that I’ll be a few minutes, please.” As the man moved off and M.M.M. looked his questions, Rollison added: “I’m just going to make sure all’s well at your flat. Let me have your key, will you ?”
“What would be wrong, sir?” asked the other commissionaire.
Rollison smiled but didn’t answer, and M.M.M. took out a bunch of keys, selected one, and said :
“It’s the Yale with the red speck on it. You really are thorough, aren’t you?”
“When I can be,” Rollison said.
He hurried to the lift, which was automatic, and then along the passage to M.M.M.’s flat. Number 37. No-one was in sight. He examined the lock, and saw nothing wrong with it. He inserted the key gently, standing to one side, but the lock turned easily, and there was a sharp click. He took the key out and pushed the door; it swung open slowly and soundlessly. He moved forward very slowly, and looked inside the flat, seeing the small hall and three doors; nothing else. There was still no sound. He dropped his right hand to his pocket and went in, looking into the living-room, the bedroom, the bathroom and the kitchenette. The flat was empty. He turned round slowly, swiftly, and went to the living-room, where there was a writing-desk. He opened each drawer, and looked inside swiftly, found nothing of interest, and closed the drawers again. He left the door open, and would hear when M.M.M. arrived in the lift.
He went into the modern bedroom, with all the evidence of luxury. On the bedside table was a big coloured photograph of Gillian. On the dressing-table was a smaller photograph of Gillian. On the mantel-piece was a picture of Alan Selby and Gillian, taken on Brighton Pier.
Rollison listened, and heard no sound of approach.
He looked through the dressing-table drawers with a speed of long practice, and then into the wardrobe. He found nothing that shouldn’t be there; there were two old crutches, and some other oddments which M.M.M. had needed when he had learned to walk again.
Rollison went out.
He heard the lift doors close, and then footsteps came rather heavily: M.M.M. walking with his limp, and the commissionaire possibly by his side. Rollison stepped towards the door, but didn’t go outside at first. He listened for other sounds, and heard one: a door was opening. He crept closer to his door and peered along the passage. He saw a door opening, very slowly: suspiciously slowly. He saw M.M.M on his own, limping much more than he had at the cottage, and frowning as if in pain.
The door opened a little more.
Rollison stepped out like a whirlwind, and M.M.M. looked astounded. Rollison threw himself at the door which was opening so slowly, but as he reached it, it slammed. He put his shoulder against the door and exerted all his strength, but it remained closed, and he wasn’t likely to get it down easily. He took his automatic from his pocket and fired three times at the lock; then he thrust the door open.
A draught struck at his head. A door beyond stood wide open, and he could see into a room with an open window, and a man climbing out of it: a man with a gun. Rollison jumped towards him. The man fired, and the shot sounded very loud. Rollison swerved as he went, and the shot missed him. He fired in turn. He thought he hit the man, for he saw him wince, but then a woman appeared from another room, and flung herself at Rollison, taking him completely by surprise, pulling at his gun arm. The man at the window dropped out of sight, while M.M.M. came in at the door, and the woman hacked at Rollison’s shins and tried to break free. He held her very tight, and she bent down suddenly and tried to bury her teeth in the back of his hand. All he realised at this moment was that she was small and had a lot of dark hair, a canopy of hair. Her teeth scratched painfully.
Doors were opening in the passage, a man appeared, someone shouted.
“Shut that door, Monty,” Rollison said swiftly. “Keep ‘em out.” He saw Monty Morne slam the door in a man’s face, then lean against it, for the lock wouldn’t hold anyone the other side. The woman was still struggling and trying to bite and kick, but suddenly Rollison let her go and, as she staggered back, gripped her at the waist with both hands, and lifted her high off the ground. She bared her teeth and snarled at him, waved her hands and tried to strike, and kicked the empty air; but she did no damage, and Rollison held her at arm’s length, as he might a bad-tempered child. He dragged her to the window, and looked out. There was a balcony just alongside and he saw open French doors.
“You can talk to us or you can talk to the police,” he said to the woman. “Which is it to be ?” She stopped struggling.
“Let me go,” she demanded in a hoarse voice, “Let me down, and I’ll tell you.”
“You’ll talk now,” said Rollison. “Who sent you, and what were you going to do?”
“Lodwin sent us,” she answered swiftly, as if she did not know that a man named Lodwin was dead. “We had to put Mome away, that’s all I know, we had to put Morne away.”
“You and who else ?”
“I wouldn’t squeal on him ever if it would save my life,” she said, gaspingly. “I’ll squeal on Lodwin but not on him, you needn’t waste your breath. Let me go, the police will be here in a minute. Give me a break.”
Dare he let her go? And even if he dared, had she a chance to get away ?
12
HOME AGAIN
Outside, men were shouting and hammering on the door. M.M.M. stood with his back to the door, sweat dripping from his forehead, his face very pale. Rollison released the woman and slipped her handbag off her arm with a movement which took her by surprise, and said : “How did you get in ?”
“We broke into the flat next door, and then came m at the window.” She swung round as she spoke and made for the door she had closed, and presumably for the window. As M.M.M. moved from the door, a biggish man m a sports jacket and a small man in a navy blue suit stumbled in, and looked about. Rollison was standing with the woman’s bag over his arm, and a smile which they must have found infuriating.
“What’s happened here?”
“Where’s the gun?”
