of anything. But maybe they weren't supposed to. She suggested to them, 'What… maybe two hours?'
The heavier one nodded. 'An ME's on the way. But yeah… when we arrived thirty minutes ago, he was still real warm. Time of death between six and seven o'clock. Closer to six, I think.'
She walked around and examined the room a moment. The table was long and thick, custom-made obviously, able to seat about fourteen. The room itself was expansive and expensively furnished, and the lady of the house was a finicky housekeeper and possessed good decorating taste, or she hired good help. Fresh bouquets of flowers rested on the fireplace mantel and a large centerpiece sat on the middle of the table, suggesting, I thought, that she and the hubby might've entertained recently.
But maybe they weren't husband and wife. You have to be careful about assumptions at a murder scene. The dead guy could be her lover, her tax accountant, or her killer. Also, the two gents by the wall kept glancing at the male corpse and largely ignored the woman. As a general rule, all corpses are relevant to a crime, and perhaps not in life but in death, all bodies become equal. Yet in most multiple murders, one corpse is the main event and the rest are simply victims of the three Ws-wrong place, wrong time, wrong company. I wondered if the young lady in the foyer was their daughter.
We all contemplated the corpses for a moment. Margold asked, 'Who was the first responder?'
Again the heavier guy responded, 'Danny Cavuso. Works out of the Tysons Corner cell. Because of proximity to the residence, the Tysons office is on standby for problems. A telephonic check was supposed to be made every morning when Hawk left for work. When no call came by six-thirty, a call was made here. No answer. So Cavuso was dispatched.'
'Alone?'
'Andy Warshuski from his office was his backup. The front door was unlocked. They swept the house and grounds, and called in the incident. When we arrived, they left together.'
'So they're the only two who departed the site?'
'Except the killers.'
'Keep it that way. Complete quarantine. Nobody departs unless I say so.'
He replied, 'Already got that word,' and she returned to her visual inspection, leaving me to ponder interesting fact number five. Perhaps she was worried about forensics getting disqualifying foot- and fingerprints from everybody who entered the house. Or perhaps I was missing something important.
Anyway, lawyers are not forensic experts, but eight years of criminal law does afford a few skills and insights. The right side of the man's head had a small entry hole-dead center in the temple-and though I couldn't yet observe an exit wound, the gray-and-red mess splattered on the expensive wallpaper suggested the bullet had passed through cleanly. I moved around a bit, formed a mental image of the male victim alive and seated upright. The shot had been fired flat and level, I decided, as if the shooter positioned the gun right next to the guy's temple, and boom. But more likely the killer had taken the shooter's crouch and fired from a distance, which accounted for the level trajectory. The lady of the house had taken her bullet in the right rear quadrant of her neck. From the debris splattered messily across the near side of the table, the shooter had stood slightly to her right rear with the weapon sighted slightly downward. I made a mental note to think about that.
That the bullet had passed cleanly through the male's head rather than ricocheting around the skull, as so often happens, suggested a powerful weapon. And from the way the lady back at the front door had been flung backward, you knew it was more than a. 22, certainly, though I thought the size of the entry wound in the man's temple indicated something smaller than a. 45.
I walked around and visually checked the exit wound of the male victim. The whole side and rear quadrant of his skull was missing, too large a hole for a. 38, unless the bullet had been a hollowpoint or been modified in some nasty way to boost the tissue damage. The bullet had to be lodged in the wall, good news for the ballistics folks.
Also, the attack had come as a complete surprise to the couple at the table. That was obvious. Neither victim had tried to stand up or fend off the attack, or had even acknowledged their killer. Like, 'Could you please pass the sugar, Martha,' then- bang- 'Auugh.' No, actually, more like, 'Martha, could you pass another slice of that delicious toast?' 'Of course, dear, and would you,' hang, bang, Augh, Augh.
Special Agent Margold appeared to be in a hurry, because after only a cursory inspection, she asked, 'How do we get to the basement?'
The skinnier agent said, 'Back by the kitchen. Second door on the right. Ben Marcasi's down there.'
She glanced at me and said, somewhat curtly, 'Come along.'
So I came along.
We went through a short passage to the hallway and found the second door on the right. As we walked, I tried to piece together why the Agency was on the hook for this thing, and more selfishly, was Sean Drummond on the hook for anything? From the looks of things and the presence of the Bureau I ruled out the ordinary stuff: burglary, drug deal gone sour, and so on. In fact, what happened inside that dining room looked like an execution. There had been no conversation between victims and killers, no argument over money, no vengeful message, no
