poised, so calm.

‘I need to know what happened,’ she said.

‘The car’s outside,’ Sandy said awkwardly. ‘I’ll get you back to Whalsay.’

‘And I’ll see you again this evening, Inspector Perez?’

‘Oh yes, you’ll see me then.’

Sandy picked up her bag and started walking quickly to the exit. Suddenly Perez realized he was hoping to get the woman out of the terminal before Cassie bounded up to them with her chat and hugs. He didn’t want to distress Gwen James with memories of Hattie as a young girl. Oh Sandy, Perez thought, how you’ve grown up.

Cassie couldn’t wait for her bag to arrive. She climbed through the barrier and threw her arms around Perez’s waist. As he picked her up and lifted her into the air he saw Gwen and Sandy disappearing through the revolving door and into the car park.

‘So,’ he said. ‘Have you missed me?’

Then Fran came up to them too, dragging a huge suitcase, laden with carrier bags, and it was she who answered.

‘We haven’t, have we, Cass? Hardly at all.’

‘Yes we have. Mum told everyone how much she missed you. She was really boring. She kept saying she wanted to come home.’

‘Well, we’d better get you back then, to the old house in Ravenswick.’ He set Cassie on the floor and took the handle of Fran’s suitcase. At that moment he thought he’d do anything to look after this family and keep it together. He’d kill for it. ‘Didn’t you have to pay excess baggage on this?’

‘Nah, I chatted up that pretty boy on check-in at Dyce.’

It was then, as they walked together towards the exit, that Perez realized that another person connected with Whalsay had been on the Aberdeen plane. Standing at the car rental counter, filling in a form, frowning slightly, was Paul Berglund.

Chapter Forty-one

Anna Clouston walked up the hill towards the hall. She felt oddly liberated without the baby. Lighter and lightheaded. A pool of mist had gathered in the low ground by the loch, so it looked as if the hall was stranded on its own island. Even the landscape seemed different.

When she opened the door she was surprised that Evelyn was the only person there. The trestle tables had been pushed together to run along the long side of the hall and Evelyn was covering them with white cloths, shaking the material out so they flapped like sails. Smaller tables had been set, cafe-style, in the middle of the hall. The speakers would have the best chairs at one end, with a table for their notes, and there was a screen and data projector. The urn was already hissing for tea. Everything was organized and efficient.

Evelyn was wearing an apron, but Anna could tell she’d dressed up for the occasion. She had green dangly earrings, little court shoes with heels.

‘What would you like me to do?’

‘You can fetch me the cups and saucers from the cupboard,’ Evelyn said. Then: ‘Sandy’s picked Gwen James up from Sumburgh. He gave her a tour of the island – showed her the Bod and the dig at Setter, the place where Hattie died. It seems kind of ghoulish but she wanted to see it. She’s in the Pier House now getting ready. He’ll give her a lift up just before we start.’

‘Right.’ Anna couldn’t understand how Gwen James could bear to be here. If anything had happened to her son, if he had been found in a hole in the ground like that, Anna wouldn’t want to be paraded in the hall in front of staring people, all of them strangers. She wouldn’t want to eat meringues and drink weak tea. What sort of mother could this woman be?

She set the cups and saucers out close to the urn, wiping each one with a clean tea towel as she brought it out of the cupboard, just as the island women always did.

‘I’m surprised you’ve not got more helpers,’ she said.

‘Oh, I told Jackie I’d manage. Joseph came along earlier to help shift the furniture.’ Evelyn had moved from the tables and was pinning photos of the dig site up on the walls. One showed Hattie and Sophie both crouched at work. Hattie had looked up at the camera and smiled; Anna couldn’t remember ever having seen her appear so happy. It was a good photo. She wondered who’d taken it. Ronald, maybe. He’d spent a lot of time on the dig the summer before. Evelyn went on: ‘Jackie says Andrew’s agitated again today. She’ll be in as soon as she’s settled him. He won’t be coming. Just as well. We don’t want a scene.’

Anna thought Evelyn preferred it this way: completely in control and in charge. She could understand that.

The door of the hall opened and Anna saw a silhouette framed by the filtered light of the low sun behind him. Another bank of mist had come in from the sea. The figure moved further into the room and she recognized Jimmy Perez. He seemed surprised to see Anna there. She guessed he’d hoped to catch Evelyn on her own and now he was weighing his options and wondering how best to play the situation. Evelyn had her back to the door and hadn’t seen him.

‘Evelyn.’

The woman turned sharply. ‘Oh, Jimmy. You’re early. We’re not starting until seven.’

‘I was hoping to catch you for a word on your own. Perhaps we could go back to Utra for a few minutes.’

Evelyn paused for a beat, seemed to straighten her back. ‘I’m afraid that’s not possible, Jimmy. There’s far too much to do before the other folk turn up.’

‘Really, I think we might be better talking now.’ He paused. ‘We don’t want a scene later.’

That word again, Anna thought. Scene. What is it that they’re scared of? She would have offered to go out so they could talk on their own, but knew that was the last thing Evelyn wanted.

Evelyn seemed to consider. She looked quite calm. ‘Oh, I don’t think we need worry about that, do you, Jimmy? You know I’m the last one to cause a fuss. There’s no hurry. You know I’m not going anywhere.’

Anna had the sense that the conversation had a meaning she didn’t understand. Perez stood for a moment then nodded, he turned and left. Once he’d gone, Evelyn lifted the hem of her apron and wiped her face with it. Her only gesture of weakness. Then she bent and lifted a pile of dinner plates from the cupboard. ‘The cakes can go on here,’ she said. ‘There should be napkins somewhere. We’ll wrap them with clingfilm until the speeches are over.’ She made no reference to the conversation between her and Perez.

In the end, Anna had to admit, the event was a triumph. It struck just the right note. Once Evelyn took off her apron she became a different person – confident, knowledgeable, charming. Even the islanders were impressed. She welcomed the guests into the hall and brought the locals and the incomers together. She walked Gwen James round all the photos and talked about what a delight Hattie had been to have on the island. Such an enthusiast: ‘She made the history seem so real for me. I could see Whalsay through the eyes of the Setter merchant. These were our ancestors but it took an outsider to bring them to life.’ When she introduced the speakers, she spoke fluently and without notes. ‘The untimely deaths of two of our project’s greatest supporters is a tragedy. But we owe it to them to continue the work at Setter and to make it a success.’

Anna thought if Evelyn had lived somewhere else she could have been a great businesswoman. You could see her at the head of a board table, motivating her team.

Jimmy Perez had come back. He had brought a woman with him; she was chic in an arty, bohemian sort of way, small and lively. They made an unusual couple. He was very dark and impassive and she seemed to be moving all the time, interested in everything. After a while of thinking she looked familiar, Anna recognized the woman as Fran Hunter, the artist from Ravenswick. There’d been an article about her in the most recent Shetland Life, and in the arts section of a Sunday broadsheet. That could be me in a few years’ time, Anna thought, and her brain began fizzing with plans for the future. There’ll be features about my spinning and knitting; I’ll call it the Whalsay Collection and take my influences from the Setter Merchant’s House, the design of the coins. I’ll ask Ronald to help me research the

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