The letter was from New York with a check for thirty dollars in it for a story I had just sold to Bizarre Tales, about a man who feared the wind that had followed him around the world from the Himalayas and now shook his house late at night, hungry for his soul.
I ran back to the telephone and shouted, 'If I make it to the bank, tonight I will come!'
Fannie got the translation and sang three notes from the 'Bell Song' from Lakme before her translator hung up.
I ran for the bank.
Graveyard fog, I thought, don't get on the train ahead of me, headed for Fannie.
If the pier was a great Titanic on its way to meet an iceberg in the night, with people busy rearranging the deck chairs, and someone singing 'Nearer My God to Thee' as he rammed the plunger on the TNT detonator.
Then the tenement at the corner of Temple and Figueroa was still afloat down the middle of the barrio, with curtains, people, and underwear hanging out of most windows, laundry being churned to death in back-porch machines, and the smell of tacos and delicatessen corned beef in the halls.
All to itself it was a small Ellis Island, adrift with people from some sixteen countries. On Saturday nights there were enchilada festivals on the top floor and conga lines dancing through the halls, but most of the week the doors were shut and people turned in early because they all worked, downtown in the dress lofts or the dime stores or in what was left of the defense industry in the valley or in Olvera Street selling junk jewelry.
Nobody was in charge of the tenement. The landlady, Mrs. O'Brien, came to visit as rarely as possible; fearful of purse snatchers, terrified for her seventy-two-year-old virtue. If anyone was in charge of the tenement it was Fannie Florianna, who from her second-floor opera balcony could singsong orders so sweetly that even the boys in the poolhall across the street stopped preening like pigeons and roosters and came, cues in hand, to wave up and cry 'Ole!'
There were three Chinese on the first floor along with the usual Chicanos, and on the second floor one Japanese gentleman and six young men from Mexico City who owned one white ice cream suit, each got to wear it one night a week.
There were also some Portuguese men, a night watchman from Haiti, two salesmen from the Philippines, and more Chicanos. Mrs. Gutierrez, with the only phone in the tenement, was there, yes, on the third floor.
The second was mostly Fannie and her 380 pounds, along with two old maid sisters from Spain, a jewelry salesman from Egypt, and two ladies from Monterey who, it was rumored, sold their favors at no great price, to any lost and lustful pool player who happened to stumble upstairs, uncaring, late Friday nights. Every rat to his warren, as Fannie said.w I was glad to stand outside the tenement at dusk, glad to hear all the live radios playing from all the windows, glad to smell all the cooking smells and hear the laughter.
Glad to go in and meet all the people.
Some people's lives can be summed so swiftly it's no more than a door slammed or someone coughing out on a dark street late at night.
You glance from the window; the street's empty. Whoever coughed is gone.
There are some people who live to be thirty-five or forty, but because no one ever notices, their lives are candle-brief, invisible-small.
In and around the tenement were various such invisible or half-visible people who lived but did not exactly live in the tenement.
There was Sam and there was Jimmy and there was Pietro Massinello and there was the very special blind man, Henry, as dark as the halls he wandered through with his Negro pride.
All or most of them would vanish in a few days, and each in a different way.
Since their vanishing occurred with such regularity and variety, no one took notice. Even I almost missed the significance of their last farewells.
Sam.
Sam was a wetback wandered up from Mexico to wash dishes, beg quarters, buy cheap wine, and lie doggo for days, then up like the night-prowling dead to wash more dishes, cadge more quarters, and sink into vino, toted in a brown-bag valise. His Spanish was bad and his English worse because it was always filtered through muscatel. Nobody knew what he said, nobody cared.
He slept in the basement, out of harm's way.
So much for Sam.
Jimmy you couldn't understand either, not as a result of wine but because someone had stolen his bite. His teeth, delivered gratis by the city's health department, had vanished one night when he was careless enough to dime himself into a Main Street flophouse. The teeth had been stolen from a water glass by his pillow. When he woke his great white grin was gone forever.
Jimmy, gape-mouthed but convivial on gin, came back to the tenement, pointing at his pink gums and laughing. And what with the loss of his dentures and his immigrant Czech accent, he was, like Sam, unintelligible. He slept in empty tenement bathtubs at three in the morning, and did odd jobs around the place each day, laughing a lot at nothing in particular.
So much for Jimmy.
Pietro Massinello was a circus of one, allowed, like the others, to move his feast of dogs, cats, geese, and parakeets from the roof, where they lived in summer, to a basement lumber room in December, where they survived in a medley of barks, cackles, riots, and slumbers through the years. You could see him running along Los Angeles streets with his herd of adoring beasts in his wake, the dogs frisking, a bird on each shoulder, a duck pursuing, as he toted a portable windup phonograph which he set down at street corners to play Tales from the Vienna Woods and dance his dogs for whatever people threw him. He was a tiny man with bells on his hat, black mascara around his wide innocent mad eyes, and chimes sewn on his cuffs and lapels. He did not speak to people, he sang.
The sign outside his lean-to basement lumber room read MANGER, and love filled the place, the love of beautifully treated and petted and spoiled animals for their incredible master.
So much for Pietro Massinello.
Henry, the blind colored man, was even more special. Special because he not only spoke clean and clear, but walked without canes through our lives and survived when the others had gone, without trumpets, off in the night.
He was waiting for me when I came in the downstairs entrance to the tenement.
He was waiting for me in the dark, hid back against the wall, his face so black it was unseen.
It was his eyes, blind but white rimmed, which startled me.
I jumped and gasped.
'Henry. Is that you?'
'Scare you, did I?' Henry smiled, then remembered why he was there. 'I been waiting on you,' he said, lowering his voice, looking around as if he could actually see the shadows.
'Something wrong, Henry?'
'Yes. No. I don't know. Things is changing. The old place ain't the same.
People is nervous. Even me.'
I saw his right hand fumble down in the dark to touch and twitch a peppermint-striped cane. I had never seen him carry a cane before. My eye ran down to the tip, which was rounded with what looked to be a good weight of lead. It was not a blind man's guide. It was a weapon.
'Henry,' I whispered.
And we stood for a moment while I looked him over and saw what had always been there.
Blind Henry.
He had everything memorized. In his pride he had counted and could recall every pace in this block
