Zoo City

the world about what is happening here. She says to tell you, don't worry, we are not asking for money. We are asking for help.

The orphanage where Sister Mercia works and I live now that the Vainglory Ministries rescued me, we have a problem. The rebels have cut off our phones and all our communication. We have one cell phone that we hide from them and it has WAP so we can send email, if you go stand at the top of the hill when the rebels aren't watching.

It is like a message in a bottle. We send it floating into the ocean and hope that someone finds it.

But this is not our real problem. The man who runs the orphanage, Father Quixote, has been kidnapped by the rebels and they want us to pay $200,000 for him to come back safe to us.

Father Quixote is very brave, but he is also very clever. He has locked all the orphanage's money away in his bank account in America. The rebels cannot get to it, but we can't either using just a cell phone with WAP.

We have the password and the authorisation (Sister Mercia says you will know what this means) which means a Good Samaritan could help us.

We need money to feed the other children here (there are many babies as well as little children, some of us wounded and sick) and to pay Father Quixote's ransom.

Please, can you help us? If you can access Father Quixote's bank account, you can wire transfer some of the money to us. Sister Mercia says we do not expect you to do this for nothing. She says we can pay you a fee of $80,000 for taking the risk to help us. She asks you to email her at directly at dogood@livinstone.drc.

Sister Mercia says we must pray for this message to find its way to someone who is good and kind and strong. I pray this is you.

Yours truly,

Eloria Bangana

3.

There are two things in the interrogation room with me and Inspector Tshabalala. The one is Mrs Luditsky's ring. The other is twelve and a half minutes of silence. I've been counting the seconds. One alligator. Two alligator. 751 alligator.

She's forgetting I've done jail-time. 766 alligator. That if you're smart, prison is just a waiting game. I can wait when I have to. I can wait like nobody's business. 774 alligator. Sloth is the one who gets fidgety. He huffs in my ear and shifts his butt around. 800 alligator.

It's supposed to make me nervous. Nervousness hates a vacuum. 826 alligator. Nervousness will blurt right out with something, anything, to kill the silence. 839 alligator. Unless nervousness is kept busy doing something more useful. Like counting. 842 alligator.

The inspector's face is perfectly, studiedly neutral, like a 3-D rendering of a face waiting for an animator to pull the strings. 860 alligator. Watching her watch me gives me the opportunity to study her. She has a round face with cheeks like apples and baggy pouches under her eyes that look like they're settling in for the long haul. She wears her hair in braids tied back with a clip. Not exactly practical for ipoyisa, but then she's an inspector, not a patrol grunt. There is a tiny scar where she once had a nose piercing. 884 alligator. Maybe she still wears a diamante stud off-duty. Maybe she has a whole secret life, a sideline in punk rock or a night-class PhD in Philosophy. 902 alligator.

Her navy suit has a food smear on the lapel. I'd venture tomato sauce. 911 alligator. Maybe blood. Maybe she beat up another suspect in another grey room just before she came in here. 922 alligator. I'd feel her out for her lost things, but cops and police stations are all equipped with magic blockers. It's regulation infrasound. Low- frequency sound waves below the range of human hearing, but which still resonate in your body, the kind that scientists use to explain experiences of haunted houses or the divine, usually brought on by something as mundane as an extraction fan or the low notes of a church organ. 932 alligator. That was before the world changed. It's a fragile state – the world as we know it. All it takes is one Afghan warlord to show up with a Penguin in a bulletproof vest, and everything science and religion thought they knew goes right out the window. 948 alligator.

Inspector Tshabalala leans across the table to pick up the ring, idly rolls it between her fingers. 953 alligator. She takes a breath. 961 alligator. Caves.

'Hardly seems worth it,' she says. Sloth startles with a hiccup, as if he'd just been dropping off to sleep, which is not unlikely. He sleeps around sixteen hours a day.

'You think?' I'm annoyed that I have to clear my throat.

'You could probably get a good price for it. R5000 if you had the certification. But let's assume you don't, which means you're looking at what, R800 max, at a pawnshop. You that hard up for cash, Zinzi?'

She flicks the ring over her knuckles and back, the kind of cheap magic trick you might use to impress girls in high school.

'I don't know how Mr Luditsky would feel about that.'

'Feel about what?'

'Being pawned. Bad karma. He might haunt me.' I incline my head at Sloth. 'And I'm haunted enough already.'

'What are you talking about?'

'The ring? It's made with dead guy. Do your homework, Inspector.'

She blinks, but just the once. 'All right, so what were you planning to do with the ring?'

'Return it. It was a job. Like I told your guys outside her building. Repeatedly.'

'Your fingerprints were all over the scene.'

'I was in her apartment two days ago. She made me tea. It was undrinkable. You going to tell me how she died?'

'You tell me, Zinzi.'

Sloth grazes my shoulder with his teeth, which is his way of kicking me under the table. I sort of specialise in social faux pas.

'All right,' I say, causing Sloth to bite down on my shoulder hard. I shrug him away. 'Let's see. She died on the scene. In her apartment. Gunshot?' I'm imagining a retro number with the words Vektor printed down the side, even though that's ridiculous. 'Stabbing? Blunt object? Choked on a piece of stale biscotti?'

Inspector Tshabalala flicks the ring, backwards, forwards, palms it. Then she reaches into her bag and places a brown cardboard police docket on the desk. After a moment, she flicks it open to reveal the photographs. She fans them out, hoping to get a reaction. 'You tell me,' she says again.

There is a woolly sheepskin slipper lying in the passage by the front door. There is stripe of blood over the toe of the slipper that continues in an arc across the wall and a framed print of waterlilies.

There is a bloody smear against the wall, as if someone had fallen against it and scraped along, using the wall for support.

There is a black raincoat in the bathtub, a puddle of plastic and blood under the full blast of the shower. There are pink streaks down the bathroom sink.

The display cabinet is overturned. There are drag marks in blood across the floor. Someone trying to crawl away.

There is the shrapnel of china figurines everywhere. And I mean everywhere. A cherub's rosy buttock in the TV room. Little Bo Beep smiling blandly up from the kitchen tiles, decapitated, among the splintered remains of her little lamb.

Mrs Luditsky is sitting on the floor, slumped against the couch, her legs splayed out in an A. Her head lolls backwards and to one side at an uncomfortable angle. If it weren't for the wrinkles and the wounds, she could be a sloppy drunk, a teenage girl at a house party after one alcopop too many. She is wearing a voluminous silk