mouths that had bewildered the twins. They thought it was pure devilment and shouted even more. For a time the twins stayed to watch the spectacle of the villagers' anger, then they turned their backs and walked off.
When their husbands came home from the fields, the women would complain, say something had to be done, and the men would say, 'You're forgetting they're the children of the big house.' And the women said in return, 'Big house or no, children didn't ought to be allowed to run riot the way them two girls do. It's not right. Something's got to be done.' And the men would sit quiet over their plates of potato and meat and shake their heads and nothing would be done.
Until the incident of the perambulator.
There was a woman in the village called Mary Jameson. She was the wife of Fred Jameson, one of the farm laborers, and she lived with her husband and his parents in one of the cottages. The couple were newlyweds, and before her marriage the woman had been called Mary Leigh, which explains the name the twins invented for her in their own language: They called her Merrily, and it was a good name for her. Sometimes she would go and meet her husband from the fields and they would sit in the shelter of a hedge at the end of the day, while he had a cigarette. He was a tall brown man with big feet and he used to put his arm around her waist and tickle her and blow down the front of her dress to make her laugh. She tried not to laugh, to tease him, but she wanted to laugh really, and eventually she always did.
She'd have been a plain woman if it wasn't for that laugh of hers. Her hair was a dirty color that was too dark to be blond, her chin was big and her eyes were small. But she had that laugh, and the sound of it was so beautiful that when you heard it, it was as if your eyes saw her through your ears and she was transformed. Her eyes disappeared altogether above her fat moon cheeks, and suddenly, in their absence, you noticed her mouth. Plump cherry-colored lips and even white teeth- no one else in Angelfield had teeth to match hers-and a little pink tongue that was like a kitten's. And the sound. That beautiful, rippling, unstoppable music that came gurgling out of her throat like spring-water from an underground stream. It was the sound of joy. He married her for it. And when she laughed his voice went soft, and he put his lips against her neck and said her name, Mary, over and over again. And the vibration of his voice on her skin tickled her and made her laugh, and laugh, and laugh.
Anyway, during the winter, while the twins kept to the gardens and the park, Merrily had a baby. The first warm days of spring found her in the garden, hanging out little clothes on a line. Behind her was a black perambulator. Heaven knows where it had come from; it wasn't the usual kind of thing for a village girl to have; no doubt it was some second- or thirdhand thing, bought cheap by the family (though no doubt seeming very dear) in order to mark the importance of this first child and grandchild. In any case, as Merrily bent for another little vest, another little chemise, and pegged them on the line, she was singing, like one of the birds that were singing, too, and her song seemed destined for the beautiful black perambulator. Its wheels were silver and very high, so although the carriage was large and black and rounded, the impression was of speed and weightlessness.
The garden gave onto fields at the back; a hedge divided the two spaces. Merrily did not know that from behind the hedge two pairs of green eyes were fixed on the perambulator.
Babies make a lot of washing, and Merrily was a hardworking and devoted mother. Every day she was out in the garden, putting the washing out and taking it in. From the kitchen window, as she washed napkins and vests in the sink, she kept an eye on the fine perambulator outdoors in the sun. Every five minutes it seemed she was nipping outdoors to adjust the hood, tuck in an extra blanket or simply sing.
Merrily was not the only one who was devoted to the perambulator. Emmeline and Adeline were besotted.
Merrily emerged one day from under the back porch with a basket of washing under one arm, and the perambulator wasn't there. She halted abruptly. Her mouth opened and her hands came up to her cheeks; the basket tumbled into the flower bed, tipping collars and socks onto the wallflowers. Merrily never looked once toward the fence and the brambles. She turned her head left and right as if she couldn't believe her eyes, left and right, left and right, left and right, all the time with the panic building up inside her, and in the end she let out a shriek, a high-pitched noise that rose into the blue sky as if it could rend it in two.
Mr. Griffin looked up from his vegetable plot and came to the fence, three doors down. Next door old Granny Stokes frowned at the kitchen sink and came out onto her porch. Astounded, they looked at Merrily, wondering whether their laughing neighbor was really capable of making such a sound, and she looked wildly back at them, dumbstruck, as though her cry had used up a lifetime's supply of words.
Eventually she said it. 'My baby's gone.'
And once the words were out they sprang into action. Mr. Griffin jumped over three fences in a flash, took Merrily by the arm and led her around to the front of her house, saying, 'Gone? Where's he gone?' Granny Stokes disappeared from her back porch and a second later her voice floated in the air from the front garden, calling out for help.
And then a growing hubbub: 'What is it? What's happened?'
'Taken! From the garden! In the perambulator!'
'You two go that way, and you others go that way.'
'Run and fetch her husband, somebody.'
All the noise, all the commotion at the front of the house.
At the back everything was quiet. Merrily's washing bobbed about in the lazy sunshine, Mr. Griffin's spade rested tranquilly in the well-turned soil, Emmeline caressed the silver spokes in blind, quiet ecstasy and Adeline kicked her out of the way so that they could get the thing moving.
They had a name for it. It was the voom.
They dragged the perambulator along the backs of the houses. It was harder than they had thought. For a start the pram was heavier than it appeared, and also they were pulling it along very uneven ground. The edge of the field was slightly banked, which tilted the pram at an angle. They could have put all four wheels on the level, but the newly turned earth was softer there, and the wheels sank into the clods of soil. Thistles and brambles snagged in the spokes and slowed them down, and it was a miracle that they kept going after the first twenty yards. But they were in their element. They pushed with all their might to get that pram home, gave it all their strength, and hardly seemed to feel the effort at all. They made their fingers bleed tearing the thistles away from the wheels, but on they went, Emmeline still crooning her love song to it, giving it a surreptitious stroke with her fingers from time to time, kissing it.
At last they came to the end of the fields and the house was in sight. But instead of making directly for it they turned toward the slopes of the deer park. They wanted to play. When they had pushed the pram to the top of the longest slope with their indefatigable energy, they set it in position. They lifted out the baby and put it on the ground, and Adeline heaved herself into the carriage. Chin on knees, holding on to the sides, she was white-faced. At a signal from her eyes, Emmeline gave the pram the most powerful push she could manage.
At first the pram went slowly. The ground was rough, and the slope, up here, was slight. But then the pram picked up speed. The black carriage flashed in the late sun as the wheels turned. Faster and faster, until the spokes became a blur and then not even a blur. The incline became steeper, and the bumps in the ground caused the pram to shake from side to side and threaten to take off.
A noise filled the air.
'Aaaaaaaaaaaaaaaaaaaaa! '
Adeline, shrieking with pleasure as the pram hurtled downhill, shaking her bones and rattling her senses.
Suddenly it was clear what was going to happen.
One of the wheels struck against a piece of rock sticking out from the soil. There was a spark as metal screeched against stone, and the pram suddenly was speeding not downhill but through the air, flying into the sun, wheels upward. It traced a serene curve against the blue of the sky, until the moment when the ground heaved up violently to snatch it, and there came the sickening sound of something breaking. After the echo of Adeline's exhilaration reverberating in the sky, everything was suddenly very quiet.
Emmeline ran down the hill. The wheel facing the sky was buckled and half wrenched off; the other was still turning, slowly, all its urgency lost.
A white arm extended from the crushed cavity of the black carriage and rested at a strange angle on the stony ground. On the hand were purple bramble stains and thistle scratches.
Emmeline knelt. Inside the crushed cavity of the carriage, all was dark.
But there was movement. A pair of green eyes staring back.
'Voom!' she said, and she smiled.
