Send Superintendent West

might have been the slamming of a door; another, the turning of a key. He didn’t try to get up at once, but lay there, mouth wide open, gasping for breath. He still couldn’t see, but there were curious shapes twisting and turning in front of his eyes, like the filament of giant electric lamps. At last he sat up; then stood up. The whirling shapes were smaller, less clearly defined, and he could tell the difference between light and darkness now. It was only a question of waiting. His legs felt stiff and painful, and he could feel the bruises where the powerful fingers had gripped his arms. He moved his hands vaguely. Finding only space, he took a few steps forward and moved them again. This time he touched something. A chair. He moved round it cautiously until he could safely sit down.

What would happen next?

Not light and darkness, for there was light in the room; he was recovering, and could see the wall — pictures on the wall, too. Silly pictures — that elephant, for instance. Who on earth would have a picture of an elephant, trunk curled upwards, as decoration? There were several other blurred shapes near it He stood up slowly and concentrated on them, and they began to make sense — an inverted kind of sense. A giraffe, long neck stretched full length; a snarling lion, a tiger, a bear. The Zoo. This was crazy. Who would decorate walls with —

His thoughts seemed to be cut off.

After a moment of numbed horror he accepted the answer to that last question. Parents would decorate walls with animals — for their children. In their childhood Richard and Martin had woven wonderful stories about the animal faces stuck on the walls of their nursery.

These murals ran along the full length of one wall, and he looked round, turned his head — and then stopped short Tension as great as that he had felt beneath the flashing light came back to him.

In the corner behind him was a bed, and on the bed lay a child.

•     •     •

The child was pale, about Ricky Shawn’s size, with the same thin features. Was it Ricky Shawn? Who else would it be? The child was thinner than Roger remembered him from the photograph, but his eyes were enormous — rounded, terrified as he lay on the pillows. His arms were over the sheets; there was a steel bracelet round each wrist, and the bracelets were fastened by slender steel chains to the bed, so that the boy couldn’t move. He couldn’t speak, either. Adhesive plaster smothered his lips, a pink smear where the mouth ought to be. His nostrils were moving spasmodically as he breathed, his chest was heaving. The terror in his eyes was an ugly thing.

Roger moistened his lips, and tried to speak. He only croaked. He smiled, and knew that he must look grotesque, was frightening the boy still more. How could he offer reassurance? He took a step forward, and the child cringed back. He stopped and touched the chair, then slowly turned it to face the boy, and sat down. He swallowed the lump in his throat, waited until his mouth was moist, and then spoke.

“I — won’t — hurt — you.”

The terror didn’t fade, and there was no change in the boy’s expression. Roger tried again, with the same words. It was no good. He doubted if the child heard him. He stood up, slowly, and repeated:

“I won’t hurt you.”

He went towards the small bed, and again the boy cringed back, but this time Roger went on until he was at the side of the bed. He smiled down, and this time his lips didn’t curl into grotesque lines; this time it was a more natural smile. He had to reassure the child; it wasn’t a question of trying, he had to do it. He put his right hand out and touched the boy’s forehead, smoothed it gently and smiled again. He didn’t think it did any good. The small forehead was cold as marble. Cold — and the room was warm.

I’ll try to help you,” Roger said. He couldn’t make a promise, one never made a promise to a child unless it could be kept I’ll try. Do you feel all right?”

The rounded eyes peered into his, still with no easing of the terror, no relaxing. The little arms, bare nearly to the elbow, were pale but taut Roger moved away, pulled the chair up and sat near the bed. There was no indication that the boy heard him, nothing had yet penetrated that cruel shell of terror.

“Listen to me,” Roger said slowly. “Nod if you can hear me. Nod your head if you can hear me.” He paused. “Can you hear me?”

He waited, feeling a surge of helplessness, and then won a slight reward. The boy nodded slowly, twice. Was it imagination, or was there at last a slight easing of the intensity of his fear?

“That’s good,” said Roger. “Nod if you understand me. I am going to try to get you away from here. Do you understand?”

A pause; then another nod.

“And a lot of people are trying to find you. Your mother and father — a lot of other people, too. Do you understand?”

A nod.

Roger said: Have they hurt you, Ricky?” He wanted to pull off the plaster, but before he started, he had to win the boy’s confidence. Even if he started, would he be allowed to finish? “Have they hurt you, Ricky?”

The door opened, the boy’s gaze switched and the terror flared up again. Roger turned as a man said:

“We haven’t hurt him, yet. We haven’t hurt you, yet. Get up and come with me.”

16

QUESTIONS

HE was a short man with broad shoulders, stocky, alert.

His dark hair was brushed off a forehead which hadn’t a wrinkle. His features were small in a big face — his mouth a puppet’s mouth. He wore only trousers and a shirt, and a tie that was pulled away from his neck, and looked fresh and cool. He didn’t show a gun, and the bigger man behind him in the doorway had empty hands.

The stocky man gripped Roger’s arm, waking the bruises to protest, but he didn’t resist — resistance wouldn’t