There was a brief silence, into which Brunetti said, 'You shouldn't bait him, you know.'
‘I don't eat chocolates,' she answered sharply. 'Baiting the Lieutenant provides the same pleasure, but there's no risk of getting fat.' It did not seem to Brunetti that Signorina Elettra ran much of a risk of that, and it was hardly his place to question anyone else's pleasures, but to go out of her way repeatedly to antagonize Patta's assistant seemed riskier behaviour than eating a chocolate truffle or two.
'I wash my hands of you,' he said, laughing as he did so. 'Though I must say I admire your courage.'
'He's a paper tiger, sir; they all are.'
'All who?'
'Men like him, who make a habit of being tough and silent and looming over your desk. They always want to make you think they're getting ready to tear you into little pieces and use tiny slivers of your bones to pick your flesh out of their teeth.' He wondered if this would be her assessment of the men at the Gypsy camp, but before he had even finished formulating the thought, she added, 'Don't worry about him, Commissario.'
‘I think it would be wiser not to antagonize him.'
A hard edge came into her voice and she said, 'If it ever came to a choice, the Vice-Questore would cut him loose in a moment.'
'Why?' Brunetti asked, honestly puzzled. Lieutenant Scarpa had been the faithful henchman of the Questore for more than a decade: a fellow Sicilian, a man who appeared to enjoy feasting on the scraps that fell from the table of power, he had always seemed, to Brunetti, utterly ruthless in his desire to aid Patta in his career.
'Because the Vice-Questore knows he can trust him,' she answered, confusing Brunetti utterly.
'I don't understand,' he confessed.
'He knows he can trust Scarpa, so he knows it would be safe to get rid of him, so long as he saw to it that he went to some better job. But he's not sure he can trust me, so he'd be afraid, ever, to try to get rid of me.' He hardly recognized her voice, so absent was its usual bantering tone.
But then she went on in her usual pleasant voice, 'And to answer your question, the only person who went into his office today, aside from you, was Lieutenant Scarpa. He was in with him for an hour this morning.'
'Ah,' Brunetti allowed himself to say, thanked her, and replaced the phone. He pulled a sheet of paper towards him and began to make a list of names. First the owner of the ring and watch. He knew Fornari's name was familiar: he stared at the far wall and tried to summon the memory. His wife had said he was in Russia, but the name of the country was no aid. What was it he sold? Kitchen appliances? No, ready-made units, and he was trying to export them there. Yes, that was it, right on the edge of memory: export, licences, Guardia di Finanza, factories. Something about money or some foreign company, but no, it wouldn't come, so Brunetti decided to leave it.
He wrote the wife's name, the daughter's, the son's, even the cleaning woman's. They were the only people likely to have been in the apartment the night the girl died. He added the words, 'Zingara', 'Rom', 'Sinti', 'Nomadi', to the bottom of the list, and then he pushed his chair back and resumed his contemplation of the far wall, and the likeness of the dead girl slipped into his memory.
The woman looked old enough to be the child's grandmother, yet that seamed, hollow-cheeked face was the face of the mother of an eleven-year-old child. All three children were younger than fourteen, and so could not be arrested. He had seen no children when he was there; stranger still, there had been no sign of children, no bikes or toys or dolls left lying about in the midst of all that litter. Italian children would be at school during the day; the absence of the Gypsy children, however, suggested that they were at work, or what passed as work for them.
Surely, the Fornari children should have been at school at that time of day. If the girl was sixteen, then she would be finishing middle school; the son might well have already started university. He picked up the phone and redialled Signorina Elettra's number. When she answered, he said, 'I've got another favour to ask. Do you have access to the files of the schools in the city?'
'Ah, the Department of Public Instruction,' she said. 'Child's play.'
'Good. The Fornari's daughter is called Ludovica -she's sixteen. She's got a brother who's eighteen, Matteo. I'd like you to see if there is anything worth knowing about them.'
He thought she might remark that this was a rather vague category, but all she did was ask, 'What are the parents' full names?'
'Giorgio Fornari and Orsola Vivarini.' 'Oh my, oh my,' she said when she heard the second name.
'Do you know her?' Brunetti asked.
'No, I don't. But I'd certainly like to meet the woman who got stuck with a name like Orsola but still named her daughter Ludovica.'
'My mother had a friend named Italia,' he said. 'And lots of Benitos, a Vittoria, even an Addis Ababa.'
'Different times,' she said. 'Or a different idea, to give a child a name that's really more a boast than a name.'
'Yes,' he said, thinking of the people with names like Tiffany and Denis and Sharon he'd arrested. 'My wife once said that if an American soap opera had a main character named Pig Shit, we'd have to prepare ourselves for an entire generation of them.'
'I think the Brazilians are more popular, sir,' she said.
'Excuse me?'
'The soap operas.'
'Of course,' he said and found he had nothing further to say.
'I'll see what I can find out about them,' she said. 'And I'll call this Dottoressa Pitteri.'
'Thank you, Signorina,' he said.
Brunetti knew he could run some sort of computer check on the name Giorgio Fornari, but the part of his memory in which the name was lodged was the same part where gossip and rumour found their home; so he knew that what he was looking for was the sort of information that was not to be found in newspapers or magazines or government reports. He tried to reconstruct the situation in which he had first heard Fornari's name. Something to do with money, and something to do with the Guardia di Finanza, for it was when reading a reference to the tax police in the paper some days ago that Fornari's name had sounded in the back of his memory.
A former classmate of his was now a captain in the Guardia di Finanza, and Brunetti still recalled with delight the afternoon – it must be three years ago – they had spent together in the
Ignoring the call, the pilot had swooped the boat around and shot back towards the city, passing fishing boats as though they were tiny islands and then deliberately slamming and bumping across the wake of one of the cruise ships that was heading towards the city.
Struck by memory, Brunetti spoke the words aloud, 'The cruise ships.' Still looking at the wall, he allowed the story to trickle back into his memory. Giorgio Fornari was also a friend of Brunetti's captain friend and had once called to tell him about something he had heard from the owner of a shop on Via XXII Marzo who found himself caught in the middle of yet another inventive method of growing rich off the city.
It seemed, according to what Fornari had been told, that the passengers of these cruise ships were routinely warned that Venice was a city where it was not safe to shop or eat. Since most of the passengers were Americans, who knew themselves to be safe only when at home in front of their own television sets, they believed this and were relieved when the boat provided them with a list of 'safe' shops and restaurants where they were sure not to be cheated. Not only were the places guaranteed not to cheat them – and here the Captain had not been able to keep himself from laughing as he told Brunetti -but these same establishments would provide a 10 per cent discount to ship's passengers: all they had to do was provide their passenger identification and ask.
With mounting glee, the Captain had gone on to explain that, always eager to cause more joy, the staff of the ships offered some sort of lottery to the passengers returning to the ships: if they submitted the receipts of their