name from a black past, a name that festered in Sharpe’s memory as he walked down the center of the street so that no one emptied a slop bucket over his head. It was a summer evening, the cloud-hidden sun was still above the horizon, but it seemed like winter twilight here. The houses were black, their old bricks patched with crude timbers. Some had fallen down and were nothing but heaps of rubble. Cesspits stank. Dogs barked everywhere. In India the British officers had shuddered at the stench of the streets, but none had ever walked here. Even the worst street in India, Sharpe thought, was better than this fetid place where the people had pinched faces, sunk with hunger, but their eyes were bright enough, especially when they saw the pack in Sharpe’s left hand. They saw a heavy pack, a saber, and assessed the value of the greatcoat draped like a cloak over his broad shoulders. There was more wealth on Sharpe than these folk saw in a half-dozen years, though Sharpe reckoned himself poor. He had been rich once. He had taken the jewels of the Tippoo Sultan, stripping them from the dying king’s body in the shit-stinking tunnel of the water gate of Seringapatam, but those jewels were gone. Bloody lawyers. Bloody, bloody lawyers.
But if the folk saw the wealth on Sharpe they also saw that he was very tall and very strong and that his face was scarred and hard and bitter and forbidding. A man would have to be desperately hungry to risk his life in an attempt to steal Sharpe’s coat or pack and so, like wolves that scented blood but feared losing their own, the men watched him pass and, though some followed him as he turned up Wapping Lane, they did not pursue him into Brewhouse Lane. The poorhouse and the foundling home were there and no one went close to those grim high walls unless they were forced.
Sharpe stood in the doorway of the old brewery, long closed down, and stared across the street at the workhouse walls. On the right was the poorhouse that mostly held folk too old to work, or else they were sick or had been abandoned by their children. Landlords turned them onto the street and the parish beadle brought them here, to Jem Hocking’s kingdom, where the men were put in one ward and the women in the other. They died here, husbands forbidden to speak with their wives, and all half starved until their corpses were carried in a knacker’s cart to a pauper’s grave. That was the poorhouse, and it was divided from the foundling home by a narrow, three-story brick house with white-painted shutters and an elegant wrought-iron lantern suspended above its well-scrubbed front steps. The Master’s house. Jem Hocking’s small palace which overlooked the foundling home which, like the poorhouse, had its own gate: a black slab of heavy timber smeared with tar and surmounted with rusted iron spikes four inches long. A prison, really, for orphans. The magistrates sent pregnant girls here, girls too poor to have a home or too sick to sell their swollen bodies on the streets. Their bastards were born here and the girls, as often as not, died of the fever. Those that survived went back to the streets, leaving their children in the tender care of Jem Hocking and his wife.
It had been Sharpe’s home once. And now it was Friday.
He crossed the street and hammered on the small wicket door set into the foundling home’s larger gate. Grace had wanted to come here. She had listened to Sharpe’s stories and believed she could change things, but there had never been time. So Sharpe would change things now. He lifted his hand to hammer again just as the wicket door opened to reveal a pale and anxious young man who flinched away from Sharpe’s fist. “Who are you?” Sharpe demanded as he stepped through the small opening.
“Sir?” The young man had been expecting to ask that same question.
“Who are you?” Sharpe asked. “Come on, man, don’t bloody dither! And where’s the Master?”
“The Master’s in his house, but… ” The young man abandoned whatever he had been trying to say and instead attempted to stand in front of Sharpe. “You can’t go in there, mister!”
“Why not?” Sharpe had crossed the small yard and now pushed open the door to the hall. When he had been a child he had thought it a vast room, big as a cathedral, but now it looked squalid and small. Scarce bigger than a company’s barrack room, he realized. It was supper ana some thirty or more children were sitting on the floor among the oakum and the tar-encrusted fenders that was their daily work. They scooped spoons in wooden bowls while another thirty children queued beside a table that held a cauldron of soup and a bread board. A woman, her red arms massive, stood behind the table while a young man, equipped with a riding crop, lolled on the hall’s low dais above which a biblical text arched across the brown-painted wall. Be sure your sin will find you out.
Sixty pairs of eyes stared at Sharpe in astonishment. None of the children spoke for fear of the riding crop or a blow from the woman’s burly arm. Sharpe did not speak either. He was staring at the room, smelling the tar and fighting against the overwhelming memories. It had been twenty years since he had last been under this roof. Twenty years. It smelt the same, though. It smelt of tar and fear and rotten food. He stepped to the table and sniffed the soup.
“Leek and barley gruel, sir.” The woman, seeing the silver buttons and the black braid and the saber, dropped a clumsy curtsey.
“Looks like lukewarm water to me,” Sharpe said.
“Leek and barley, sir.”
Sharpe picked up a random piece of bread. Hard as brick. Hard as ship’s biscuit.
“Sir?” The woman held out her hand. She was nervous. “The bread is counted, sir, counted.”
Sharpe tossed it down. He was tempted to some extravagant gesture, but what would it do? Upsetting the cauldron merely meant the children would go hungry, while dropping the bread into the soup would achieve nothing. Grace would have known what to do. Her voice would have cracked like a whip and the workhouse servants would have been scurrying to fetch food, clothes and soap. But those things cost money and Sharpe only had a pocketful of copper.
“And what have we here?” a strong voice boomed from the hall door. “What has the east wind blown in today?” The children whimpered and went very still while the woman dropped another curtsey. Sharpe turned. “And who are you?” the man demanded. “Colonel of the regiment, are you?”
It was Jem Hocking. Come like the devil to the heart of hell.
He was no devil to look at. See Jem Hocking in the street and a man might take him for a prosperous farmer up from the Vale of Kent. The years had whitened his hair and stretched his checkered waistcoat taut across a bulging belly, but he was still a bull of a man with wide shoulders, stout legs and a face as flat as a shovel. Thick jowls hung beneath bushy white side whiskers, a golden watch chain held a dozen seals, his tall boots were tasseled, his dark-blue coat was edged with velvet cuffs and he carried a varnished black staff with a silver knob. He was the Master and for a moment Sharpe could not speak. He was overwhelmed by hatred, by the memories of this man’s cruelty, even by fear. Twenty years and a battlefield commission had not taken away that fear. He wanted to imitate the children; he wanted to freeze, pretend not to exist, not even breathe in case he was noticed.
“Does I know you?” Hocking demanded. The big man was frowning, trying to discern something familiar in Sharpe’s scarred face, but the memory would not come. He shook his head in puzzlement. “So who are you?”
“My name is Dunnett,” Sharpe said, using the name of an officer in the greenjackets who held a particular dislike of Sharpe. “Major Warren Dunnett,” he said, promoting Dunnett from captain.
“A major, eh? And what kind of uniform is that, Major? Red coats I know, and blue I’ve seen, but bless me, I ain’t seen green and black.” He stepped toward Sharpe, pushing the children’s skinny legs out of the way with his beadle’s staff. “Is it a new-fangled uniform, eh? Some kind of coat that gives a man the right to trespass on parish property?”
“I was looking for the Master,” Sharpe said. “I was told he was a man of business.”
“Business.” Hocking spat the word. “And what business do you have, Major, other than the killing of the King’s enemies?”
“You want me to talk about it here?” Sharpe asked. He took one of the pennies from his coat pocket and spun it toward the ceiling. It glittered as it flew, watched by hungry, astonished children, then fell into Sharpe’s hand and vanished.
The sight of the money, even a humble penny, was all the reassurance Hocking needed. The rest of his questions could wait. “I has business outside the poorhouse tonight,” he announced, “it being a Friday. You’ll take an ale with me, Major?”
“That would be a pleasure, Master,” Sharpe lied.
Or perhaps it was not a lie, for Sharpe was angry and revenge was a pleasure. And this revenge had been simmering in his dreams for twenty years. He glanced a last time at the text on the wall and wondered if Jem Hocking had ever considered the truth of it.
