Chinese. But I'm from Brooklyn.
My synch numbers pick up for the next race, but it's always like that after a crack-up. People like that ABC in Commemorative. I fly a careful race, come in fourth, just out of money. Afterwards I think that if I'd flown a more spectacular race-worried less about winning and more about how it synched-I could have picked up my numbers. But how can I go out and fly without planning to win?
It's two weeks before I hit money, and that's only second. Pays rent for Georgia and me. Nights I'm out with Cinnabar. He's been hitting, and his synch numbers are way up, with the requisite loss of privacy. He needs somebody to go places with, he surely can't pick up some bent groupie if a synch crew is likely to come out of the walls and snatch a shot or an impression.
Cinnabar and I share a fondness for kites and a reverence for his dead brother. Late at night, clear out to the vacuum, we talk about how wonderful a flyer he was with that combination of seriousness and hyperbole the sober can't abide.
We go out dancing the night before the New Haven Flight, Cinnabar in his brother's red sharkskin jacket-so what if it's five years out of date-and me in a black dress cut so low in back you can see the copper bruise of the synapsis junction in the base of my spine. We go to someplace way downtown in the area they're reclaiming, you know the place, where you have to fit the mix to get in. The building likes us, I told you I have an affinity for buildings, because we just saunter past all the people it won't let in and whoosh, the doors open. Dancing with Cinnabar is nice, on the sultry numbers I don't find myself regarding the middle of his chest and on the fast numbers he isn't as stiff as most straights. Or maybe it's because he's a flyer.
We dance a lot, and then get synched, I see the crew from the vid. Some woman from the vid drags us in back for an interview with Cinnabar, and we sit in the kitchen. Cinnabar's soaked with sweat with his hair all stuck to his face and I can feel it trickling down my back. She asks all the silly questions about racing and if he expects his streak to continue. He just shrugs. It always amazes me that they ask that, what do they expect people to do, say yes?
She asks how he got from Brooklyn to flying kites, and he tells her Random was his older brother. I tell her that the jacket is Random's, I figure it will make good media. The kitchen is environmented, and it's
She asks Cinnabar if he feels he has a good chance for the New Haven, and he makes like to spit over his shoulder, just like they do at home to ward off bad luck, then he says, 'Gargoyle's going to beat me.'
We all laugh.
Citinet calls me after the synch is on vid next evening, but I'm already out at the park, patching my old Siyue. I'm hoping the vid exposure will raise my synch numbers, but I'm thinking about my kite, not my publicity. I don't even see the vid until later, and in it we look like a couple of seventeen year olds cuddling, which hooks all the romantics, and there's that red jacket going from owner to owner to catch all the disaster addicts. Just shows nobody cares about how you race so much as what they think about your life.
There are bunches of people around my pit watching Georgia and I work, and another synch crew shows up. They want to know what it feels like to be racing against my boyfriend and how serious Cinnabar and I are. I say a race is a race and shrug.
'Do you think Cinnabar is right when he says you're going to beat him?'
I stand up and faced the synch crew, put my hands on my hips. 'Well, I'm going to try,' I say, 'but I'm flying a Siyue, and he's flying a Liuyue.'
'What's the difference?'
'His is a newer kite,' I say, 'Now I gotta get ready for a race, si?'
They don't stop asking me questions but I stop answering. The pick-up chirps, and I leave Georgia testing systems.
'Angel,' Cinnabar says, '
'
'No shit.' He laughs. 'Synch numbers are going to be great. Got an idea, going to send you the jacket, okay? Make a big fuss. Then, when you fly in that crate tonight, you make it look good, okay? Maybe somebody will pick you up and you can fly a real kite.'
'Go to hell, my Siyue is a real kite.'
'You like antiques.'
'You're doing me a great favor,' I say to him.
'Favor hell, the bigger this is, the higher my numbers,
'Okay,' I say.
Fifteen minutes later, as I'm putting on my face mask and getting ready to take the kite out, one of Cinnabar's crew arrives carrying the red sharkskin jacket. I make a big show of staring at it, then put it on slowly. Then I jog the Siyue out.
I'm out early, I need the time to remember I'm flying a race. It's cold up there, it feels good. It's empty, I take a lonely lap out across The Swath and Union Square. For the first time since I got out to the Park I get to think about the race.
I fall into line when I get back out over Washington Square, take one lazy lap with everyone. I'm back at eighth, Cinnabar is second. He'll go
Is that ABC synched with me tonight?
In the darkness. I climb a bit, maybe twenty-five meters. Kites are diving in the dark, and when we flash over Washington Square the second time, I'm third, and the field is a disaster. People are strung out
We go back into the dark. I'm pushing, I don't know how much longer I can keep this up. But I've made this goddamn race my way. I'm still third when we come out over Union Square, but three people dive in front of me including Cinnabar. I dive into the middle, still not as low as Orchid. She tries to dolphin up and rises into Medicine. We go into darkness.
It's the worst point of the race under the best of circumstances because one is half blind and acclimating, and the next floater is too far to see and I don't know what the hell is going on, but I know things are a mess. I feel someone over me, and Medicine and Orchid have to be tangled in front of me. The disaster lights go on and I have just time to see Orchid's kite waffle into Cinnabar and see the silk shred away from the left front strut. Polaris is above me coming down outside. Israel is coming fast inside me. I take the space in front of me, nose first and start a screaming, too deep dive.
I know I'm below two hundred meters, but I'm more worried about pulling the kite out. My bones/frame are screaming with strain and the cross strut breaks away. I drop out of the harness to provide drag, and come into Washington Square too low, too fast. At twenty meters I try to throw the nose up, no longer trying to save the frame and the silk, and the frame distorts as easily as an umbrella turned inside-out by a high wind. But the silk holds like a slack sail taking up air. I try to land on my feet, the ground makes my foot skip off it, I can't get far enough in front of the kite, the balls of my feet keep skipping off the pavement as I try to run, I tumble and the ground comes up hard…