It was perfectly usual to receive in one's bedroom in France and in most countries that had adopted French manners, and Stephen had been in Mrs Fielding's bedroom before this- in bad weather her parties overflowed into it from her little sitting-room - but never had he seen it look so pleasant. In front of the sofa set cornerwise at the far end stood a low table of gleaming brass with a lamp upon it, a lamp that shed a pool of white light on the floor and a smaller round on the ceiling, while its translucent red shade filled the rest of the room with a rosy glow, particularly agreeable on the bare whitewashed walls. Beyond the sofa nothing could be seen very clearly ? the curtained bed loomed vaguely on the left and there were some chairs with boxes on them scattered about -but as he sat down he did notice that a large and hideous picture of Mr Fielding had been removed. He remembered it well: the lieutenant (he was acting first of the Phoenix at the time) was shown in striped pantaloons and a round hat, holding a speaking-trumpet in one hand and the broken starboard forebrace in the other as he guided the ship over a reef in a West Indian hurricane; most of it had been painted by a shipmate and Jack asserted that there was not a rope out of the exact position you would expect in such a blow, but the face had been put in by a professional hand. It was a perfectly human face, energetic, sombre, humourless, and it made a shocking contrast with the wooden, theatrical figure. In a woman with so delicate a taste as Mrs Fielding, only a high degree of devotion could have given it house-room. The dish or plate next to the decanter of Marsala on the brass table gave a much more accurate notion of what she liked: a red-figured Greek pinax from Sicily. It was chipped and repaired, but its cheerful nymphs still danced beneath their tree with infinite grace, as they had done these two thousand years or more. 'Yet how does it come about that she put those two reds together?' he asked, looking from the nymphs to the rounds of fiery paste. 'A horrid clash, indeed.'

Then he contemplated his feet for a while, before returning to the paste and its probably ingredients, apart from red pepper. 'What an elusive thing smell can be at times,' he said. 'One may know it intimately well, yet be quite unable to place it.' Again he brought his nose close to the dish, narrowing his eyes as he sniffed, and instantly, to contradict his words, the scent gave up its name: cantharides, more commonly known as Spanish fly, a substance occurring in the wing-cases of a thin iridescent yellowish-green beetle with a powerful smell, familiar to every southern naturalist and used externally for blistering, as a counter-irritant, and sometimes internally, to arouse sexual desire, the most active ingredient of love-philtres.

'Spanish fly is it, poor dear?' he said. And then having considered the implications for a moment he said 'In all likelihood she got it from Anigoni,' - an apothecary notorious for the adulteration of his wares ? 'but even so I dread to think of those men roaming Valletta like a herd of hungry bulls. I very distinctly perceive the effects in myself; and no doubt they will presently increase.'

Laura Fielding came in at last. It was not clearing away alone that had kept her, for now she had a blue sash on, making her slim waist look even slimmer, and she had rearranged her hair; but she was obviously nervous as she sat down next to Stephen, much more so than when there had been a courtyard full of guests. She said brightly 'Why, you have drunk nothing: I will pour you a glass of wine while you finish these,' - advancing the pinax with its red rounds.

'A glass of wine with all my heart,' said Stephen, 'but if I may I will eat one of those capital little marchpane cakes with it.'

'I can refuse you nothing,' she said, 'and will fetch them at once.'

'And while you are up, would you pass by the piece of chalk, now?' called Stephen after her - the piece of chalk with which Laura reminded herself of her day's appointments. He too was nervous: what little experience he had had of women in the course of his career had, upon the whole, been discouraging; he knew he must tread very carefully, yet he was by no means sure just how he should direct his steps.

'There,' she said, coming back. 'Marchpane and the piece of chalk.' She put took the decanter and said 'We shall have to share the glass; it is the only clean one left. Do you dislike drinking with me?'

'I do not,' he said, and they sat there without speaking for some minutes, nibbling cakes and silently passing the wine-glass to and fro: a friendly, companionable pause in spite of the tensions on either side. 'Listen,' he said at last, 'was it as a medical man that you wished to consult me?'

'Yes,' she said. 'That is to say no. I will tell you . . . but first let me say how sorry, oh so sorry, I am I played so badly.' In some detail she told him how the first blunder had led to others, how she had begun to have to think, and how fatal thought was to her fingers. 'Is there anything I can do to make you forgive me?' she asked, laying her hand upon his knee and blushing.

'Sure, my dear, I forgive you with all my heart.'

'Then you must give me a kiss.'

He gave her a kiss, a genuinely abstracted peck, for his mind was elsewhere: he knew very well that although he had fortified himself by regarding her as a patient he was near his limit; and what brought him nearer to unchastity was his hatred of behaving like a scrub, for the insult of his apparent indifference was growing more blatant every minute. Nevertheless he reached across and took the piece of chalk, saying 'Will I tell you about my bell, so?'

'Oh yes!' she cried. 'I am longing to hear about your bell.'

'This, you must understand, is the bell seen sideways,' he said, drawing on the lamplit floor. 'Its height is eight feet; the window at the top is a yard across, as near as no matter; the width here, where the bench runs across, is a little better than four feet six; and the whole contains fifty-nine cubic feet of air!'

'Fifty-nine cubic feet?' said Laura Fielding: she had had a very long, very hard day, and a more attentive ear might have caught a note of despair under the bright, intelligent interest.

'Fifty-nine cubic feet to begin with, of course,' said Stephen, drawing two dwarfish figures on the bench and adding in parenthesis 'There sat the worthy Captain Dundas, and there sat I- elbow-room galore, as you see. But naturally as the bell sank, as it was lowered away a couple of fathoms, the water rose, compressing the air, so that we felt a certain pringling in our ears. When it reached the bench we raised our feet, thus,' - setting his own on the sofa - 'and plucked the cord, the signal for the barrel.' He drew the barrel with its two bung-holes and its leather hose travelling down guide-lines to the lower edge of the bell, explaining that it was not quite to scale. 'Down it came, the good barrel, compressing its own air as it came, do you see? We seized the hose, and the moment we raised it above the surface - the surface of the water in the barrel, you understand - the compressed air rushed into the bell with inconceivable force and the water sank from the bench to the lower rim! And so the barrels came down one after another and so the dear bell sank, the light growing a little dim, but not too dim to read or write, oh no. We had lead slabs to write on with an iron stylus, which we sent up with a string; and to let out the vitiated air, so that it was always fresh, there was a little cock at the top. Will I draw you my little cock?'

Eventually he brought the bell to the bottom, and making a last effort she said 'The bottom of the sea, Mother of God: and what did you find there?'

'Worms!' he cried.'Such worms. Marine worms in great abundance... It was there that I made an

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