speaking in his head. Making a joke, but serious at the same time:
Then came the signature that Scottish art experts and gallery owners would recognize.
That was it. Two sentences. Perez could hear the gulls calling outside. He said nothing. Had Fran realized that he thought of Cassie sometimes as a replacement for his unborn child? They’d never discussed it. Too mawkish, he’d thought. Too daft.
‘I think it’s too much to ask,’ Mary said crossly. ‘To become legal guardian of another man’s child. Besides, Hunter would never stand for it. Just tear this up. Who would know?’
For a moment Perez was tempted. This was the last thing he wanted, not because he didn’t care for Cassie. He adored her more now than ever; she was all he had left of Fran. But because the only way he could cope with the gut-wrenching guilt was to become dead himself. Not to feel. Not to think. You couldn’t bring up a child if you were emotionally dead.
‘I’d know,’ he said. And he thought Hunter
It was almost as if he’d been in court and a life sentence had been handed down. He felt the relief of reparation, but the pain of facing the real world again. For him there could be no escape into drink or manual labour. No turning wood or keeping sheep. He’d keep his job to provide for Cassie. There’d be no involvement this time in his work though. No empathy. Jimmy Perez the detective was coming back to life, but he’d be a harder, less forgiving man.
Ann Cleeves