great assortment. She would look through them all, searching for stories about remarkable children.
The first night she brought out a story about a three-year-old boy who knew the capitals of all the states and even most of the European countries. A teacher was quoted as saying the little boy could also pronounce the names of the foreign cities correctly.
'What's the capital of Finland?' my mother asked me, looking at the magazine story.
All I knew was the capital of California, because Sacramento was the name of the street we lived on in Chinatown. ' Nairobi!' I guessed, saying the most foreign word I could think of. She checked to see if that was possibly one way to pronounce ' Helsinki ' before showing me the answer.
The tests got harder-multiplying numbers in my head, finding the queen of hearts in a deck of cards, trying to stand on my head without using my hands, predicting the daily temperatures in Los Angeles, New York, and London.
One night I had to look at a page from the Bible for three minutes and then report everything I could remember. 'Now Jehoshaphat had riches and honor in abundance and…that's all I remember, Ma,' I said.
And after seeing my mother's disappointed face once again, something inside of me began to die. I hated the tests, the raised hopes and failed expectations. Before going to bed that night, I looked in the mirror above the bathroom sink and when I saw only my face staring back-and that it would always be this ordinary face-I began to cry. Such a sad, ugly girl! I made highpitched noises like a crazed animal, trying to scratch out the face in the mirror.
And then I saw what seemed to be the prodigy side of me-because I had never seen that face before. I looked at my reflection, blinking so I could see more clearly. The girl staring back at me was angry, powerful. This girl and I were the same. I had new thoughts, willful thoughts, or rather thoughts filled with lots of won'ts. I won't let her change me, I promised myself. I won't be what I'm not.
So now on nights when my mother presented her tests, I performed listlessly, my head propped on one arm. I pretended to be bored. And I was. I got so bored I started counting the bellows of the foghorns out on the bay while my mother drilled me in other areas. The sound was comforting and reminded me of the cow jumping over the moon. And the next day, I played a game with myself, seeing if my mother would give up on me before eight bellows. After a while I usually counted only one, maybe two bellows at most. At last she was beginning to give up hope.
Two or three months had gone by without any mention of my being a prodigy again. And then one day my mother was watching
She seemed entranced by the music, a little frenzied piano piece with this mesmerizing quality, sort of quick passages and then teasing lilting ones before it returned to the quick playful parts.
'
I could see why my mother was fascinated by the music. It was being pounded out by a little Chinese girl, about nine years old, with a Peter Pan haircut. The girl had the sauciness of a Shirley Temple. She was proudly modest like a proper Chinese child. And she also did this fancy sweep of a curtsy, so that the fluffy skirt of her white dress cascaded slowly to the floor like the petals of a large carnation.
In spite of these warning signs, I wasn't worried. Our family had no piano and we couldn't afford to buy one, let alone reams of sheet music and piano lessons. So I could be generous in my comments when my mother bad-mouthed the little girl on TV.
'Play note right, but doesn't sound good! No singing sound,' complained my mother.
'What are you picking on her for?' I said carelessly. 'She's pretty good. Maybe she's not the best, but she's trying hard.' I knew almost immediately I would be sorry I said that.
'Just like you,' she said. 'Not the best. Because you not trying.' She gave a little huff as she let go of the sound dial and sat down on the sofa.
The little Chinese girl sat down also to play an encore of 'Anitra's Dance' by Grieg. I remember the song, because later on I had to learn how to play it.
Three days after watching
When my mother told me this, I felt as though I had been sent to hell. I whined and then kicked my foot a little when I couldn't stand it anymore.
'Why don't you like me the way I am? I'm
My mother slapped me. 'Who ask you be genius?' she shouted. 'Only ask you be your best. For you sake. You think I want you be genius? Hnnh! What for! Who ask you!'
'So ungrateful,' I heard her mutter in Chinese. 'If she had as much talent as she has temper, she would be famous now.'
Mr. Chong, whom I secretly nicknamed Old Chong, was very strange, always tapping his fingers to the silent music of an invisible orchestra. He looked ancient in my eyes. He had lost most of the hair on top of his head and he wore thick glasses and had eyes that always looked tired and sleepy. But he must have been younger than I thought, since he lived with his mother and was not yet married.
I met Old Lady Chong once and that was enough. She had this peculiar smell like a baby that had done something in its pants. And her fingers felt like a dead person's, like an old peach I once found in the back of the refrigerator; the skin just slid off the meat when I picked it up.
I soon found out why Old Chong had retired from teaching piano. He was deaf. 'Like Beethoven!' he shouted to me. 'We're both listening only in our head!' And he would start to conduct his frantic silent sonatas.
Our lessons went like this. He would open the book and point to different things, explaining their purpose: 'Key! Treble! Bass! No sharps or flats! So this is C major! Listen now and play after me!'
And then he would play the C scale a few times, a simple chord, and then, as if inspired by an old, unreachable itch, he gradually added more notes and running trills and a pounding bass until the music was really something quite grand.
I would play after him, the simple scale, the simple chord, and then I just played some nonsense that sounded like a cat running up and down on top of garbage cans. Old Chong smiled and applauded and then said, 'Very good! But now you must learn to keep time!'
So that's how I discovered that Old Chong's eyes were too slow to keep up with the wrong notes I was playing. He went through the motions in half-time. To help me keep rhythm, he stood behind me, pushing down on my right shoulder for every beat. He balanced pennies on top of my wrists so I would keep them still as I slowly played scales and arpeggios. He had me curve my hand around an apple and keep that shape when playing chords. He marched stiffly to show me how to make each finger dance up and down, staccato like an obedient little soldier.
He taught me all these things, and that was how I also learned I could be lazy and get away with mistakes, lots of mistakes. If I hit the wrong notes because I hadn't practiced enough, I never corrected myself. I just kept playing in rhythm. And Old Chong kept conducting his own private reverie.
So maybe I never really gave myself a fair chance. I did pick up the basics pretty