The seven drawers were locked, but the poker from the hearth made a stout crowbar that easily shattered the first lock. It splintered noisily and Sharpe froze, waiting for evidence that the sound had woken someone. He heard nothing, so levered the other drawers open and brought the candles closer.

Six of the drawers held nothing but papers, but in the seventh he found his folding knife and the pistol which Skovgaard had used to threaten him. The gun was one of a pair and they were beautifully balanced weapons with long barrels chased with silver. He thought at first they were dueling pistols, but when he probed one barrel he found it was rifled. This was no aristocratic toy, but a killing machine; expensive and deadly. He opened a frizzen and saw the gun was primed. He drew out the ramrod and slid it down both barrels to check the pistols were loaded, then looked in the drawer for more ammunition, which he found in a tooled leather box that held a silver powder flask and a dozen spare bullets. The spout of the powder flask had a measuring chamber to ensure that the pistols were charged with exactly the right amount of powder. He put the flask and bullets into a pocket, then thrust the two pistols into his belt. “Thank you, Skovgaard,” he said under his breath.

He pulled on the coat and hat. There was little left in the pack that he needed so he just put the twenty-two guineas, the sewing kit and his telescope into his coat pockets and left the pack where it was. A sudden noise made him turn in alarm, but it was only the clock on the mantel whirring itself ready to strike midnight.

He blew out the candles and went back into the garden. He closed the shutters and glass doors then crossed a terrace of flagstones and went down a grassy slope. There were a dozen other houses in view, but all were a good distance away and all of them dark. A brick wall eclosed Skovgaard’s garden, but there was a gate next to the stables which he guessed led to an alley. He turned and looked back to see a single light gleaming soft behind louvred shutters. For some reason he decided that must be Astrid’s room and he had a sudden vision of her high pale forehead, golden hair and bright eyes. He felt guilty then, thinking of Grace.

Go, he told himself. Go west into the country, steal some boots and wait for the British forces to come. He did not want to do that, for it would mean slinking back to Sir David Baird with his tail between his legs, but what choice was there? Then he heard the small scuffling sound.

A cat? He crouched. Not a cat, for he could hear footsteps. Someone was prowling about the house and trying to make as little noise as possible. A servant, perhaps, checking that the house was secure? Some servants plainly lived in the carriage house by the stables and maybe, as a final duty, one of them patroled Skovgaard’s house. Yet the steps sounded like more than one man, none of them carried a lantern and they were moving with a deliberate stealth. Sharpe moved to the dark shadow of a bush and waited. The quarter moon was misted and half hidden behind some tall pines, yet it cast just enough light for Sharpe to see six dark shapes appear at the side of the house. They came slowly, edging past the rain butt where one of them inadvertently kicked the butt’s wooden lid which Sharpe had left on the path and all six went very still. They waited for what seemed a long time, then one of them tried the back door, found it locked and moved on to the study’s tall windows. There they discovered the unlocked glass door and the unbarred shutters. They paused, suspecting a trap, but then, after a whispered consultation, they all went inside. Sharpe had seen no faces, but the size of one man had suggested Barker and the height of another might have been Lavisser. Yet why would Lavisser come like a thief in the night? He had an invitation. He could wait till morning. Sharpe could make no sense of it, so he just stayed where he was. He heard the muffled squeal of the study door opening. The men would discover his escape soon enough and then they would presumably leave. He doubted they would search the garden, but would probably look for him on the nearby roads so he reckoned he was safe in his hiding place. It would not be a long wait, he told himself, then he saw a glimmer of light in an upstairs window. It flickered briefly, then faded as though someone was carrying a candle down a passage.

Go now, he thought, while they were upstairs, but then he heard the scream. It was brief, a woman’s voice, cut off as soon as it sounded. More lights showed in the upstairs windows. A man shouted peremptorily and Sharpe just listened in astonishment. They had not come for him, but for Skovgaard! Then it could not be Lavisser, but who? The Danes themselves? But why come in the night? And men who came in the night implied harm, which meant Skovgaard would need help, and Sharpe needed Skovgaard if he was not to fail utterly and so he abandoned his resolve to flee westward and instead moved toward the house, throwing off his greatcoat because it hampered him. He paused briefly at the study window, but could hear nothing beyond the shutters and so he stepped through. The room was dark, but a faint light showed at the door to the hall.

He crossed the room, wincing whenever a board squeaked beneath the rugs. The hall was empty and the light was coming from the upper landing where he could hear voices raised in anger. They spoke Danish and he had no idea what was being said. He crossed the hall to the parlor where Astrid had been playing the harpsichord. It was pitch black inside, but he flattened himself beside the door and listened.

It sounded as though the whole household, including the servants, was being herded down the stairs. Then someone kicked the parlor door wide open to let in a wash of yellow lamplight, but blessedly no one came inside and Sharpe had time to move behind a screen printed with windmills and ducks. He accidentally kicked a flower- painted chamber pot, but no one heard because of the racket outside. He waited again.

Then he heard Lavisser’s voice. He was sure it was Lavisser, but he was not speaking Danish or English. French? Sharpe was almost certain it was French. He was giving orders and a moment later a lamp was brought into the parlor and Sharpe heard footsteps. There was a mirror between the shuttered windows and in its reflection he could see two maidservants, both in nightgowns and caps, being pushed into the room. The elderly manservant followed, then Astrid entered and, behind her, a man with a pistol. Lavisser spoke to him in French.

“You want me in there, sir?” a voice asked in English. It was Barker.

“No. Get Sharpe,” Lavisser answered and then, still using English, he spoke to Astrid. “You will not be hurt, I promise.”

“But my father!” Astrid sounded distraught, and no wonder. She was in a long nightdress and her blond hair fell loose on her shoulders. “I want to be with my father!”

“Your father has become rich by fighting France,” a voice replied. It was not Lavisser who spoke, but a woman. Another mystery on a night gone askew. “And your father should have known the consequences of such foolishness,” the woman finished. She had an accent. French?

The door closed. Astrid sat on the harpsichord bench, weeping, as the Frenchman waved the three terrified servants toward the sofa. Sharpe should have been visible to him in the mirror, but the rifleman was in deep shadow and the Frenchman suspected nothing. He did not even look behind the screen, but just leaned against the closed door with his pistol held low. He yawned. What did he have to fear? Three women and an elderly man?

Sharpe pulled one pistol from his belt. So Lavisser worked with the French? The idea was repugnant, but it made sense. The enemy must have their agents in London and how better to snare fools than to find them playing cards at Almack’s and the other rich gaming clubs? And they had snared a choice one in Lavisser, but if Lavisser was now planning on killing Skovgaard then Sharpe did not have much time. He wrapped the pistol in the hem of his jacket to muffle the distinctive sound of the flint being cocked. He had been out of his depth ever since he had arrived in Denmark, enduring insult, religion and imprisonment, but now he knew what he was doing. He was back where he belonged and he was smiling as he stepped out from behind the screen.

He held the pistol at arm’s length and it took the Frenchman at least two seconds to register his presence and by then the gun was just three feet from his head. Sharpe motioned with his left hand. “Put the gun down, Monsewer.” He spoke softly.

The man looked as if he was about to shout.

“Please,” Sharpe said. “Make a noise so I can kill you, please.” He was still smiling.

The Frenchman shook slightly. There was something about the eyes of the green-jacketed man that told him death was hovering very close in this comfortable parlor and so, sensibly and very slowly, he laid his own pistol on the floor. Astrid and the servants were staring wide-eyed. Sharpe kicked the Frenchman’s nistol across the nolished floorboards. “Down,” he told the man, indicating what he meant with his left hand.

The man lay on his belly, anxiously twisting his head to see what Sharpe was doing. “I wouldn’t watch, miss,” Sharpe said to Astrid, then put a finger to his mouth to show that she should be silent.

He had a problem now. The Frenchman had seen Sharpe put the finger to his lips and must have realized that noise was his best friend, which meant Sharpe was unwilling to shoot him because the sound of the pistol would bring the other intruders into the parlor. The man took a deep breath and Sharpe, desperate, kicked him brutally hard in the throat. He hurt his foot, for he had no boots, but he hurt the Frenchman even more. Astrid

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