insects and the twitter of birds.
Beyond the fields, Marek saw the twenty-foot-high stone wall encircling the town of Castelgard. The stone was a dark, weathered gray. In one section, the wall was being repaired; the new stone was lighter in color, yellow- gray. Masons were hunched over, working quickly.
Atop the wall itself, guards in chain mail strode back and forth, sometimes pausing to stare nervously into the distance.
And rising above everything, the castle itself, with its circular towers and black stone roofs. Flags fluttered from the turrets. All the flags showed the same emblem: a maroon-and-gray shield with a silver rose.
It gave the castle a festive appearance, and indeed, in a field just outside the town walls, a large wooden viewing stand, like bleachers, was being erected for the tournament. A crowd had already begun to gather. A few knights were there, horses tied beside the brightly colored striped tents that were pitched all around the tournament field itself. Pages and grooms threaded their way among the tents, carrying armor, and water for the horses.
Marek took it all in and gave a long, satisfied sigh.
Everything he saw was accurate, down to the smallest detail. Everything was real.
He was here. :
Kate Erickson stared at Castelgard with a sense of puzzlement. Beside her, Marek was sighing like a lover, but she wasn't sure why. Of course, Castelgard was now a lively village, restored to its former glory, its houses and castle complete. But overall, the scene before her didn't look that different from any rural French landscape. Perhaps a little more backward than most, with horses and oxen instead of tractors. But otherwise… well, it just wasn't that different.
Architecturally, the biggest difference she saw in the scene before her and the present was that all the houses had lauzes roofs, made of stacked black stone. These stone roofs were incredibly heavy and required a great deal of internal bracing, which was why houses in the Pйrigord no longer used them, except in tourist areas. She was accustomed to seeing French houses with ocher roofs of curved Roman tile, or the flat tile of the French style.
Yet here, lauzes roofs were everywhere. There was no tile at all.
As she continued to look at the scene, she slowly noticed other details. For example, there were a lot of horses: really a lot, when you considered the horses in the fields, the horses at the tournament, the horses ridden on the dirt roads, and the horses put out to pasture. There must be a hundred horses in her view right now, she thought. She couldn't remember seeing so many horses at one time, even in her native Colorado. All kinds of horses, from beautiful sleek warhorses at the tournament to barnyard nags in the fields.
And while many of the people working in the fields were drably dressed, others wore colors so brilliant they almost reminded her of the Caribbean. These clothes were patched and patched again, but always in a contrasting color, so that the patchwork was visible even from a distance. It became a kind of design.
Then, too, she became aware of a clear demarcation between the relatively small areas of human habitation - towns and fields - and the surrounding forest, a dense, vast green carpet, stretching away in all directions. In this landscape, the forest predominated. She had the sense of encompassing wilderness, in which human beings were interlopers. And minor interlopers at that.
And as she looked again at the town of Castelgard itself, she sensed there was something odd that she couldn't put her finger on. Until she finally realized, there were no chimneys!
No chimneys anywhere.
The peasant houses simply had holes in the thatched roofs from which smoke issued. Within the town, the houses were similar, even though their roofs were stone: the smoke issued from a hole, or from a vent in a wall. The castle lacked chimneys, too.
She was looking at a time before chimneys appeared in this part of France. For some reason this trivial architectural detail made her shiver with a kind of horror. A world before chimneys. When had chimneys been invented, anyway? She couldn't remember exactly. Certainly by 1600, they were common. But that was a long time from now.
This 'now,' she reminded herself.
Behind her, she heard Gomez say, 'What the hell do you think you're doing?'
Kate looked back and saw that the surly guy, Baretto, had arrived. His single cage was visible on the other side of the path, a few yards back in the woods.
'I'll do what I damn well want to do,' he said to Gomez.
He had pulled up his burlap tunic, revealing a heavy leather belt with a holstered pistol and two black grenades. He was checking the pistol.
'If we're going into the world,' Baretto said, 'I'm going to be prepared.'
'You're not bringing that stuff with you,' Gomez said.
'The hell I'm not, sister.'
'You're not. You know that's not allowed. Gordon would never permit modern weapons to be taken into the world.'
'But Gordon's not here, is he?' Baretto said.
'Look, goddamn it,' Gomez said, and she pulled out her white ceramic marker, waving it at Baretto.
It looked as if she was threatening to go back.
36:50:22
In the control room, one of the technicians at the monitors said, 'We're getting field bucks.'
'Oh, really? That's good news,' Gordon said.
'Why?' Stern said.
'It means,' Gordon said, 'that someone is headed back in the next two hours. Undoubtedly your friends.'
'So they will get the Professor and be back here within two hours?'
'Yes, that's exactly-' Gordon broke off, staring at the undulating image on the monitor. A little undulating surface, with a spike that stuck up. 'Is that it?'
'Yes,' the technician said.
'But the amplitude's much too large,' Gordon said.
'Yes. And the interval's getting shorter. Fast. 'You mean someone is coming back now?'
'Yeah. Soon, it looks like.'
Stern glanced at his watch. The team had been gone only a few minutes. They couldn't have recovered the Professor so quickly.
'What does that mean?' Stern asked him.
'I don't know,' Gordon said. The truth was, he didn't like this development at all. 'They must be having some sort of trouble.'
'What kind of trouble?'
'This soon, it's probably mechanical. Maybe a transcription error.'
Stern said, 'What's a transcription error?'
The technician said, 'I'm calculating an arrival in twenty minutes fifty-seven seconds.' He was measuring the field strengths, and the pulse intervals.
'How many are coming back?' Gordon said. 'All of them?'
'No,' the technician said. 'Just one.'
36:49:19
Chris Hughes couldn't help it; he was anxious again. Despite the cool morning air, he was sweating, his skin cold, his heart pounding. Listening to Baretto and Gomez argue did nothing to increase his confidence.
