'I think they've finally decided to fire me!'

And where would I be if that happened?

Andy Kagle, as head of our Sales Department, has a very powerful position with the company and is now afraid of losing it.

He may be right. His name is all wrong. (Half wrong. Andrew is all right, but Kagle?) So are his clothes. He shows poor judgment in colors and styles, as well as in fabrics, and his suits and coats and shirts do not fit him well enough. He moves to madras and paisley months after others have gone to linen or hopsack or returned to worsted and seersucker. He wears terrible brown shoes with fleur-de-lis perforations. He wears anklets (and I want to scream or kick him when I see his shin). Kagle is a stocky man of less than middle height and was born with a malformation of the hip and leg (which also doesn't help his image much); he walks with a slight limp.

Kagle has ability and experience, but they don't count anymore. What does count is that he has no tone. His manners are not good. He lacks wit (his wisecracks are bad, and so are the jokes he tells) and did not go to college, and he does not mix smoothly enough with people who did go to college. He knows he is awkward. He is not a hearty extrovert; he is a nervous extrovert, the worst kind (especially to other nervous extroverts), and so he may be doomed.

Kagle is one of those poor fellows who started at the bottom and worked his way up, and it shows. He is a self-made man and unable to hide it. He knows he doesn't fit, but he doesn't know when he doesn't or why, or how to alter himself so that he will fit in as well as he should. Gauche is what he is, and gauche is what he knows he is (although he is so gauche he doesn't even know what the word gauche means, but Green does, and so do I). He has a good record as head of sales, but that hardly matters. (Nothing damages us much anymore.) He thinks it counts. He really thinks that what he does is more important than what he is, but I know he's wrong and that the beautiful Countess Consuelo Crespi (if there is such a thing) will always matter more than Albert Einstein, Madame Curie, Thomas Alva Edison, Andy Kagle, and me.

Kagle is a church-going Lutheran with a strong anti-Catholic bias that he confides to me in smirking, bitter undertones when we are alone. He begins small meetings at which Catholic salesmen are present with joking references to the Pope in an effort to radiate an attitude of camaraderie. The jokes are bad, and nobody laughs. I have advised him to stop. He says he will. He doesn't. He seems compelled.

Kagle is not comfortable with people on his own level or higher. He tends to sweat on his forehead and upper lip, and to bubble in the corners of his mouth. He feels he doesn't belong with them. He is not much at ease with people who work for him. He tries to pass himself off as one of them. This is a gross (and gauche) mistake, for his salesmen and branch managers don't want him to identify with them. To them, he is management; and they know that they are nearly wholly at his mercy, with the exception of the several salesmen below him from very good famines above him who do mingle smoothly with higher executives in the company who have him at their mercy, making him feel trapped and squeezed in between.

Kagle relies on Johnny Brown, whom he fears and distrusts, to keep the salesmen in line (to be the bad guy for him). And Brown does this job efficiently and with great relish. (Brown is related to Black, by his marriage to Black's niece.) Brown's success in scaring the salesmen merely strengthens Kagle's insecurity and weakens his sense of control. Kagle is convinced that Brown is after his job, but he lacks the courage to confront Brown, transfer him, or fire him. Kagle (wisely) avoids a showdown with Brown, who is blunt and belligerent with almost everybody, especially in the afternoon if he's been drinking at lunch. Kagle would rather go out of town on an unnecessary business trip than have a showdown here with anybody about anything, and he usually manufactures excuses for travel whenever his problems here or at home with his wife and children build toward a crisis he wants other people to settle. He hopes they'll be over by the time he returns, and they usually are.

With the exception of Brown (whom Kagle hates, fears, and distrusts, and can do nothing about), Kagle tries to like everyone who works for him and to have everyone like him. He is reluctant to discipline his salesmen or reprimand them, even when he (or Brown) catches them cheating on their expense accounts or lying about their sales calls or business trips. (Kagle lies about his own business trips and, like the rest of us, probably cheats at least a little on his expense accounts.) He is unwilling to get rid of people, even those who turn drunkard, like Red Parker, or useless in other ways. This is one of the criticisms heard about him frequently. (It is occasionally made against him by the same people other people want him to get rid of.) He won't, for example, retire Ed Phelps, who wants to hang on. ('I'd throw half those lying sons of bitches right out on their ass,' Brown enjoys bragging out loud to me and Kagle about Kagle's sales force, as though challenging Kagle to do the same. 'And I'd put the other half of those lazy bastards on notice.')

Kagle wants desperately to be popular with all the 'lying sons of bitches' and 'lazy bastards' who work for him, even the clerks, receptionists, and typists, and goes out of his way to make conversation with them; as a result, they despise him. The more they despise him, the better he tries to be to them; the better he is to them, the more they despise him. There are days when his despair is so heavy that he seems almost incapable of stirring from his office or allowing anyone (but me) in to see him. He keeps his door shut for long periods of time, skips lunch entirely rather than allow even his secretary to deliver it, and does everything he can by telephone.

Kagle is comfortable with me (even on his very bad days), and I am comfortable with him. Sometimes he sends for me just to have me confirm or deny rumors he has heard (or made up) and help dispel his anxieties and shame. I do not test or threaten him; I pose no problem; on the contrary, he knows I aid him (or try to) in handling the problems created by others. Kagle trusts me and knows he is safe with me. Kagle doesn't scare me any longer. (In fact, I feel that I could scare him whenever I chose to, that he is weak in relation to me and that I am strong in relation to him, and I have this hideous urge every now and then while he is confiding in me to shock him suddenly and send him reeling forever with some brutal, unexpected insult, or to kick his crippled leg. It's a weird mixture of injured rage and cruel loathing that starts to rise within me and has to be suppressed, and I don't know where it comes from or how long I will be able to master it.) Kagle has lost faith in himself; this could be damaging, for people here, like people everywhere, have little pity for failures, and no affection.

I have pity for Kagle (as though I have already delivered my insult or kicked him in his deformed leg viciously — I know it will happen sooner or later, the wish is sometimes so strong), as I have pity for myself. I am sorry for him because he is basically a decent person, if not especially dazzling or admirable. I do worry and sympathize with him often, because he has been good to me from the day I came to work here for Green, and is good to me still. He makes my job easier. He relies on my judgment, takes my word, and backs me up in disputes I have with his salesmen. Many of his salesmen, particularly the new ones, hold me in some kind of awe because they sense I operate under his protection. (A number of the old ones who are not doing well hold me to blame, I'm sure, for having helped bring them to ruin.) Invariably in these disagreements with his salesmen, I am right and they are wrong. I am patient, practical, rational, while they are emotional and insistent. It is easy for me to be practical and rational in these situations because I am not in the least bit endangered by the business problems that threaten them.

Kagle often comments jokingly to Arthur Baron and other important people, sometimes even in my presence, that I would be much better in Green's job than Green is; Kagle does this with a gleam of mischief if I am there, because I have begged him not to. I am not certain if Kagle really believes I would be better than Green or is merely making an amiable gesture that he thinks will honor me and get back to Green to irritate and concern him. Because Andy Kagle is good to me and doesn't scare me any longer, I despise him a little bit too.

I try my best to conceal it (although I am often surprised to discover a harder edge to my sarcasms and admonitions than I intended. There is something cankered and terrifying inside me that wishes to burst out and demolish him, lame and imperfect as he is). I try my best to help and protect him in just about every way I can. I am the one who even offers regularly to carry censures and instructions from him to Johnny Brown that he shrinks from delivering himself, although I will never risk anything with Brown after lunch if I can possibly avoid it. Along with everyone else who knows Brown, I endeavor to steer clear of him after lunch (unless I need him on my side in an argument with someone else), when he is apt to be red-eyed and irritable with drink and in a contrary, bellicose mood. Brown in a bad temper with whiskey working inside him always gives the clear impression that he is eager for a fist fight. And there is no doubt that with his deep chest, sturdy shoulders, and thick, powerful hands, he can handle himself in one. And there is also no doubt that Brown is usually right.

The current (and recurrent) antagonism between Kagle and Brown is over call reports again. The salesmen

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