And so another storyteller fell asleep that night thinking not of the telling of the story but of the possibilities inherent in color and texture. But for Maisie, there was a different end to the day. She made notes in her file, simply named 'Vincent,' and started to sketch a diagram, with names and places linked.
Maisie Dobbs was even more convinced that her instinct had not betrayed her, that Vincent's death was simply one thread in an intricate web that led to no good. She knew that it would not be long before she discovered what connected the bright thread that was Vincent to the other boys who were buried with only one name at Nether Green Cemetery. And it was her intention that the next meeting with Celia Davenham would reveal how Vincent had spent the time since the war, and his exact location at his death.
More important, Maisie wanted an explanation as to why he was simply 'Vincent.'
CHAPTER SEVEN
Maisie sat back in the wooden office chair and brought her knees up to her chest so that her heels rested on the edge of the seat. She had slipped off her shoes an hour or so ago, to put on the thick bed socks that she kept in her desk drawer. Maisie leafed through her report to Christopher Davenham and wondered how she might best advise him. It was at times like this that she missed the counsel of Maurice Blanche. The relationship between teacher and pupil was an easy one. She had opened her mind to learning his craft, and he had passed on to her the knowledge gleaned in a lifetime of work in what he referred to as 'the forensic science of the whole person.' Although he could still be consulted, Maisie knew that now that he had retired, it was his intention for her to make her way in the world alone.
She could hear his voice now: 'Remember basics, Maisie, dear. Whenever you are stuck, go back to our earliest conversations. And remember connections, that there are always connections.'
Now Maisie had to decide how far she should go in her report to Christopher Davenham. The man simply wanted to know where his wife was going and if another man was involved. Any information over and above what he had requested would not be necessary. Maisie thought for one more moment, put her feet back on the floor, placed the file on the table in front of her, and stood up.
'No, that's enough.' She said to the empty room.
'Do sit down, Mr. Davenham.' Maisie's chilled feet were now smartly clad in leather shoes.
'You have a report for me, Miss Dobbs?'
'Yes, of course. But first, Mr. Davenham, I must ask you some questions.'
'Haven't you already asked enough? I would have thought my purpose for coming here was clear. I seek information, Miss Dobbs, and if you are half as good as your reputation, you will have that information.'
'Yes, I do. But I would like us to discuss openly how you might use this information once you have it.'
'I'm not sure I understand, Miss Dobbs.'
Maisie opened the file, took out a blank sheet of paper that had previously covered her extensive notes, closed the file, and placed the paper on top. It was a technique learned from Maurice, which had proved to be most useful: The blank sheet of paper represented the future, an empty page that could be filled as the observer chose. Pages of notes brought out during conversation were a distraction, so a written report was given only at the end of meeting.'Mr. Davenham, if there were no other man, no reason for you to suspect that your wife's affections lay elsewhere, what would you do?'
'Well, nothing. If there's no reason for my suspicions, then she's in the clear. There would be no problem to do anything about.'
'I see. Mr. Davenham, this is a delicate situation. Before I proceed, I must ask for you to make a commitment to me--'
'Whatever do you mean?'
'A commitment to your marriage, actually. A commitment, perhaps, to your wife's well-being and to your future.'
Christopher Davenham stirred uneasily in his chair and folded his arms.
'Mr. Davenham,' said Maisie, looking out of the window, 'it's a very fine day now, don't you think? Let's walk around Fitzroy Square. We will be at liberty to speak freely and also enjoy something of the day.'
Without waiting for an answer, Maisie rose from her chair, took her coat from the stand, and passed it to Christopher Davenham who, being a gentleman, stifled his annoyance, took the coat, and held it out for Maisie. Placing her hat upon her head and securing it with a pearl hatpin, Maisie smiled up at him.'A walk will be lovely.'
She strolled with Davenham along Warren Street, then turned left at Conway Street into Fitzroy Square. The sun had broken through the morning's gray clouds, and there was a promise of warmer weather to come. The walk was by no means an idle suggestion. Maisie had learned from Maurice Blanche the importance of keeping the client open to whatever was being reported or suggested. 'Sitting in a chair gives too much opportunity to retreat into the self,' Blanche had said. 'Keep the person moving, in the way that an artist keeps the oil moving when he is painting. Don't give them a chance to dry up; don't allow the client to shut you out.'
'Mr. Davenham, I have decided to give you my report and my recommendations. I say 'recommendations' because I believe you are a man of compassion.'
Davenham maintained an even pace. Good, thought Maisie. She matched his stride, keenly observing the position of his arms, the way he held his head forward and tilted back slightly, as if sniffing the air for a predator. He's terrified, thought Maisie, feeling fear rise up as she began to imitate his manner of walking and carriage. She closed her eyes for just a few seconds to be clear about the feelings now seeping through her body, and thought: He's afraid to give, for fear of losing.
She had to be quick to banish the fear.
'Mr. Davenham, you are not being deceived. Your wife is faithful.'
The tall man breathed an audible sigh of relief.
'But she does need your help.'
'In what way, Miss Dobbs?'The tension that ebbed with her revelation had no chance to reclaim him before Maisie spoke again.
