The Vault

'He needed a social worker to straighten him out,' said Diamond, too flippantly, but Somerset did not react.

'They even get the make-up wrong. He's said to be grotesque, yes, but not like the Boris Karloff version. Mary Shelley's creature has lustrous black hair that flows, and fine, white teeth. Instead of those dark pitted eye sockets you see in all the films, his were white. True, the lips are said to be black and the skin yellowy, but I'm sure the author wouldn't have recognised most of the screen versions you see.'

'You think she would have recognised the monster in the paintings?'

'I'm certain of it.'

'Blake and Frankenstein,' Diamond mused. 'It's a connection I hadn't made.'

Somerset took this as a literary observation. 'I was rather caught off-guard myself when Peg showed me the pictures. Think about it, though. The book was published in his lifetime. Writers, poets and people tended to know each other, didn't they, Shelley, Coleridge, all that crowd, or at least take an interest in what was being written? Peg told me that Blake knew Mary Shelley's mother, the Wollstonecraft woman. He illustrated some of her children's stories.'

'And he decided to illustrate Frankenstein?'

'It seems so, yes, unless these are brilliant fakes. We looked pretty closely at them. Took them apart, in fact. The paper is usually the giveaway. A clever forger can make a fair stab at an artist's style, but he can't fake the paint and the paper.'

'Was it old enough, the paper?'

'We were convinced of it. In this trade you acquire a sense of how old things are. It's more a matter of experience than science. I reckon that paper could be dated to somewhere between 1800 and 1825.'

'Is it usual, for an artist to illustrate a book?'

'In the case of Blake, yes. He was an engraver, so it was very much his line of work. Perhaps you're familiar with his series on Milton and Dante?'

Diamond didn't rise to that. 'You were saying you studied these pictures together and she decided she knew of a buyer.'

'She said she had a quick sale in mind, not to a dealer, but someone who would pay-to use one of her expressions-top dollar.'

'And she wouldn't tell you who it was.'

Somerset's lip quivered a little. 'She seemed to be relishing the prospect, talked about having her bit of fun. She said this was a rare beast, someone who had no choice except to buy.'

'Those were her actual words?'

'As near as I can recall.'

Diamond glanced at Leaman. 'Did you get them?'

The sergeant looked up from his notebook and nodded.

Diamond turned back to Somerset. 'Did any of this come up in yesterday's interview with John Wigfull?'

'It did.'

'And did you give him Mr Sturr's name?'

Somerset swung to Leaman, appealing for the sympathy he had failed to get from Diamond. 'Look here, I don't want this to get back to Councillor Sturr-that I put you onto him. He's a powerful man in Bath. He could make life very difficult for me.'

'That makes two of us,' said Diamond.

twenty-one

'How CLOSE TO STOW FORD?' Diamond asked over the intercom.

'Less than a mile across the fields, sir.'

'The field where he was found?'

'Yes.'

John Wigfull's car had been located in the Wiltshire village of Westwood.

On the drive out there, the big man treated Sergeant Leaman to his thoughts on the case. 'Two people struck on the head.'

After that, as if no more needed saying, he stared out at the thickly wooded slopes of the Limpley Stoke Valley.

Leaman didn't know Diamond well enough to pass a comment. As a statement it was not in the Sherlock Holmes class.

Eventually Diamond added, 'One of them dead.'

It was beginning to sound like verse. Leaman couldn't believe that the head of the murder squad was composing rhymes about a vicious assault on a colleague. He knew of the rivalry between his boss and Diamond, and he knew Diamond had a reputation for speaking out, but to hear the tragic events rendered into verse was too awful to contemplate. Something needed to be said.

'Are they connected, sir, Peg Redbird's death and the attack on Mr Wigfull?'

'Let's assume it,' said Diamond at once, and Leaman was willing to believe the rhyming had been coincidence. 'John Wigfull got too close to Peg Redbird's killer and provoked an attack. So who is it? Professor Dougan was his prime suspect and he has to be ours as well. But there are others in the frame. You saw what Somerset is like. He was devoted to Peg Redbird, and she was taunting him that night, talking of a secret meeting with someone else.'

'The picture collector?'

'Right. Somerset has no alibi. The question is whether he was made jealous enough to kill.'

'And then thrown into a panic when Mr Wigfull got onto him?'

Diamond gave a nod. 'Then there's Pennycook, the guy on the fiddle with the antiques. He could have got panicky, too. It's easy to assume he was in Brighton yesterday, but was he?'

'We can check,' said Leaman.

'We will. We've got to see him. And we have another dark horse, Councillor Sturr, who happens to collect early English watercolours.'

'Why would he take a swipe at Mr Wigfull?'

'That isn't the question,' said Diamond, making it sound as if taking a swipe at Wigfull was standard behaviour. 'The question is: why would John Sturr have killed Peg Redbird? And how could he have killed her, considering he was at the ACC's party that night and spent the rest of it with Ingeborg Smith?'

'That's what I call a good alibi.'

'But if he did kill her, and CID in the shape of John Wigfull got on his tail, then it's no surprise he went for him with a blunt instrument.'

'In a field out in the country?'

'That's a mystery we face with each of them. How does an American Professor find his way to a remote spot like Stowford? What's Ellis Somerset doing in a cornfield when he said he was at home with a good book? How does a junkie like Pennycook happen to be there? Let's see if we can find a clue.'

Wigfull's car, now festooned in crime scene tape, stood among twenty or thirty others in the shadow of a tall stone wall that marked the boundary of Westwood Manor, a National Trust property. The iron gate to the church was on the same side of the lane.

'Plenty of cars,' Leaman commented.

'Visiting the Manor House,' Diamond aired his knowledge, having just caught sight of the board that welcomed people inside. 'They open Sundays. I'm more interested to know if there were cars here yesterday.'

The constable from the Wiltshire Police guarding Wigfull's car had the answer. 'Scarcely anyone was about, sir. The house wasn't open.'

Diamond thanked him and asked if he was just as well informed about the interior of the car.

'Personally, I haven't looked inside, sir, but I understand nothing of any use was found.'

'I'll decide that for myself. What was in there?'