‘You are doing this for profit,’ she protested, trying to smile, to win them from the error of their ways.
‘Yes,’ they said together, and then confessed, sharing the conversation, that they had often considered telephoning a Sunday newspaper to say they had a story to tell. They had kept the hairs in the plastic bag because they’d had that in mind; in every detail they knew what they were going to say.
‘You’re making money out of –’
‘Yes,’ said Dympna. ‘You’ve kept us short, Mrs Digby-Hunter.’
She saw their hatred of her in their faces and heard it in both their voices; like a vapour, it hung about the room.
‘Why do you hate me?’ she asked again.
They laughed, not answering, as though an answer wasn’t necessary.
She remembered, although just now she didn’t wish to, the clergyman who had kissed her with passion after a dance in a church hall, the dampness of his lips, his body pressed into hers. The smell of his clothes came back to her, across thirty years, seeming familiar because it had come before. She might have borne his children in some rectory somewhere. Would they have hated her then?
Underclothes, dresses, lipsticks, Woolworth’s jewellery, unframed photo graphs of male singing stars were jumbled together in the two cardboard suitcases. The girls moved about the room, picking up their belongings, while Mrs Digby-Hunter, in greater misery than she had ever before experienced, watched them from the edge of the bed. How could human creatures be so cruel? How could they speak to her about being a figure in a waxworks tableau when she had done nothing at all? How could they so callously propose to tell lies to a newspaper about her husband and Mr Beade when the boy who had so tragically died was still warm with the memory of life?
She watched them, two girls so young that they were not yet fully developed. They had talked about her. In this room, night after night, they had wondered about her, and in the end had hated her. Had they said in their nightly gossiping that since the day of her marriage she had lived like a statue with another statue?
It was all her fault, she suddenly thought: Milton Grange would be a chicken farm again, her husband would be examined by a psychiatrist in a prison, she would live in a single room. It was all her fault. In twenty-nine years it had taken violence and death to make sense of facts that were as terrible.
The girls were saying they’d catch a bus on the main road. Without looking at her or addressing her again they left the bedroom they had shared. She heard their footsteps on the back stairs, and Dympna’s voice asking Barbara if she was all right now and Barbara saying she was. A white slug, the girl had called her, a fat white slug.
She did not leave the room. She remained sitting on the edge of the bed, unable to think. Her husband’s face appeared in her mind, with its well-kept moustache and shrewd-seeming dark eyes, a face in the bedroom of a Welsh hotel on the night of her wedding-day. She saw herself weeping, as she had not wept then. In a confused way she saw herself on that occasion and on others, protesting, shaking her head, not smiling.
‘I’m leaving the army for a step-ladder firm,’ he said to her, and she struck his face with her hands, tormented by the absurdity of what he said. She cried out in anger that she had married an army officer, not a step-ladder salesman who was after her father’s money. She wept again when ridiculously he told her that he intended to spend his days filling machines full of powdered coffee. He had failed her, she shrilled at him, that night in the Welsh hotel and he had failed her ever since. In front of boys, she accused him of ill-treating those who had been placed in his care. If ever it happened again, she threatened, the police would be sent for. She turned to the boys and ordered them to run about the gardens for a while. It was ludicrous that they should be cooped up while the sun shone, it was ludicrous that they should strive so painfully simply to pass an examination into some school or other. She banged a desk with her hand after the boys had gone, she spat out words at him: they’d all be in the Sunday papers, she said, if he wasn’t careful, and she added that she herself would leave Milton Grange for ever unless he pursued a gentler course with the boys who were sent to him, unless he at once dismissed the ill- mannered Mr Beade, who was clearly a sinister man.
In the room that had been the maids’ room Mrs Digby-Hunter wept as her mind went back through the years of her marriage and then, still weeping, she left the room and descended the back stairs to the kitchen. To her husband she said that it was all her fault; she said she was Sorry. She had knitted and put down bulbs, she said, and in the end a boy had died. Two girls had hated her because in her easy-going way she had held her peace, not wanting to know. Loyalty and devotion, said Mrs Digby-Hunter, and now a boy was dead, and her husband with a sack over his head would be taken from Milton Grange and later would have sessions with a prison psychiatrist. It was all her fault. She would say so to the reporters when they came. She would explain and take the blame, she would come up to scratch as a wife.
Her husband and Sergeant Wall and Mr Beade looked at Mrs Digby-Hunter. She stood in the centre of the kitchen, one hand on the table, a stout woman in a blue-and-pink dress, weeping. The tragedy had temporarily unhinged her, Sergeant Wall thought, and Mr Beade in irritation thought that if she could see herself she’d go somewhere else, and her husband thought that it was typical of her to be tiresomely stupid at a time like this.
She went on talking: you couldn’t blame them for hating her, she said, for she might have prevented death and hadn’t bothered herself. In a bedroom in Wales she should have wept, she said, or packed a suitcase and gone away. Her voice continued in the kitchen, the words pouring from it, repetitiously and in a hurry. The three men sighed and looked away, all of them thinking the same thing now, that she made no sense at all, with her talk about putting down bulbs and coming up to scratch.
For fifteen years, ever since he was twenty-seven, Raymond Bamber had attended the Tamberleys’ autumn cocktail party. It was a function to which the Tamberleys inclined to invite their acquaintances rather than their friends, so that every year the faces changed a bit: no one except Raymond had been going along to the house in Eaton Square for as long as fifteen years. Raymond, the Tamberleys felt, was a special case, for they had known him since he was a boy, having been close friends of his father’s.
Raymond was a tall man, six foot two inches, with spectacles and a small moustache. He was neat in all he did, and he lived what he himself referred to as a tidy life.
‘I come here every year,’ said Raymond at the Tamberleys’, to a woman he had not met before, a woman who was tall too, with a white lean face and lips that were noticeably scarlet. ‘It is an occasion for me. almost, like Christmas or Easter. To some extent, I guide my life by the Tamberleys’ autumn party, remembering on each occasion what has happened in the year gone by.’
‘My name is Mrs Fitch,’ said the woman, poking a hand out for a drink. ‘Is that vermouth and gin?’ she inquired of the Tamberleys’ Maltese maid, and the maid agreed that it was. ‘Good,’ said Mrs Fitch.
