conscience. Thomas picked up the phone.
'Christ, Annika, what did you say to him?'
She sighed. She was getting a headache. 'Why were they having breakfast in the TV room?'
'They weren't,' Thomas said. Annika could tell he was struggling to keep calm. 'Kalle was allowed to bring his juice in, nothing else. Not smart, considering the consequences, but I'm going to bribe them with lunch at McDonald's and a new video. Don't imagine everything depends on you all the time. You just concentrate on your stories. How's it going?' He was making peace.
She swallowed. 'A really nasty death. Murder, suicide, or an accident, maybe. We don't know yet.'
'Yeah, I heard. You'll be late, I guess?'
'That's just the beginning of it.'
'I love you,' he said.
Unexpectedly, she felt tears welling up. 'I love you, too,' she whispered.
Her contact had worked through the night and gone home, so she had to rely on the normal police channels. Nothing further had happened during the morning; the body still hadn't been identified, the fire-fighting operation was done, and the forensic investigation was in progress. She decided to go back to the arena with a new photographer, a casual called Ulf Olsson.
'I've got the wrong clothes for this assignment,' Ulf said in the elevator down to the garage.
Annika looked at the man. 'How do you mean?' He was dressed in a dark gray woollen coat, ordinary shoes, and a suit.
'I'm dressed to take pictures of a first-night audience at the theater. You could've told me earlier we were going to a murder scene. You must've known for hours.'
The freelancer was looking at her imperiously. Her headache was worse. Now this.
'Don't fucking tell me what I should have done! You're a photographer. You photograph what we need pictures of. This is a bit more important than a first night. If you don't want to shoot mincemeat in your Armani suit, keep some overalls in your camera bag!' She kicked the door open to the garage. Fucking amateurs!
'I don't like the way you're talking to me,' the man whimpered behind her.
Furious, Annika turned on her heel. 'Grow up,' she hissed. 'Besides, there's nothing stopping you from finding out for yourself what's going on. Do you think I'm some fucking valet service for your wardrobe?'
Ulf swallowed hard, clenching his fists. 'I think you're being really unfair,' he sniveled.
'For God's sake,' Annika groaned, 'stop whining! Get in the car and drive to the stadium, or do you want me to drive?'
The photographer usually drove when a team went out on an assignment, even if it was in the newspaper's car. In many places, a newspaper's cars were in fact the photographers' company cars. But the fuss made over the expense of this perk meant that
So now Annika got the wheel and drove out onto the West Circular. Neither Annika nor Ulf said a word during the drive out to Hammarby Dock. Annika took the road past Hammarby industrial estate. She planned to get into the complex from the back, but it was no use. The entire Olympic Village had been cordoned off. Annika felt frustrated. Ulf Olsson was relieved. He wouldn't have to get his shoes dirty by sneaking about around the back of the stadium.
'We have to have a shot of the stand in daylight,' Annika said, making a U-turn at the plastic tape on Lumavagen. 'I know someone at a TV company that has its offices out here. If we're lucky, someone'll let us on the roof.'
She fished out her phone and called her friend Anne Snapphane, who produced talk shows for women on one of the cable channels.
'I'm editing. What do you want?' Anne hissed. 'Who is it?'
Five minutes later, they were on the roof of the old lamp factory in Hammarby South Dock. The view of the lacerated stadium was fantastic. Olsson used a telephoto lens and shot one roll. That was enough.
Not a word was spoken on the drive back.
'The press conference starts at two!' Patrik yelled when she walked back into the office. 'I've got the photos sorted.'
Annika waved a reply and went into her office. She hung up her things, threw the holdall on the desk, switched batteries in her phone, and put the old one in the charger.
Annika thought about her outburst against the photographer. Why did she react so strongly? Why did she feel bad about it? She hesitated for a moment, then punched the speed dial number to the editor.
'Of course I've got a minute for you, Annika,' he said.
She walked through the open-plan cubicles toward Anders Schyman's corner office. Activity on the floor was almost at zero. Ingvar Johansson was eating a salad with the phone pressed to his ear. The picture editor, Pelle Oscarsson, was absentmindedly flipping through pictures in Photoshop. One of the sub-editors was arranging the following day's pages on his computer.
As Annika closed the office door behind her, the opening chimes of the lunchtime
'The terrorist theory doesn't hold water,' Annika said. 'The police think it was an inside job.'
Anders Schyman whistled. 'Why?'
'No doors had been forced and all alarms had been disarmed. Either the victim disarmed them or the Bomber. Either would mean the perpetrator's on the inside.'
'Not necessarily- the alarms could have been broken,' Schyman said.
'They weren't,' Annika said. 'They were fully functional, but disarmed.'
'Someone could've forgotten to prime them,' the editor persisted. Annika gave it a moment's thought and nodded. That could be the case.
They sat down on the comfortable couches along the wall, half listening to the radio. Annika looked out over the Russian Embassy. The day was fading even before it had properly arrived; a gray haze made the windows look dirty. Someone, at long last, had put a few Christmas decorations up in the editor's office- some red poinsettias and two Christmas candelabra.
'I lost my rag with Ulf Olsson today,' Annika said in a low voice.
Schyman waited.
'He complained about having the wrong clothes for the Hammarby Dock assignment and blamed it on me, saying I should have warned him earlier that we would be going there.' She fell silent.
Anders Schyman watched her for a moment before replying. 'You don't decide which photographer goes on which assignment, the picture editor does. And reporters and photographers should be dressed to tackle any kind of assignment, at any time. That's part of the job.'
'I swore at him,' Annika said.
'That wasn't very clever,' the editor said. 'If I were you, I'd apologize. Throw him a bone. Give him some advice. And find out how we're handling the sabotage hypothesis. We mustn't fall in the terrorist trap if it's wrong.'
Schyman stood up, indicating that they were done. Annika was relieved, partly because she'd had support for her attitude to the Olympic coverage, partly because she got herself to tell her superior about the outburst. People got angry with each other every day at the paper, but she was a woman and new as an editor, so she had to be prepared to take some stick.
She picked up a large holdall with the company logo and took it to the photo room. Ulf Olsson was alone in the room, reading a magazine.
'I want to apologize for swearing at you,' Annika said. 'Here you are, it's a bag to fill with winter clothes. Put
