Mr Lachaise walked slowly past each canvas, his glasses off, his face peering at the fluid marks of the brush, once wet, now caught glistening in time. He took several steps back, replacing his glasses. ‘Quite wonderful,’ he said, almost to himself.
Max had withdrawn to one end where an easel was angled against the light, beside a table with jars and saucers huddled by a battered box. He kept away from Lucy, though not obviously, rearranging brushes and tubes of paint. Turning round she saw a painting hung upon the back of the door.
The picture described the hint of a face, perhaps an open mouth crying out, amongst swathes of gorgeous yellow and orange, breaking down in places to smatterings of diaphanous brown and gold, lifted up, as it were, like tiny hands. It was more a study in colour than shape, but the coincidence of lines suggested such a fragile purpose that the viewer was compelled to impose a reading upon it. Lucy understood its mood and wanted to run her fingers along the frail ridges of paint.
She said, ‘Does it have a title?’
“‘Sibyl’s Cave”.’
Lucy surveyed the vibrant, tragic beauty, unable to detach herself from its activity.
‘Would you like it?’ asked Max.
In her taut mind she clutched at a refusal, but she wanted it. Lucy nodded quickly, keeping her eyes on what she had seen.
3
Anselm rose at 5 a.m., having been unable to ‘sleep. He tried to say Lauds but a strong, invasive melancholy scattered his powers of concentration. And yet his mind was deeply attuned to the important task of the day He would neither eat nor drink nor rest until it was over.
Conroy emerged cheerily for breakfast, eating everything that was brought forth from the kitchen. His irrepressible gathering in of all life’s moments — even eating — raised Anselm’s spirits. The Prior had been right all along. It was a good idea to show Conroy the North Country… for Anselm’s sake. He decided to bring his companion with him for the confrontation, as long as the great oaf didn’t tell any jokes.
Shortly after ten, Anselm pushed open the gate to ‘Pilgrim’s Rest’. Conroy followed him to the stone porch. The door was ajar. Voices drifted warmly from an unseen room. Anselm immediately imagined a coffee pot, loaves of bread, jars and pots upon a table, mingled morning greetings, children opening the fridge. He knocked. A moment later the door swung back in the hands of a little girl with large, enquiring eyes. And then Robert Brownlow appeared.
‘Ah,’ he said lamely, the colour draining from his face. ‘You’ve made it for my wife’s birthday’
Inside, they were introduced to Maggie, Robert’s wife; and then two of their five children, Francis and Jenny (with their respective spouses); and then the three grandchildren. But not Victor. He was not in the room. Anselm and Conroy were described as friends of Robert, who, throughout the entire charade, masked his anxiety with near complete success. Only Maggie, with her tight folded arms, betrayed a suspicion of insight. Then Robert led his guests to an upstairs room and knocked on the door.
Is this what a major war criminal looks like? thought Anselm. He wore various shades of respectable green, with a tartan tie, the unmistakable appearance of good but ill-fitting finds from tatty high street charity shops. His shoes were well worn but neatly polished. Robert stood behind the armchair that swallowed up the runaway
Now that he’d found him, Anselm had no idea what to say Whatever enquiry Cardinal Vincenzi expected Anselm to undertake, and whatever insinuated pressure Renaldi hoped he would exert, was not going to happen. The meeting had its own agenda. Anselm introduced himself and said:
‘Schwermann couldn’t hide for ever and neither can you. The police already know that you’re here. Even if you say nothing to them, and Schwermann’s convicted, he’ll begin an appeal. His legal representatives were looking for you and they’ll not let you go once they know that you’ve been found. So if you’re going to hide, it’s for the rest of your life. Is that what you want?’
The gentle clunking of a trowel upon the rim of a plant pot rang from the garden. Anselm glanced out of the window Maggie was helping one of the children plant a flower.
‘Victor,’ said Anselm, ‘I don’t know what happened in 1942 or 1944. Nobody does, except Eduard Schwermann and you.’
He was standing upon a worn rug, uncomfortably aware his calling in life transformed any public reflection into a sort of sermon. He stepped off the thread pedestal, saying, ‘There’s a jury empanelled in London to make a decision. They sit there, day in day out, hearing evidence, mostly from people who weren’t there. It’s a journey into memory with stumbling guides doing their best. But you, Victor, are different. You know the answers. Schwermann believes that if you enter the witness box, he’ll be acquitted. There are others who believe the opposite; that you, and only you, can prove he is guilty. Only one side can be right. I’m afraid I’m going to sound like a priest now, but the truth will out. Hasn’t the time come to give the past a proper burial?’
Victor Brionne’s face became mobile but his lips did not part. Deep down, thought Anselm, he’s holding tightly on to something. Anselm wrote down DI Armstrong’s name and number and placed it upon a sideboard. As he reached the door he turned instinctively and said:
‘You knew Jacques Fougeres?’
‘Yes.’ It was the only word he had spoken. His voice, in that one brief sound, disclosed a grave, enduring ache.
‘You know he had a blood relative, Pascal Fougeres?’
He nodded.
‘A young man who did everything possible to bring Schwermann to trial. Do you know he wanted. to find you?’
There was no response. Robert looked down upon Victor.
‘Do you know why?’ Anselm pleaded. ‘Not to expose you, or blame you. But because he had faith in the love of old friends. He believed that you would tell the truth.’
Victor closed his eyes, averting his head from Anselm’s unrelenting words.
‘He died on the very night he met some friends to discuss your importance. Not for himself, not for his own family, but for all those whose memories are being scattered to the wind.’ Anselm opened the door, his voice suddenly raised, indignant and accusing: ‘Did Pascal die for nothing… absolutely nothing at all?’
The house was empty when they got downstairs. Walking down the path they could see the family way ahead, ambling towards Lindisfarne Castle. Robert joined Anselm and Conroy at the gate. He said, trembling, ‘Father, I meant what I said when we first met. Victor Brionne died in 1945 as far as I’m concerned. Is it right to dismantle their world?’ He nodded over the wall, anxiously, at three generations becoming specks in the distance.
‘Is it right to leave other lives in pieces?’ replied Anselm. ‘I don’t pretend to have the answer, Robert. I doubt whether your father knows. But he’s the one who has to choose.’
Chapter Thirty-Five
1
Lucy took ‘Sibyl’s Cave’ home with her and placed it over the mantelpiece. For the rest of the weekend she kept re-entering the room to look at it. In that hint of a face drawn by the sweeping paint she saw Agnes, young and old, transcendent, aloft her disappointment.
When Lucy met Max and Mr Lachaise at court on Monday morning they all shook hands. Something like ease was growing between them. This was all the more remarkable because she (and presumably Max) had no idea as to who Mr Lachaise, their convener, might be. There was a disarming quality to his simplicity, like dealing with a child. Only he was nothing of the kind. He seemed older than anyone Lucy had ever known. And she recognised in
