'Keep your voice down. How do you know?'
My fists worked in my pockets, squeezing. 'I could feel his hands stretched out behind me. I could feel his fingers working, pleading. He wanted me to turn and see him! Don't all killers want to be found out?'
'That's what dime-store psychologists say. Why didn't you look at him?'
'You don't make eye contact with drunks. They come sit and breathe on you.'
'Right.' Crumley allowed himself a touch of curiosity. He took out a tobacco pouch and paper and started rolling a cigarette, deliberately not looking at me. 'And?'
'You should've heard his voice. You'd believe if you'd heard. My God, it was like Hamlet's father's ghost, from the bottom of the grave, crying out, remember me! But more than that, see me, know me, arrest me!'
Crumley lit his cigarette and peered at me through the smoke.
'His voice aged me ten years in a few seconds,' I said. 'I've never been so sure of my feelings in my life!'
'Everybody in the world has feelings.' Crumley examined his cigarette as if he couldn't decide whether he liked it or not. 'Everyone's grandma writes Wheaties jingles and hums them until you want to kick the barley-malt out of the old crone. Songwriters, poets, amateur detectives, every damn fool thinks he's all three. You know what you remind me of, son? That mob of idiots that swarmed after Alexander Pope waving their poems, novels, and essays, asking for advice, until Pope ran mad and wrote his 'Essay on Criticism.' ' 'You know Alexander Pope?'
Crumley gave an aggrieved sigh, tossed down his cigarette, stepped on it.
'You think all detectives are gumshoes with glue between their ears? Yeah, Pope, for Christ's sake. I read him under the sheets late nights so my folks wouldn't think I was queer. Now, get out of the way.'
'You mean all this is for nothing,' I cried. 'You're not going to try to save the old man?'
I blushed, hearing what I had said.
'I meant…'
'I know what you meant,' said Crumley, patiently.
He looked off along the street, as if he could see all the way to my apartment and the desk and the typewriter standing there.
'You've latched on to a good thing, or you think you have. So you run fevers.
You want to get on that big red streetcar and ride back some night and catch that drunk and haul him in, but if you do, he won't be there, or if he is, not the same guy, or you won't know him. So right now, you've got bloody fingernails from beating your typewriter, and the stuffs coming good, as Hemingway says, and your intuition is growing long antennae that are ever so sensitive.
That, and pigs' knuckles, buys me no sauerkraut!'
He started off around the front of his car in a replay of yesterday's disaster.
'Oh, no you don't!' I yelled. 'Not again. You know what you are? Jealous!'
Crumley's head almost came off his shoulders. He whirled.
'I'm what?'
I almost saw his fingers reach for a gun that wasn't there.
'And, and, and…' I floundered. 'You, you're never going to make it!'
My insolence staggered him. His head swiveled to stare at me over the top of his car.
'Make what?' he said.
'Whatever it is you want to do, you…won't…do…it.'
I jolted to a full stop, astounded. I couldn't remember ever having yelled like this at anyone. In school, I had been the prize custard. Every time some teacher slammed her jaws, my crust fell. But now…
'Unless you learn,' I said, lamely, feeling my face fill up with hot color, 'to, ah, listen to your stomach and not your head.'
'Norman Rockwell's Philosophical Advice for Wayward Sleuths.' Crumley leaned against his car as if it were the only thing in the world that held him up. A laugh burst from his mouth, which he capped with his palm, and he said, muffled, 'Continue.'
'You don't want to hear.'
'Kid, I haven't had a laugh in days.'
My mouth gummed itself shut. I closed my eyes.
'Go on,' said Crumley, with a gentler tone.
'It's just,' I said, slowly, 'I learned years ago that the harder I thought, the worse my work got. Everyone thinks you have to go around thinking all the time. No, I go around feeling and put it down and feel again and write that down and, at the end of the day, think about it. Thinking comes later.'
There was a curious light in Crumley's face. He tilted his head now this way to look at me, and then tilted it the other way, like a monkey in the zoo staring out through the bars and wondering what the hell that beast is there outside.
Then, without a word, or another laugh or smile, he simply slid into the front seat of his car, calmly turned on the ignition, softly pressed the gas, and slowly, slowly drove away.
About twenty yards down the line, he braked the car, thought for a moment, backed up, and leaned over to look at me and yelled: 'Jesus H. Christ! Proof! God damn it. Proof.'
Which made me yank my right hand out of my jacket pocket so fast it almost tore the cloth.
I held my fist out at last and opened my trembling fingers.
'There!' I said. 'You know what that is? No. Do I know what it is? Yes. Do I know who the old man is? Yes. Do you know his name? No!'
Crumley put his head down on his crossed arms on the steering wheel. He sighed. 'Okay, let's have it.'
'These,' I said, staring at the junk in my palm, 'are little A's and small B's and tiny C's. Alphabets, letters, punched out of trolley paper transfers. Because you drive a car, you haven't seen any of this stuff for years. Because all I do, since I got off my roller-skates, is walk or take trains, I'm up to my armpits in these punchouts!'
Crumley lifted his head, slowly, not wanting to seem curious or eager.
I said, 'This one old man, down at the trolley station, was always cramming his pockets with these. He'd throw this confetti on folks on New Year's Eve, or sometimes in July and yell Happy Fourth! When I saw you turn that poor old guy's pockets inside out I knew it had to be him. Now what do you say?'
There was a long silence.
'Shit.' Crumley seemed to be praying to himself, his eyes shut, as mine had been only a minute ago. 'God help me. Get in.'
'What?'
'Get in, God damn it. You're going to prove what you just said. You think I'm an idiot?'
'Yes. I mean, no.' I yanked the door open, struggling with my left fist in my left pocket. 'I got this other stuff, seaweed, left by my door last night and…'
'Shut up and handle the map.'
The car leaped forward.
I jumped in just in time to enjoy whiplash.
Elmo Crumley and I stepped into the tobacco smells of an eternally attic day.
Crumley stared at the empty space between the old men who leaned like dry wicker chairs against each other.
Crumley moved forward to hold out his hand and show them the dry-caked alphabet
