giggle when they’d cycled on a bit.
The avenue was long, its surface badly broken, but pleasantly cool because the trees that lined it kept out the sun. Laura considered it romantic, like the avenue in
‘I’m Margaretta Heaslip,’ Margaretta informed a maid who was winding a clock in the hall. ‘We’ve been sent to see the de Courcys.’
The maid stared, appearing to be alarmed. She continued to wind the clock, which was on a table at the bottom of the stairs, and then she closed the glass of its face and put the key on a brass hook in an alcove; the time was half past eleven.
Tapestries hung by the staircase, curving with it as it ascended. Rugs were scattered on the darkly stained boards of the floor, as threadbare as the stair carpet and the tapestries, which were so faded that whatever scenes they depicted had been lost. There was a smell in the hall, as Margaretta said afterwards, of flowers and bacon.
‘Will you tell the de Courcys?’ she suggested to the maid, since the maid appeared hesitant about how to proceed. ‘Just say Margaretta Heaslip and a friend are here.’
‘The de Courcys went up to Punchestown races, miss.’
‘Is Ralph de Courcy here?’
‘He is of course.’
‘Will you tell him then?’
‘He didn’t go up to the races, miss, in case they’d strain him.’
‘Will you tell him Margaretta Heaslip and a friend are here?’
The maid was as young as Katie, but not as pretty. She had protruding teeth and hair that was in disarray beneath her white cap. She hesitated again, and then visibly reached a decision.
‘I’ll tell him so, miss. Will ye sit in the drawing-room?’
She left them where they stood. One door they opened led to a panelled room, too small and businesslike for a drawing-room. Another, with blue blinds pulled down, had dining-chairs arranged around a long table, its other furniture shadowy in the gloom. The drawing-room itself had a fire, although the day was so exceedingly warm that the windows were open. There were vases of flowers on the mantelpiece and on tables and on a grand piano, and family portraits were close to one another on the walls. An old black-and-white dog was lying on the hearthrug and did not move when the girls entered. It was the most beautiful room, Laura considered, she had ever been in.
They sat cautiously on the edge of a sofa that was striped in two shades of faded pink. They spoke in whispers, discussing the maid: would she be keeping company with the uniformed man at the gate-lodge?
‘Will ye wait a while?’ the maid invited, appearing at the door.
Margaretta giggled and put her hand up to her mouth; Laura said they’d wait. ‘I wonder what her name is,’ she added when the maid had gone.
‘Ludmilla, I’d say.’
The giggling began again, the dog snorted in his sleep. Through the open windows came the sound of pigeons.
‘Well, this is an honour,’ a voice said. ‘How do you do?’
He was older than they were by maybe as much as three years. He was pale and dark-haired, his eyes brown. He was dressed in flannel trousers and a green tweed jacket.
‘Margaretta Heaslip,’ he continued, smiling extravagantly. ‘I remember you when you were little.’
He spoke as if she still were, as if they were both not in the least grown up. His manner insisted that he himself belonged to the adult world, that he had long ago passed through theirs.
‘My mother said to call,’ Margaretta explained, disowning responsibility for their presence. ‘To inquire how you were, and to introduce Laura.’
‘How do you do, Laura?’
He held out a hand, which Laura received, allowing her own to be briefly clasped. His touch was cold. Like marble, she thought.
‘Laura’s English, y’know.’
‘Well now, and whereabouts in England, Laura?’
‘A village called Anstey Rye. In Buckinghamshire.’
‘How attractive that sounds!’
‘Dead as old mutton, Laura says. The war, y’know.’
‘Ah, yes. The horrible war. But at least the Allies won. You’re pleased, Laura?’
He had a precise way of speaking, his Irish accent drawling out his sentences, a smile rarely absent from his face. Set in hollows, his dark eyes were fixed on Laura’s, insistent that his interest in all she had to say was genuine.
‘Well yes, I am pleased.’
‘I used to listen to Lord Haw-Haw. He’s most amusing.’