bodies and murder probably wasn’t the best thing to do in front of Anna.
As if reading their minds she said with a wan smile, ‘Don’t worry about me. It’s okay to talk about it.’ Erica could only imagine what sort of images were whirling round in her mind.
‘Kids, we have cinnamon buns!’ Anna called, breaking the glum mood. They could hear two pairs of feet and a pair of hands and knees drumming across the floor, and in a couple of seconds the first bun enthusiast came round the corner.
‘A bun, I want a bun,’ Adrian shouted, clambering nimbly onto his chair. Emma was right behind him, and Maja came crawling in last. It hadn’t taken her long to learn what the word ‘bun’ meant. Erica started to stand up, but Dan was quicker. He lifted Maja up, unable to resist giving her a kiss on the cheek. Then he placed her carefully in her high chair and began breaking off small bits of a bun to give to her. The appearance of so much sugar in front of her produced a big smile that exposed the two tiny baby teeth in Maja’s lower jaw. The grown- ups couldn’t help laughing. She was just so cute.
There was no more talk of murder and dead bodies. But they couldn’t help wondering what Patrik was facing.
Everyone looked listless as they sat in the station’s break room. Martin’s face was still unnaturally pale, and he looked as exhausted as Hanna. Patrik was leaning against the worktop with his arms crossed, waiting till they all had coffee in their cups. After a nod from Mellberg he began to speak.
‘This morning Leif Christensson, who owns a refuse collection service, found a dead body. The body had been stuffed into a bin, but ended up in his truck when he emptied the bin.’ Patrik paused and took a sip from his coffee cup, then set it back down on the counter next to him. ‘We got to the scene quickly and confirmed that we were dealing with a dead female. Given the circumstances, and the fact that the body showed signs of trauma, we drew the preliminary conclusion that it was homicide. She also had certain trauma on her body indicating violence, which supports that theory. We won’t know for sure until we get the results of the autopsy but for now we’ll proceed on the assumption that she was murdered.’
‘Do we know who -?’ said Gosta, but was interrupted by a glance from Patrik.
‘Yes, we’ve got an ID of the woman.’ Patrik turned to look at Martin, who had to fight the nausea when the photos of the crime scene appeared before him. He didn’t seem able to talk yet, so Patrik went on.
‘It looks like one of the cast of
‘We… we saw her yesterday. Martin and I,’ said Hanna. Her face was tense as she looked from Patrik to Martin.
‘Yes, I heard,’ said Patrik, nodding in Martin’s direction. ‘It was Martin who identified her. I believe there was some trouble?’ he said, raising his eyebrows, which prompted Hanna to continue.
‘Well,’ she said, hesitating. ‘Yes, it was pretty intense for a while. The other cast members were bullying her, but I could see it was mostly verbal stuff and a few pokes, nothing more. Martin and I stepped in and separated them, and the last we saw of Barbie was when she ran away crying, heading towards town.’
Martin nodded in confirmation. ‘Yes, that’s right. There was some yelling and screaming, but nothing that could produce the injuries we saw on her body.’
‘We’re going to have to have a talk with that lot,’ said Patrik. ‘See what it was all about. And if anyone saw where’ – he hesitated before saying the name – ‘Barbie was going. We have to talk to the TV team as well, and get hold of the footage they shot yesterday and take a look at it.’
Annika wrote down everything as he listed the tasks they would have to deal with. Patrik thought for a few seconds, then he nodded to Annika and added, ‘We have to see about informing her family too. And find out if anyone else observed anything during the course of the evening.’ He paused, then said gravely, ‘When this comes out, and it won’t take more than a couple of hours, the shit is going to hit the fan. This is national news, and we have to be ready for an onslaught from the media – and for as long as the investigation lasts. So be careful who you talk to and what you say. I don’t want a lot of information coming out in the media that I, and Mellberg, haven’t sanctioned.’
To tell the truth, he was worried that Mellberg would be the one to shoot off his mouth. Their chief loved being in the spotlight, and a skilful reporter could probably get Mellberg to blab all about the case. But there wasn’t much he could do about it now. Mellberg was the chief of the station, at least on paper, and Patrik couldn’t put a gag on him. He was just going to have to cross his fingers and hope that Mellberg still had an ounce of common sense in that head of his. Although he wouldn’t put any money on it.
‘This is what we’ll do. I’m going to drive over and talk to that guy in charge of production…’ he said, snapping his fingers as he tried to remember his name.
‘Rehn, Fredrik Rehn,’ Mellberg filled in, and Patrik nodded in gratitude, though he was surprised. It wasn’t often that Mellberg contributed any relevant information.
‘Right, Fredrik Rehn. Martin and Hanna, you two sit down and write a report about what you saw and heard last night. And Gosta,’ he said, trying feverishly to think of something to assign to Gosta. Finally he said, ‘Gosta, you find out more about the people who own the house where the body was found in the rubbish bin. I don’t suppose there’s any connection there, but you never know.’
Gosta gave a weary nod. A specific job to do. He could already feel the weight of responsibility.
‘So, that’s that.’ Patrik clapped his hands together as a sign that the meeting was over. ‘We have plenty to do.’ Everyone muttered something in reply and got up. Patrik watched as they filed out of the room. He wondered if they had any idea what was about to hit them when the news broke and the full force of the media was unleashed.
‘This is going to be fantastic! I can smell success a mile away!’ Fredrik Rehn pounded the technician on the back as they sat in the cramped space in the studio bus. They had gone over the footage from the day before and had begun editing. Fredrik liked what he saw. But anything that was good could always be made better.
‘Could we add a few more boos when Tina is singing? What we have on tape sounds a bit skimpy, and I think her performance was so dire that we should amp up the booing from the audience.’ He laughed, and the editing guy nodded enthusiastically. More booing, no problem at all. A bit more sound added on several channels and he could make it seem as though everyone in the audience was on his feet shouting.
‘This lot are priceless,’ Fredrik said with a smile. He leaned back in his chair and crossed his legs. ‘They’re so damned stupid, but they don’t even realize it. Take Tina, for instance – she seriously thinks she’s going to be a big pop star. And yet she can’t even hit a single note right. I talked to the guy who produced her single, and he told me it took every trick in the book just to get her sounding halfway decent. He said she was so off-key that the loudspeaker almost cracked.’ Fredrik laughed and then leaned over the mixing console in front of them. He turned up the volume. ‘Just listen to this. It’s a fucking scream!’ Even the editing guy couldn’t help grinning when he heard her version of ‘I Want to Be Your Little Bunny’. No wonder the
An authoritative knock on the bus door interrupted their laughter.
‘Come in,’ called Fredrik, turning to see who it was. He didn’t recognize the man who opened the door.
‘Yes? Can I help you?’ At the sight of the police badge he got a queasy feeling in his stomach. This couldn’t be anything good. Or maybe it could, depending on what had happened and how telegenic it might be.
‘So, what can we do for you this time?’ Fredrik chuckled as he stood up to greet the officer.
The policeman came in and found a place to sit among all the cords and cables. He looked around with curiosity.
‘Yes, this is where it all happens,’ said Fredrik proudly. ‘Hard to believe that we can do a programme from this small space that tops the ratings, isn’t it? Of course, some additional work is done back in Stockholm,’ he admitted reluctantly. ‘But the creative part is done right here.’
The officer, who introduced himself as Patrik Hedstrom, nodded politely. Then he cleared his throat. ‘I’m afraid I have some bad news,’ he said. ‘It’s about one of your cast members.’
Fredrik rolled his eyes. ‘Okay, who is it this time?’ he asked with a sigh. ‘Let me guess… it’s Uffe up to his old tricks.’ He turned to the editing guy. ‘I told you that Uffe would be the first one to create a little drama, didn’t I?’ Fredrik turned back to the officer, his curiosity rising. He was trying to work out how to get it on tape – whatever it was.
Patrik cleared his throat again and then said softly, ‘Unfortunately one of your cast members has been found dead.’ It was as if a bomb had exploded in the cramped space. The only sound was the hum of the