sign of trouble. The quietness of the night was sinister, secretive. Here and there were lighted windows and at most of the windows shadows of men and women. Sometimes they saw a couple standing against a door— watching. Everyone watched; no one spoke. Clarissa’s footsteps rang out clearly as she kept pace with Rollison. A car passed the end of the road, headlights making a brilliant blaze.
“We turn left here,” said Rollison. “Now listen carefully. When I shout “now!” scramble up on to the stage near the piano. Is that clear?”
“Yes.”
“Your life may depend on it.”
“And my reputation, Roily, so that I can be trusted. Please believe in me.”
“You’re here to prove I can,” Rollison said.
They turned the corner. Lights shone over the facade of a building which showed clearly against the stars. That was Old Nob’s and it was less than a hundred yards away. The sound of music came floating gaily through the air and Rollison felt Clarissa’s arm go tense; but she didn’t slacken her pace. Three cars stood outside the dance-hall with sidelights on. Half a dozen men stood about the entrance. As Rollison drew nearer, one of them slipped inside with the tidings. The lobby was poorly lit. Photographs of the band and the cabaret “stars” who appeared nightly were stuck behind the glass fronts of small show-cases.
A strip of threadbare carpet led from the entrance to the pay-box and along a wide passage to the hall itself. A man with a broad, ugly face and oily dark hair, not unlike Waleski, sat in the pay-box, glowering as Rollison approached.
Rollison placed two half-crowns on the pay desk.
“You don’t have to go in,” the man said.
“I do, Tick.”
“You’re crazy.”
“Is Mellor here yet?”
The man named Tick did not answer but thrust two small pink tickets through the hatch. Rollison took them and gave them to Clarissa. She still wore the black-and-white check two-piece; her face was flushed and her eyes were even brighter than at the Lion. Music welled up—a rumba. The sliding noise of many feet on the polished floor came through the partly open door. A little man in a soiled, soup-spotted dinner-jacket stood by the door. He gulped as he took the tickets and opened the door for them to go through.
At the far end, on a low stage, a five-man band played frenziedly in the spotlight. On the floor, which was not overcrowded, a hundred couples danced with wild rhythmic abandon, laughing, grinning—or deadly earnest. A crowd gathered round the bar, in a corner near the door.
As if by clockwork, every head turned towards the door; even the band checked its swing and dancers missed their step. That was only for a second; they went on again swiftly; but there was less laughter, fewer people grinned or smiled and everyone watched Rollison and his partner, furtively or openly.
“Shall we dance?” asked Rollison.
Clarissa nodded.
Rollison hooked the sword-stick over his arm, led her to the floor and immediately whirled her into the thick of the dance. He knew in those few seconds that she was good; in spite of her tension, in spite of the watching eyes and the impending crisis, she danced easily and well; and gradually she began to warm up. They reached the stage and Rollison waved to the band-leader.
“Keep this one up, will you?”
The man didn’t answer but the music went on. Couples dropped out, too tired to go on, others came on the floor. Rollison seemed to give all his attention to the dancing, not to Clarissa; but he was watching as well as being watched. Not a face escaped his notice, hardly a movement. And Clarissa watched, too— looking for the sharp features and the beard of the man she knew as Mellor.
On and on; on and on—
Then a door by the side of the stage opened and Mellor came in with three men, one on either side and one behind him. He stood for a moment on the fringe of the dancefloor, then stepped on to it, towards Rollison and Clarissa.
CHAPTER TWENTY-TWO
Tension sprang in the room—something which could be felt, which affected everyone from the band to the barkeeper, from the giddiest girl to the oldest man. More people left the floor, cautiously, anxious not to be noticed by Mellor. None came on; no more than fifty couples danced now. The band played with a new frenzy, in keeping with the moment of crisis.
Mellor reached Rollison and tapped his shoulder.
Rollison said: “Hallo,” and smiled and went on dancing; but Clarissa moved stiffly now and kept missing her step.
“My partner,” Mellor said.
“Oh—yes, of course. It must be an “excuse me”, Clarissa.” Rollison surrendered her and Mellor took Clarissa in his arms. A sigh went up round the walls. Rollison glanced swiftly round, saw one of Ebbutt’s men dancing with a blonde who had known younger days, went up to them. “My dance?”
Ebbutt’s man made a queer noise in his throat.
The blonde said: “You’ve arst for it; you’ll get it.”
“Scared?”
