‘Don’t get impatient, Danglard – you wouldn’t wish someone dead, would you?’
Next morning there was an ice-cream cone in the avenue du Docteur-Brouardel in the 7th
V
MATHILDE HAD PRESENTED HERSELF AT THE HOTEL DES GRANDS Hommes, to look for the beautiful blind man – a very small hotel for such a grand name, she thought. Or perhaps it meant that one didn’t need many rooms to accommodate all the great men in the world.
The receptionist, after telephoning to announce her arrival, told her that Monsieur Reyer couldn’t come down, he was detained. Mathilde went up to his room.
‘What’s the matter?’ Mathilde cried through the locked door. ‘Are you naked in bed with someone?’
‘No,’ said Charles.
‘Something more serious?’
‘I’m not looking my best. I can’t find my razor.’
Mathilde thought for a moment. ‘It’s out of sight, you mean?’
‘Yes, right,’ said Charles. ‘I’ve felt everywhere. I don’t understand.’
He opened the door.
‘You have to appreciate, Queen Mathilde, that things take advantage of my weakness. I hate
‘You’re not as smart as a fish,’ Mathilde observed. ‘Because the fish that live right down on the seabed, in complete darkness, like you, they manage to find what they want to eat, in spite of everything.’
‘Fish don’t have to shave. And anyway, what the eye doesn’t see the heart doesn’t grieve after. Couldn’t give a damn about your fish.’
‘Eyes, eyes. You’re doing it on purpose aren’t you?’
‘Yes, I am doing it on purpose, I’ve got a whole repertoire of expressions: I’ll cast my eye over it, I’ll make eyes at her, I’ve got my eye on you, I’ll keep my eyes peeled, it’s an eye-opener, I’ve got eyes in the back of my head. There are plenty of them. I like using them. Like other people like to chew over their memories. But anyway, I really couldn’t care less about fish.’
‘Plenty of people feel like that. Yes, it’s true, there’s a general tendency not to give a damn about fish. Can I sit on this chair?’
‘Please go ahead. Anyway, what’s so marvellous about fish?’
‘We understand each other, me and the fish. We’ve spent thirty years in each other’s company now, so we don’t dare leave each other. If I was dumped by a fish, I’d be lost. The fish are my work, they produce my income, they keep me if you like.’
‘And because I’m like one of your damned fish swimming about in the dark, that’s why you’ve come to see me.’
Mathilde thought for a moment.
‘You won’t get anywhere like that,’ she concluded. ‘You need to be a bit more fishy, that’s exactly it – more flexible and fluid. Still, it’s up to you if you want to make the whole universe feel guilty. I came because you said you were looking for a flat, and it looks as if you’re still needing one. Perhaps you don’t have a lot of money. This hotel’s a bit dear, though.’
‘The ghosts that haunt it are dear to me too. But the main thing, Queen Mathilde, is that people don’t want to rent rooms to a blind man. They’re afraid that the blind man will do stupid things: drop his plate over the side of the table, piss all over the carpet because he thinks he’s in the bathroom.’
‘Well, a blind man would suit me fine. All my work on the three-spined stickleback, the flying gurnard and the sawback angelshark has paid for three apartments, in the same house, on three different floors. I had a big family living on the first and third floors – the Sawback Angelshark flat and the Three-Spined Stickleback flat, I call them – but they’ve moved out. I live on the second floor, named after the Flying Gurnard. I’ve rented the Stickleback out to an eccentric old lady, and I thought of you as a possible tenant for the Sawback Angelshark – call it the first floor if you like. I won’t charge you a high rent.’
‘Why not?’
Charles heard Mathilde laugh and light a cigarette. He groped for an ashtray, which he held out to her.
‘You’re offering the ashtray to the window,’ said Mathilde. ‘I’m sitting a good metre to the left of where you think.’
‘My apologies. You’re a hard woman, aren’t you? Most people would stretch out their hand to take the ashtray and wouldn’t pass remarks.’
‘You’ll find I’m even harder when you discover that the apartment is fine and a good size, but people don’t like living there because they find it too dark. So I said to myself: now Charles Reyer, that’s someone I like. And since he’s blind, it’ll suit him down to the ground, because what difference will it make to him if the flat’s dark?’
‘Are you always this tactless?’ Charles asked.
‘Yes, I think so,’ replied Mathilde, seriously. ‘Anyway, what about the Angelshark – does it tempt you?’
‘I’d like to take a good look,’ said Charles, with a smile, twitching his glasses. ‘I think it might suit me very well, a dark angelshark. But if I’m going to live there I’ll need to know the habits of this sea creature, otherwise my own apartment will think I’m an idiot.’
‘Easy. The
‘I could learn to like a creature like that, Queen Mathilde.’
It was seven o’clock. Clemence Valmont was working in Mathilde’s flat. She was classifying slides and felt unbearably hot. She would have liked to take off her black beret, she would have liked not to be seventy years old, and for her hair not to be thinning on top. These days she never took off her beret. This evening she would show Mathilde two small ads from the day’s paper, which were quite interesting and to which she was tempted to reply.
Well, at least that was frank. And the next one was pretty irresistible:
What have I got to lose? said Clemence to herself.
The Sawback Angelshark flat had pleased Charles Reyer. He had already made up his mind, in fact, when Mathilde had told him about it in the hotel, and he had merely concealed his haste to accept. Because Charles knew that he was getting worse, month by month. And he was afraid. He sensed that Mathilde, without even realising it, would be able to distract his mind from the dark and morbid sentiments into which it was sinking. At the same time, he could see no other solution than to keep hating everybody, since the idea of becoming a sort of Pollyanna blind man revolted him. He had gone round the walls of the apartment, feeling with his hands, and Mathilde had shown him where the doors, taps and light switches were.
‘Why bother showing me the light switches?’ said Charles. ‘No need to put the light on. You’re not as clever as you think, Queen Mathilde.’
Mathilde shrugged. She realised that Charles Reyer turned nasty about every ten minutes.
‘What about other people?’ she replied. ‘If someone comes to see you, you won’t put the light on, will you, just let them sit in the dark?’